H.M. Kelly <strong>and</strong> 3. H. Doughty 31slipshod methods, especially <strong>in</strong> rope management. The use <strong>of</strong> the rope hasevolved gradually from its first tentative <strong>in</strong>troduction, when it was almost more<strong>of</strong> a menace than an aid at times, to the present-day elaboration <strong>in</strong> which greatcare is devoted to its texture, storage, test<strong>in</strong>g, method <strong>of</strong> attachment both tobodies <strong>and</strong> rocks, h<strong>and</strong>l<strong>in</strong>g <strong>in</strong> use, <strong>and</strong> a score <strong>of</strong> other details. For if the novicesare <strong>in</strong>cl<strong>in</strong>ed to carelessness, it can truly be said <strong>of</strong> experienced climbers thatnever <strong>in</strong> the history <strong>of</strong> the sport was more concentrated attention given to thissubject than at present.There is one type <strong>of</strong> climber to whom the art <strong>of</strong> rope management is a matter<strong>of</strong> secondary importance, that is, the solitary climber. There are probably few, ifany, who addict themselves to solo climb<strong>in</strong>g exclusively; but it has always had afasc<strong>in</strong>ation for certa<strong>in</strong> m<strong>in</strong>ds. Whether because it has sometimes been frownedon by those <strong>in</strong> authority, or for other reasons, solitary climb<strong>in</strong>g is but scantilydocumented; so that we must content ourselves with referr<strong>in</strong>g to its existence<strong>and</strong> mention<strong>in</strong>g that its devotees have <strong>in</strong>cluded many <strong>of</strong> the most dist<strong>in</strong>guishedclimbers at all times.It was not our <strong>in</strong>tention, for we did not feel that it came with<strong>in</strong> the scope <strong>of</strong>this article, to deal with equipment, but as the rope has been mentioned a wordor two about footgear might not be out <strong>of</strong> place especially, as <strong>in</strong> one respect, achange <strong>in</strong> it had considerable <strong>in</strong>fluence on the development <strong>of</strong> climb<strong>in</strong>g. It is noteasy to trace the <strong>in</strong>troduction <strong>of</strong> the climb<strong>in</strong>g nail <strong>in</strong>to the boot <strong>and</strong> the variouschanges that have taken place <strong>in</strong> the composition <strong>and</strong> shape <strong>of</strong> it. No doubtclimbers were first content with the strong type <strong>of</strong> boot such as was worn by thedalesman until the need for someth<strong>in</strong>g afford<strong>in</strong>g greater friction started thevarious fashions <strong>in</strong> the project<strong>in</strong>g nail. But regard<strong>in</strong>g the <strong>in</strong>troduction <strong>of</strong> therubber shoe there is less uncerta<strong>in</strong>ty, for gritstone climb<strong>in</strong>g was chieflyresponsible for it. Like most <strong>in</strong>novations this did not come about at once <strong>and</strong> atfirst problems dem<strong>and</strong><strong>in</strong>g footgear <strong>of</strong> th~s k<strong>in</strong>d were usually overcome bydiscard<strong>in</strong>g the boot for the stock<strong>in</strong>ged-foot; as Jones did on the f<strong>in</strong>al pitch <strong>of</strong>Walker's Gully, <strong>and</strong> Herford <strong>and</strong> Sansom on the Central Buttress. But whenthis method was applied to gritstone-<strong>and</strong> it was more applicable to this type <strong>of</strong>climb<strong>in</strong>g than any other-the abrasive nature <strong>of</strong> the rock dem<strong>and</strong>ed someth<strong>in</strong>gmore durable than wool, <strong>and</strong> ultimately the rubber-shoe was adopted as themost suitable medium for the purpose. Its durability, together with its better'feel' <strong>and</strong> greater flexibility than the boot, brought it <strong>in</strong>to favour for the biggercrags, <strong>and</strong> a pair <strong>of</strong> rubbers were naturally stored Into the rucksack beforestart<strong>in</strong>g out for them.One <strong>of</strong> two features which have dist<strong>in</strong>guished British from Cont<strong>in</strong>entalclimb<strong>in</strong>g should also be mentioned here. One is the almost complete refusal <strong>of</strong>our own climbers to resort to artificial aids, apart from the rope. Thecont<strong>in</strong>ental climber, with his armoury <strong>of</strong> pitons (wall-hooks), hammer, <strong>and</strong>carab<strong>in</strong>eers (sic) (snap-r<strong>in</strong>gs), has no counterpart <strong>in</strong> this country. Of course, ourhome crags <strong>of</strong>fer a fair supply <strong>of</strong> natural belays, <strong>and</strong> do not call so imperatively
H.M.Kelly <strong>and</strong> J.H.Doughty 33for the piton (wall-hook), etc., as do the rocks <strong>of</strong> the Eastern Alps. And if theGerman <strong>and</strong> Austrian have perhaps been over-ready to rely on theseadventitious aids, they have been led thereby to the development <strong>of</strong> newtechnical methods, enabl<strong>in</strong>g them to make attacks on smooth faces that could besurmounted by no other means. We may yet see such methods <strong>in</strong>troduced <strong>in</strong>Lakel<strong>and</strong> as the supply <strong>of</strong> new routes gives out, but they will have to encounterthe resistance <strong>of</strong> strong prejudice.Another po<strong>in</strong>t <strong>of</strong> difference is the almost complete absence, until quiterecently, <strong>of</strong> the pr<strong>of</strong>essional element <strong>in</strong> British climb<strong>in</strong>g. Before the war therewas <strong>of</strong>ten to be found at Wasdale Head <strong>in</strong> w<strong>in</strong>ter a Dauph<strong>in</strong>e guide, but it canhardly be said that he was taken very seriously; <strong>and</strong> <strong>in</strong> the real climb<strong>in</strong>g seasonhe was always back <strong>in</strong> his native l<strong>and</strong>. After the war, this practice was notrevived; but about ten years ago J.E.B. Wright started an organisation known asthe Lakel<strong>and</strong> Mounta<strong>in</strong> Guides, <strong>and</strong> published a Fixed tariff for variousLakel<strong>and</strong> climbs. His example has s<strong>in</strong>ce been followed by others, <strong>and</strong> there arenow quite a few pr<strong>of</strong>essionals available. The mere fact that the Guides havegrown <strong>in</strong> numbers may be taken as evidence that they are a need, but whilst they<strong>in</strong>clude among them some first-class cragsmen, it cannot be said that they haveyet played much part <strong>in</strong> shap<strong>in</strong>g climb<strong>in</strong>g history.And what <strong>of</strong> the future? It is no use say<strong>in</strong>g that the crags are exhausted. Thathas been said too <strong>of</strong>ten, <strong>and</strong> too <strong>of</strong>ten falsified. What new forms climb<strong>in</strong>g maytake is an <strong>in</strong>terest<strong>in</strong>g subject for speculation. Here is a fragment, hithertounpublished, which was written some fifteen years ago by a well-knownclimber:'Some time ago there passed away <strong>in</strong> London a great pa<strong>in</strong>ter, little known to the world<strong>of</strong> those days. For the last few years he had lived <strong>in</strong> obscurity. He had lost <strong>in</strong>terest <strong>in</strong>everyth<strong>in</strong>g except his art, his wordly affairs be<strong>in</strong>g managed by a few close friends,<strong>in</strong>clud<strong>in</strong>g those who had been directly <strong>in</strong>terested <strong>in</strong> his productions. He would take uphis brush before his easel <strong>and</strong> endeavour to transmit his ideas <strong>in</strong>to form <strong>and</strong> outl<strong>in</strong>e onthe canvas. The picture always rema<strong>in</strong>ed unf<strong>in</strong>ished, idea after idea would be pa<strong>in</strong>tedover each other until the canvas became noth<strong>in</strong>g but a glow<strong>in</strong>g mass <strong>of</strong> colour. Colourbecame the supreme th<strong>in</strong>g—he would toy with dyed wools <strong>and</strong> silks; all the ranges <strong>of</strong> themodern dyer's colours expressed <strong>in</strong> these mediums attracted him.'I th<strong>in</strong>k <strong>of</strong> rock-climb<strong>in</strong>g. Routes jostle <strong>and</strong> spill over each other. Today there isdef<strong>in</strong>ition <strong>and</strong> form <strong>in</strong> rock-climb<strong>in</strong>g—gullies, chimneys, cracks—but it is fast los<strong>in</strong>g this,<strong>and</strong> the cause <strong>of</strong> it is slab-climb<strong>in</strong>g. The caterpillar form <strong>of</strong> movement dem<strong>and</strong>ed by theformer type <strong>of</strong> climb<strong>in</strong>g is giv<strong>in</strong>g way to the flow<strong>in</strong>g movement <strong>of</strong> the latter; one mightsay one tw<strong>in</strong>kles up a slab. It is on slabs that one enjoys the real delight <strong>of</strong> rock-climb<strong>in</strong>g.And the trend <strong>of</strong> all this is that the rock climber <strong>of</strong> the future will view a face <strong>of</strong> rockfrom a new aspect—his climb<strong>in</strong>g will be <strong>of</strong> the whole <strong>and</strong> not part only. Def<strong>in</strong>ed routeswill be crossed <strong>and</strong> re-crossed, l<strong>in</strong>es <strong>of</strong> movement will take him up <strong>and</strong> down, diagonally<strong>and</strong> otherwise, <strong>in</strong> every direction. Holds will be just caressed <strong>and</strong> passed by for others, averitable flirtation will be carried on until he almost becomes a rock-climb<strong>in</strong>g Don Juan.Th<strong>in</strong>k, for example, <strong>of</strong> w<strong>and</strong>er<strong>in</strong>g at will over Deep Ghyll Slabs. As the m<strong>in</strong>d's eyefollows the ramifications <strong>of</strong> one's movements, an exhilaration will ensure such as to fillthe imag<strong>in</strong>ation with a sense <strong>of</strong> riotous feel<strong>in</strong>g, analogous to the passion for colour <strong>of</strong> thegreat departed pa<strong>in</strong>ter.'203 Stanley Watson lead<strong>in</strong>g Innom<strong>in</strong>ate Crack. Abraham Collection