Radio evolution - ICS - Universidade do Minho

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Alejandro López Merayo & Mª de la Peña Mónica Perez AlaejoPeñafiel, Carmen (2007). ʻLos retos de la radio en el entorno multimediaʼ, in Peñafiel, Carmen (Ed.),Transformaciones de la radio y la televisión en Europa (pp. 19-37). Bilbao: Universidad del PaísVasco/Euskal Herriko Unibertsitatea, Servicio Editorial, pp. 19-37Rojo, Pedro Antonio; Hellín, Pedro Antonio & San Nicolás, César (2008). ʻEl modelo de negocio en Internet de laradio española de cobertura nacionalʼ. I/C Revista Científica de Información y Comunicación, Issue 5,288-325.Sellas, Toni (2009). La voz de la Web 2.0. Análisis del contexto, retos y oportunidades del podcasting en el marcode la comunicación sonora. Departament de Ciències de la Comunicació de la Universitat Internacionalde Catalunya.272 | ECREA: Radio Evolution: technology, content, audiences – conference 2011
Oliveira, M.; Portela, P. & Santos, L.A. (eds.) (2012)Radio Evolution: Conference ProceedingsSeptember, 14-16, 2011, Braga, University of Minho: Communication and Society Research CentreISBN 978-989-97244-9-5Romeo in love: a community format in a communityradioTIZIANA CAVALLOUniversity of Milan, Iulmtiziana.cavallo@iulm.itAbstract:This case study aims to investigate - through qualitative analysis - the form and content of a formatin the schedule of an Italian university radio programme. Romeo in Love is a videocast on LesbianGay Bisex Transgender culture experienced by young people. It is made in the studios ofFuoriAulaNetwork university web radio of the University of Verona. The format is run by two youngpostgraduates, one gay and one heterosexual, friends in life and passionate communicators, whohave developed skills in the radio business during their courses of study. Both are in fact foundersof the university web radio created in Verona in March 2005 as an experimental product of mediaeducation and public communication.A university web radio is a community medium-free, alternative, non profit and an expression ofyouth culture, developed from grassroots, created to meet the needs of a community with thepurpose of sharing common values and passions.Romeo in Love was launched in May 2008 and was made available after the weekly live show in theform of a podcast on the radio's website, and then on its own site. In 2009 the programme becamea videocast and in this new form embraces an even wider, and more diverse audience, includinglisteners from outside the LGBT community.Keywords: LGBT culture, university radio, community media, new mediaIntroduction to queer radio: brief American and English historyI saw the best minds of my generation destroyed by madness, starvinghysterical naked, […]who passed through universities with radiant coll eyes hallucinating Arkansasand Blake-light tragedy among the scholars of war,who were expelled from the academies for crazy & publishing obsceneodes on the windows of the skull.These verses were written by the poet Allen Ginsberg in 1956 and are part of Howl, a controversial poem inwhich the poet revealed his liberal attitude toward sexuality. Ginsberg's reading of Howl on Berkley station KPFA-FM in the same year and was one of the first signs of gay culture on the air. KPFA, founded in 1946, was one of thefirst community stations in the United States, and part of Pacifica, the country's oldest public radio networks. ThePacifica Radio Network has served as a template for community broadcasting, introducing listener-sponsorship,the programmes guide, and key fund-raising techniques (Dunaway, 2005).ECREA: ‘Radio Evolution: technology, contents, audiences – conference 2011| 273
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The development of the news-informa
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Music as mass consume in the web ra
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2 | ECREA: Radio Evolution: technol
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media, radio opened channels for di
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Luís BonixeWe analyzed the Faceboo
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Luís BonixeFinally, social network
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Luís BonixeMethodologyThe purpose
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Luís BonixeNews isbroadcast ontrad
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Luís BonixeMayfiled, Anthony (2008
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Tiziano Boninibody of the radio med
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Tiziano BoniniCase history #1: RaiT
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Tiziano BoniniPodcasts are easy to
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Tiziano BoniniSocial media Manifest
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Tiziano BoniniVol. No. 51 Issue No.
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Teresa Piñero-Otero & Fernando Ram
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Lawrie Hallettregulatory frameworks
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Lawrie Halletttend to remain somewh
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Lawrie Hallettduplicate that carrie
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Lawrie HallettNevertheless, given t
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Lawrie Hallett48 | ECREA: Radio Evo
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Susana Herrera Damas & José Luís
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Título del ejePercentageMaria Guti
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Maria Gutiérrez; Xavi Ribes; Josep
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CorporativaFlaix matíInteractuaCor
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Pierre BélangerThe Canadian Radios
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Pierre BélangerFigure 1: Astral's
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Pierre BélangerFor both traditiona
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Pierre Bélangerbrand(s), he has fi
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Pierre BélangerFigure 5: Digital S
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Pierre BélangerAlthough the online
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Pierre BélangerLeggatt, H. (2010).
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Pierre Bélanger94 | ECREA: Radio E
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Hélder Bastos; Helena Lima; Nuno M
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Radio journalists and the Internet:
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Oliveira, M.; Portela, P. & Santos,
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Casting doubts on Web Media. Can In
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Digital radio in Brazil: analysis o
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From Radio to R@dio: broadcasting i
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Live and local no more? Listening c
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Local broadcasters in the convergen
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The ways of participation. The volu
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Influences of Political Economy on
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Euranet: a Case of Study of Pan-Eur
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Part II :ContentChapter 3 | New rad
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Radio - the forgotten medium or use
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One Half of the Story: Radio Drama,
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Formal or informal ‘you’? ‘Vo
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Democratic barricades: the presence
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Part II :AudiencesChapter 5 | New M
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Measuring Community Radio Audiences
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‘I know exactly who they are’:
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Chapter 6 | Radio Globalizationand
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The Radio’s afterlife. Three sphe
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Radio and the Web: BBC radio as a n
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University radio stations in Brazil
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Brazilian Auditorium Programs and Q
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Breaking Radio Boundaries: a new en
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Part II :IdentityChapter 7 | Identi
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Internet radio as a mean to constru
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Free, Pirate, Community - the repre
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Radio, Citizenship and Social Ident
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The German-speaking radio in Silesi
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Basque and Gael speaking radio jour
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Antonio AdamiThe radio in Brazil wa
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Antonio AdamiFigure 1: Relação da
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Antonio Adamipublished in February
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Antonio Adami1929 - São PauloPRB-9
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Antonio Adamione big auditorium and
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