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Optimod-Surround 8685 V1.0 Operating Manual - Orban

Optimod-Surround 8685 V1.0 Operating Manual - Orban

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OPTIMOD SURROUND PROCESSOR OPERATION 3-35<br />

ROCK: ROCK-DENSE, ROCK-MEDIUM, and ROCK-OPEN are appropriate for general<br />

rock and contemporary programming. They provide a bright high end and<br />

punchy low end (although not as exaggerated as the URBAN presets). A midrange<br />

boost provides enough presence energy to ensure that vocals stand out. A modest<br />

amount of high frequency coupling (determined by the Band Clipping 3>4 setting)<br />

allows reasonable amounts of automatic HF equalization to correct dull program<br />

material, while still preventing exaggerated frequency balances and excessive HF<br />

density. Dense, medium, and open refer to the compression density, which is determined<br />

by the release time settings in the AGC and multiband compressor sections.<br />

ROCK-LIGHT has an open sound with little audible compression and less brightness<br />

than the first three presets. It is a compromise between ROCK-OPEN and ROCK-<br />

SOFT.<br />

ROCK-SOFT has a mellow, easy-to-listen-to high frequency quality that is designed<br />

for female-skewing formats. It is also a candidate for “Quiet Storm” and “Love<br />

Songs” light rock or light urban formats.<br />

ROCK-SMOOTH has the same mellow, easy-to-listen-to high frequency quality as<br />

ROCK-SOFT, but with more density. Again, it is a good choice for female-skewing<br />

formats, but where you need more compression and density than you get with<br />

ROCK-SOFT.<br />

For Contemporary Hit Radio (CHR) we recommend the ROCK-DENSE or ROCK-<br />

MEDIUM versions. In competitive situations, you may need to use LOUD-HOT (you<br />

can use LESS-MORE to get it even louder) or even LOUD-HOT+BASS or IMPACT.<br />

However, the “rock” presets are somewhat cleaner and are therefore more likely to<br />

encourage longer times spent listening than are the “loud” presets.<br />

For Album-Oriented Rock (AOR) we recommend the ROCK-MEDIUM or ROCK-OPEN<br />

versions, although you might prefer the more conservative ROCK-LIGHT or ROCK-<br />

SMOOTH versions.<br />

SMOOTH JAZZ: This preset is designed for commercial broadcasters playing smooth<br />

jazz (Kenny G., etc.). It is designed to prevent stridency with saxes and other horns.<br />

This preset is based on a custom <strong>Optimod</strong>-FM 8400 preset that has been used successfully<br />

by a major-market smooth jazz station with very good ratings. However, if<br />

the loudness/density tradeoff is not to your taste, use LESS-MORE to turn it down,<br />

producing lower loudness with less density.<br />

WMA MUSIC: This preset is based on GREGG SLOW but has been edited to minimize<br />

artifacts in the Windows Media Audio V9 codec when operated at bitrates below<br />

64 kbps. See Processing for Low Bit Rate Codecs on page 3-5.<br />

WMA NEWS-TALK: This preset is based on NEWS-TALK but has been edited to<br />

minimize artifacts in the Windows Media Audio V9 codec when operated at bitrates<br />

below 64 kbps.

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