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A Multidisciplinary Research Journal - Devanga Arts College

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Like Jake, Daniel Luoma, the male gynecologist who treats Rennie for breast cancer also<br />

exploits her, thereby violating the professional ethics. Rennie sees Daniel Luoma as both healer<br />

and killer; he has the capacity to save her life, as also to leave her to death. She feels exposed<br />

before him, as he knows something about her, which she herself does not know. She expects<br />

Daniel to console her, but is shocked to see that he seems to be more in need of her. To her, the<br />

surgeon’s knife becomes a symbolic representation of sexual violence and castration, so she<br />

states: “Doctored, they say of drinks that have been tampered with, of cats that have been<br />

castrated” (BH 101). As Sharon Wilson points out, Rennie has been treated as a raw material,<br />

violated and doctored” (“Turning Life”140) by Daniel. She identifies her plight with that of<br />

many other women who are victimized in various male institutions. Though doctors are supposed<br />

to be objective and humane, they indulge in power structures that preside over “violence,<br />

manipulation of opinion and life itself”. (Rubenstein 264)<br />

Rennie suffers a further threat to her security when an intruder attempts a crime in her<br />

apartment. The stranger leaves a rope, “coiled neatly on the quilt” (BH 13) which makes Rennie<br />

fear a possible male assault. Rennie gets hallucinations that someone is pursuing her and is<br />

sharing her bed. These fears continue to inhabit her mind even after a long time, gradually, the<br />

stranger with the rope loses his physical significance and becomes a personification of her own<br />

fear towards the different men she has encountered: “The face keeps changing, eluding her, he<br />

might as well be invisible, she can’t see him, this is what is so terrifying, he isn’t really there, he<br />

is only shadow, anonymous, familiar, with silver eyes that twin and reflect her own” (BH 287).<br />

Rennie longs for a change in atmosphere, so persuades the editor of ‘Visor’ to permit her<br />

do a travel piece in Caribbean island. She wants to flee from herself, from social entanglements,<br />

she believes that being a tourist and she is exempt from everything. She tries to remain neutral to<br />

people and events around, she believes that having contacts is better than having friends. She<br />

feels that luck consists in avoiding obligations: “Rennie is lucky. She is not tied down, which is<br />

an advantage.” (BH 16) As a tourist, she is free: “She’s a tourist; she can keep her opinions open.<br />

She can always go somewhere else.” (BH 227) Rennie becomes an “Expert on surfaces” (BH<br />

26), she feels that she is safe and invisible.<br />

In the Caribbean island, Rennie’s loneliness and her vulnerability draw her closer to Paul,<br />

a tourist guide, but he too turns out to be an unreliable companion. Paul treats her with<br />

compassion, with him; she experiences her sensuality once again and forgets the illness and

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