Radio evolution - ICS - Universidade do Minho

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Pierre BélangerFigure 5: Digital Sales Process GuideSource: Astral (2011). Integrated Radio-Web Playbook Sales.Figure 6: Campaign Execution PlaybookSource: Astral (2011). Integrated Radio-Web Playbook Sales.88 | ECREA: Radio Evolution: technology, content, audiences – conference 2011
Listening to what people who don’t listen to radioFurthermore, a "31 Length" award program was created. Named after the historical 1973 Belmont Stakesrace in which jockey Ron Turcotte beat his competition by an unprecedented 31 horse lengths (see figure 7), thisprogram is designed to ignite competitiveness among Astral radio markets and celebrate the over-achievers.Figure 7: 31 Length Award Inspirational PictureThis is the defining image of Secretariat as it roars to a record breaking 31 length victory.When FUSION was launched, Astral Radio's sales force jumped out of the gate and quickly closed anencouraging number of digital sales. Momentum was palpable. Clients were presented with innovative productsthat allow them to engage in a more dynamic and personalized way with their consumers than ever before. Initialreaction from advertisers was auspicious as FUSION was able to deliver progressive concepts that were in tunewith the standards and expectations that have become the new digital norm. In an internal memo sent toemployees on December 7, 2010, Astral Radio announced that sales numbers for the first quarter under theFUSION strategy had come in at 112% of set target, an achievement that, while still early to make any claims, wasthe sort of signal everyone was hoping for.Producing an innovative rich-media digital campaign was a challenge for a sales team used to sell,conceive, produce and air a radio campaign within a day (see figure 6). But there was more. The real challengewas in fact managing sales reps' and advertisers' expectations as both parties saw the potential of this newplatform and wanted to push the creativity to new heights. With time and experience, pricing was revisited tobetter reflect actual traffic generated and as the sales force became more comfortable selling digital, advertiserswere not only better supported and advised but their expectations were also better managed. In some cases, inthe spirit of openness and exploration, Astral Radio went as far as sharing the risks and rewards with advertisers asthey experimented with new concepts.Lessons LearnedAlthough it is premature at this point to determine whether FUSION has proven to be a success, initialindicators are sending all the right signals. Twelve months after the rollout, sales growth is coming in at 75% yearover-year(YOY), which is in line with the corporate objective to have web-based activities generating after Year 1an overall average of 2.5% of broadcast revenues, with a range set at between 2 and 5% per market. As aggressiveas these targets might seem, almost every single station gave it its unconditional support. It speaks to the naturalentrepreneurial DNA of private commercial radio operators who feel that, given the set of resources that they arenow provided with, these sorts of numbers are realistic and achievable, barring any major economic slowdown likethe one the western world is still painfully working its way out of. Individual radio markets are now the masters oftheir own destiny. The targets are clear and the strategy used by Astral Radio has delivered convincing results inover 20 U.S. markets.ECREA: ‘Radio Evolution: technology, contents, audiences – conference 2011 | 89
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The development of the news-informa
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Music as mass consume in the web ra
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2 | ECREA: Radio Evolution: technol
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media, radio opened channels for di
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Luís BonixeWe analyzed the Faceboo
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Luís BonixeFinally, social network
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Luís BonixeMethodologyThe purpose
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Luís BonixeNews isbroadcast ontrad
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Luís BonixeMayfiled, Anthony (2008
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Tiziano Boninibody of the radio med
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Tiziano BoniniCase history #1: RaiT
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Tiziano BoniniPodcasts are easy to
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Tiziano BoniniSocial media Manifest
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Tiziano BoniniVol. No. 51 Issue No.
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Teresa Piñero-Otero & Fernando Ram
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Page 88 and 89: Pierre BélangerThe Canadian Radios
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Digital radio in Brazil: analysis o
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Oliveira, M.; Portela, P. & Santos,
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From Radio to R@dio: broadcasting i
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Live and local no more? Listening c
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Local broadcasters in the convergen
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The ways of participation. The volu
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Influences of Political Economy on
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Euranet: a Case of Study of Pan-Eur
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Part II :ContentChapter 3 | New rad
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Changes in Patterns of contemporary
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The French highway radio: a model f
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Band FM of Journalism of São Paulo
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Radiographing an ‘Expatriate’ S
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Radio today: the risks of the past
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Romeo in love: a community format i
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Creativity: the key to creating suc
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Advertising characteristics and str
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Description and analysis of adverti
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Chapter 4 | Non-Linear discourseand
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Radio - the forgotten medium or use
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One Half of the Story: Radio Drama,
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Formal or informal ‘you’? ‘Vo
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Democratic barricades: the presence
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Part II :AudiencesChapter 5 | New M
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Measuring Community Radio Audiences
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‘I know exactly who they are’:
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Chapter 6 | Radio Globalizationand
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The Radio’s afterlife. Three sphe
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Radio and the Web: BBC radio as a n
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University radio stations in Brazil
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Breaking Radio Boundaries: a new en
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Part II :IdentityChapter 7 | Identi
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Internet radio as a mean to constru
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Radio, Citizenship and Social Ident
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The German-speaking radio in Silesi
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Basque and Gael speaking radio jour
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Antonio AdamiThe radio in Brazil wa
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Antonio AdamiFigure 1: Relação da
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Antonio Adamipublished in February
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Antonio Adami1929 - São PauloPRB-9
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Antonio Adamione big auditorium and
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