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analyse data into a justifiable pattern of causes and consequences. Film historians seem toconcentrate more on the films and do not place sufficient emphasis on the context.This thesis finishes in the mid-1970s with the end of the last cycle of Civil War films, butthe interest in, and the issues of, the Civil War have not gone away. Any future research onthe Civil War in popular culture in the last twenty-five years of the twentieth centurywould be qualitatively different from that of the previous seventy-five. As Hollywoodwithdrew, television began to realise the full potential of the Civil War. The film industryunderwent a further restructuring and filmmaking became just one part of the interests ofhuge entertainment conglomerates. Nevertheless, the methodological approach adopted inthis research can be retained. History films are a rich seam of social information as theyreflect, and sometimes challenge, attitudes present in society at the time of theirproduction. It points the way to understanding how America saw and continues to seeitself.154

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