Radio evolution - ICS - Universidade do Minho

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Carlos Eduardo Esch & Nélia del BiancoDAB gets a poor reception. The Guardian, (09.10.2006). Available athttp://www.guardian.co.uk/media/2006/oct/09/mondaymediasection.radioDigital Radio Working Group - Interim report for the Secretary of State for Culture, Media and Sport. Inglaterra,June 2008Infinite Dial 2008: Radio‘s Digital Platforms Online, Satellite, HD Radio TM and Podcasting. Arbitron and EdsonMedia Research. Available at www.arbitron.orgLima. V.A (2005). As bases do coronelismo eletrônico. Observatório da imprensa. Available athttp://www.observatoriodaimprensa.com.br/artigos.asp?cod=341IPB001Libro verde sobre la convergência de los sectores de telecomunciaciones, médios de comunciación y tecnologiasde la información y sobre sus conscuencias para la regulamentación (1997). Comissión Europea.Available at http://europa.eu/legislation_summaries/information_society/internet/l24165_es.htmMackenzie, Instituto and ABERT (2008). Relatório dos testes realizados em estações OM e FM que utilizam o padrãoIBOC. São Paulo, mimeo.Order of Ministério das Comunicações do Brasil , Nº 290 de 30 de março de 2010Pesquisa Anual do Uso de Informática, realizada pelo Centro de Tecnologia de Informação Aplicada da FundaçãoGetulio Vargas (FGV) de 2008. Jornal do Brasil Onlinehttp://jbonline.terra.com.br/pextra/2009/05/26/e260510292.aspPerfil Sócio-Econômico do Setor de Radiodifusão no Brasil, FGV.Available at http://www.abert.org.br:8080/abert/?q=biblioteca_Censo_RadiodifusãoSistema para radiodifusión sonora digital en las bandas de radiodifusión por debajo de 30 MHz (2001-2002)International Telecommunication Union - R BS 1514-1146 | ECREA: Radio Evolution: technology, content, audiences – conference 2011
Oliveira, M.; Portela, P. & Santos, L.A. (eds.) (2012)Radio Evolution: Conference ProceedingsSeptember, 14-16, 2011, Braga, University of Minho: Communication and Society Research CentreISBN 978-989-97244-9-5From Radio to R@dio: broadcasting in the 21stcenturyPAULA CORDEIROISCPS –Technical University of Lisbonpcordeiro@iscsp.utl.ptAbstract:Online broadcasting, online music services, portable music players, digital receivers, mobile phonesand podcasts are different ways to access music and entertainment. All these platforms represent awhole new scenario for media and forces radio to change the business and communication model,transforming the radio concept we used to know. MP3 players for instance, or devices such asmobile phones are shifting the balance of power away from radio as tastemaker towardconsumers' ability to select, hoard and arrange their music. Multimedia is changing radiodiscourse. Radio listening gave way to online navigation and interaction. To where does all thislead us? The proposed abstract will focus on the transfiguration of audio contents, both in termsof journalism, entertainment and advertising, as well as the mutation of the listener in direction ofa relation between the one who listens to radio and is also a web user of radio websites,presenting the concept of R@dio, as a definition for the new broadcasting context in the 21stcentury.Keywords: Online broadcasting, online music services, music, media, radio, business, listener,InternetIntroductionThis paper focuses on changes occurring in audio consumption, considering web-based content, radioforms of broadcasting and narrowcasting, to characterize the transfiguration of audio contents, in terms ofproduction, assembly and consumption. This will produce proper categories of web-based audio content, asonline music services colonize the web and radio has become r@dio, competing for people’s attention among allavailable audio contents. Our approach to online music services as potential competitors for radio aims tounderstand characteristics that differentiate them from radio and find common features between them. In bothcases, structure of media files distribution uses streaming software, that is, on demand or live webcast. Onlinemusic services correspond to a very broad category, including all sorts of online services that allow us to listen toonline music, weather is music uploaded from our computer, streamed songs on YouTube video aggregators,licensed songs in websites, or community build playlist available online. Baring this in mind, we develop ananalysis of radio in relation to music websites, to find common features and categorize the variety of web-basedaudio content and services. As Herring (2010), we question established methods of content analysis adequacy toanalyse convergent interactive web content using HTML. Therefore, we use a descriptive website analysiscombined with systematization of structural features (text components) to identify and describe patterns inwebsite content, while applying traditional content analysis techniques that will help us to interpret these websitescharacteristics. Using websites self-definition on “about” page, we hope to fit established categories of web-basedECREA: ‘Radio Evolution: technology, contents, audiences – conference 2011 | 147
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The development of the news-informa
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Music as mass consume in the web ra
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2 | ECREA: Radio Evolution: technol
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media, radio opened channels for di
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Luís BonixeWe analyzed the Faceboo
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Luís BonixeFinally, social network
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Luís BonixeMethodologyThe purpose
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Luís BonixeNews isbroadcast ontrad
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Luís BonixeMayfiled, Anthony (2008
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Tiziano Boninibody of the radio med
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Tiziano BoniniCase history #1: RaiT
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Tiziano BoniniPodcasts are easy to
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Tiziano BoniniSocial media Manifest
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Tiziano BoniniVol. No. 51 Issue No.
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Teresa Piñero-Otero & Fernando Ram
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Lawrie Hallettregulatory frameworks
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Lawrie Halletttend to remain somewh
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Lawrie Hallettduplicate that carrie
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Lawrie HallettNevertheless, given t
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Lawrie Hallett48 | ECREA: Radio Evo
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Susana Herrera Damas & José Luís
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Título del ejePercentageMaria Guti
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Maria Gutiérrez; Xavi Ribes; Josep
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CorporativaFlaix matíInteractuaCor
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Pierre BélangerThe Canadian Radios
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Pierre BélangerFigure 1: Astral's
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Pierre BélangerFor both traditiona
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Pierre Bélangerbrand(s), he has fi
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Pierre BélangerFigure 5: Digital S
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Pierre BélangerAlthough the online
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Pierre BélangerLeggatt, H. (2010).
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Pierre Bélanger94 | ECREA: Radio E
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The ways of participation. The volu
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Oliveira, M.; Portela, P. & Santos,
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Influences of Political Economy on
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Euranet: a Case of Study of Pan-Eur
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Part II :ContentChapter 3 | New rad
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Changes in Patterns of contemporary
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The French highway radio: a model f
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Band FM of Journalism of São Paulo
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Radiographing an ‘Expatriate’ S
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Radio today: the risks of the past
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Romeo in love: a community format i
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Creativity: the key to creating suc
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Advertising characteristics and str
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Description and analysis of adverti
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Chapter 4 | Non-Linear discourseand
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Radio - the forgotten medium or use
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One Half of the Story: Radio Drama,
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Formal or informal ‘you’? ‘Vo
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Democratic barricades: the presence
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Part II :AudiencesChapter 5 | New M
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Measuring Community Radio Audiences
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‘I know exactly who they are’:
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Chapter 6 | Radio Globalizationand
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The Radio’s afterlife. Three sphe
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Radio and the Web: BBC radio as a n
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University radio stations in Brazil
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Brazilian Auditorium Programs and Q
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Breaking Radio Boundaries: a new en
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Part II :IdentityChapter 7 | Identi
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Internet radio as a mean to constru
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Free, Pirate, Community - the repre
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Radio, Citizenship and Social Ident
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The German-speaking radio in Silesi
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Basque and Gael speaking radio jour
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Antonio AdamiThe radio in Brazil wa
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Antonio AdamiFigure 1: Relação da
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Antonio Adamipublished in February
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Antonio Adami1929 - São PauloPRB-9
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Antonio Adamione big auditorium and
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