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A Multidisciplinary Research Journal - Devanga Arts College

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the stage of self-actualization. Culture plays a vital role in shaping men and women mentally<br />

and spiritually.<br />

The Grass is Singing is set in southern Rhodesia, where the writer grew up. It tells the<br />

story of a white woman, Mary who leaves the poor family farm on the veld to lead a happy<br />

single life in the town until she feels pushed by her friends into seeking a husband. Disastrously<br />

in a hasty way she marries Dick Turner, a poor stubborn farmer and in the frustration of a life<br />

mirrioring her own mother’s gradually deteriorites into breakdown and in doing so crosses a<br />

taboo. She tries to give up despising and hating natives in the way conventional with in her own<br />

cultural context. She comes to rely physically and emotionally on her black servant, Moses.<br />

When Tony, young man fresh from England, arrives on the farm, she sends Moses away only to<br />

have him return and kill her.<br />

The novel beginning with the newspaper report of the murder of Mary, a white by the<br />

black servant Moses and the whites’ analysis of the murder mystery vividly presents the political<br />

situation in the colonial context. The whites who turn in to poor farmers called the turners are<br />

more sensitive about their superiority over the blacks, since the maintenance of the white<br />

superiority is becoming increasingly difficult in economical and political terms. The<br />

impoverished life style of Mary and Dick and Mary’s death have severely threatened white<br />

solidarity, a quality carefully cherished in the colonial society. That is why the white farmers<br />

who discuss the murder of Mary are content with a stereotypal interpretation of the motives for<br />

Murder. What is every black servant but potential thief in the view of the whites? That Mary was<br />

sexually attracted to Moses was almost unthinkable and culturally unspeakable to the whites. A<br />

society of white settlers in Africa established discourses of power which have ways to subscribe<br />

to any foreigner their priorities superior or inferior. Tony Marston, Dick’s manager, a white fresh<br />

from England thwarts those prejudiced opinions and shocks the whites with his statements that<br />

the motives for the murder of Mary are complicated by Mary’s emotional involvement with his<br />

black servant. Lessing uses Tony to represent her impartial views that are against the colonial<br />

myth of the whites. Through him the novelist both articulates and undermines the authority of the<br />

liberal outsider particularly that of the British. Tony Marston performs an important function in<br />

indicating how the novel is to be read.<br />

But the important thing that really mattered, so it seemed to him<br />

was to understand the background the circumstances, the

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