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minority interests. The Civil War faded from Hollywood's agenda. In the last quarter ofthe twentieth century only eleven Civil War films were produced (see Appendix 7).36
1 William Faulkner, Requiem for a Nun (Harmondsworth, Middlesex: Penguin Books, 1960), 81.2 David Goldfield, Still Fighting the Civil War (Baton Rouge: Louisiana State University Press, 2002), 1.3 Thomas J. Pressly, Americans Interpret their Civil War (New York: Collier Books, 1962), 18.4 This showed uniformed African-American soldiers, a sailor and women, children and elders seekingstrength together. The listing of names was completed in 1999. Available from:afroamcivilwar.org/discover.html (accessed 2 February, 2004).5 Goldfield, Still Fighting the Civil War, p.4. The term the 'Lost Cause' was probably first used by Edward APollard in his 1866 book The Lost Cause: A New Southern History of the War of the Confederates. Howeverit was Jefferson Davis, the former president of the Confederacy, with his two-volume memoir The Rise andFall of the Confederate Government in 1881 that encapsulated the case and rhetoric of the South's defenceand firmly established the Confederate tradition with the Lost Cause at its heart.Gaines M. Foster, Ghosts of the Confederacy: Defeat, the Lost Cause and the Emergence of the New South(Oxford: Oxford University Press, 1987), 118.7 David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, Massachusetts:Belknap Press, Harvard University Press, 2001), 2-3.8 Goldfield, Sf/7/ Fighting the Civil War, 12, 16. Also see Ira Berlin, 'American Slavery in History andMemory and the Search for Social Justice,' Journal of American History, 90 (March, 2004), 1251-68.Roy Rozenzweig and David Thelen, The Presence of the Past: Popular Uses of History in American Life(New York: Columbia University Press, 1998) book review by Ann Fabian, Reviews in American History,27, (1999), 630-35.10 This was Walter Williams of Houston Texas, who died in December 1959. Robert Cook, 'From Shiloh toSelma: The Impact of the Civil War Centennial on the Black Freedom Struggle in the United States, 1961-65', in Brian Ward and Tony Badger, (eds.), The Making of Martin Luther King and the Civil RightsMovement (Basingstoke: MacMillan Press, 1996), 134.11 Typing 'American Civil War' on Google gave 79,000,000 hits (14 January, 2005).12 Hugh Tulloch, The Debate on the American Civil War Era (Manchester: Manchester University Press,1999), 104.n Charles Joyner, ' "Forget, Hell!": The Civil War in Southern Memory' in Susan-Mary Grant and Peter JParish, (eds.), Legacy of Disunion: The Enduring significance of the American Civil War (Baton Rouge:Louisiana State University Press, 2003), 23.14Bruce Catton, America Goes to War (Middletown, Connecticut: Weslyan University Press, 1958), 68-9.15 Robert Penn Warren, The Legacy of the Civil War: Meditations on the Centennial (New York: VintageBooks, 1961), 3-4.16 Shelby Foote in The Civil War, a documentary for television by Ken Burns, 1990.17 Alan T. Noble, Lee Considered (1991), quoted in Robert Lang (ed.), The Birth of a Nation: D. W. Griffith,Director (New Brunswick, New Jersey: Rutgers University Press, 1994), 5.18 Susan-Mary Grant, 'Civil War and American Nationalism' in Susan-Mary Grant and Peter J Parish (eds.),Legacy of Disunion: The Enduring Significance of the American Civil War (Baton Rouge: Louisiana StateUniversity Press, 2003), 189-206.37
Page 1 and 2: Greenwich Academic Literature Archi
Page 3: REEL WARS: COLD WAR, CIVIL RIGHTSAN
Page 6 and 7: ABSTRACTThis study is an examinatio
Page 8 and 9: ABBREVIATIONSAMPASAHRBirthCommissio
Page 10 and 11: Historians using film as a resource
Page 12 and 13: dominated America's foreign policy
Page 14 and 15: Mary L. Dudziak explores this relat
Page 17 and 18: pure and simple' and were therefore
Page 19 and 20: historical texts. Hayden White comp
Page 21 and 22: Historians, history films and film
Page 23 and 24: How have sympathetic film historian
Page 25 and 26: Therefore historians can, with over
Page 27 and 28: identity and these were taken as th
Page 29 and 30: 21 George F. Custen, 'Hollywood and
Page 31 and 32: 63 Rosenstone, The Historical Film,
Page 33 and 34: of Honor dedicated to, and listing,
Page 35 and 36: War.....[it] defined us as to what
Page 37 and 38: The Civil War and popular cultureJu
Page 39 and 40: memory,53 the place where Union and
Page 41 and 42: Despite being a new medium Hollywoo
Page 43: From the late 1940s Hollywood was u
Page 47 and 48: 36 Blight, Race and Reunion, 77, 81
Page 49 and 50: mainly composed of members of the w
Page 51 and 52: there was cowardice, it was either
Page 53 and 54: This was another Lost Cause myth -
Page 55 and 56: stuff with plenty of clothes, rich
Page 57 and 58: women into or within slavery. 47 Th
Page 59 and 60: departure when, in the discussion o
Page 61 and 62: 1 William Dean Howells, Los Angeles
Page 63 and 64: 37 Melvyn Stokes, The Civil War in
Page 65 and 66: All races and religions, that's Ame
Page 67 and 68: Hollywood almost abandoned Civil Wa
Page 69 and 70: charged with disloyalty and silence
Page 71 and 72: ecover from the HUAC investigations
Page 73 and 74: a living. The daughters grow up to
Page 75 and 76: Gettysburg. 'You know,' says Henry,
Page 77 and 78: combining two great myths, which co
Page 79 and 80: (1948), Tom Dunson's style of autoc
Page 81 and 82: Patriotism became a white attribute
Page 83 and 84: In the absence of African Americans
Page 85 and 86: (Horizons West) and businessmen (An
Page 87 and 88: year later, and there was no lead f
Page 89 and 90: 20 Mary L. Dudziak, Cold War, Civil
Page 91 and 92: 56 Richard White, 'Western History'
Page 93 and 94: 7 have seen the promised land.' 'Th
Page 95 and 96:
those between whites and African Am
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change, to forget what made him, he
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eported that the film had 'already
Page 101 and 102:
campaigning for Lincoln. John's rea
Page 103 and 104:
lack/white relationships, in Civil
Page 105 and 106:
McCarthy discredited and a more rel
Page 107 and 108:
dispute which once divided our nati
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pressure, continued to hold. The me
Page 111 and 112:
discrimination, attempts at univers
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talks about Lincoln pleading that '
Page 115 and 116:
creativity. The Confederates use a
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police in Birmingham and Kennedy's
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1 Martin Luther King Jr.'s, speech,
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44 Blight, Race and Reunion, 8-11,
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- self-belief, reasons for fighting
Page 125 and 126:
Sexploitation - which reversed the
Page 127 and 128:
would surely recognise the Mexicans
Page 129 and 130:
There are similar examples in Major
Page 131 and 132:
on working class whites nor receive
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The conflict between civil rights a
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e trusted from the wiles of the mis
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field-hands are too valuable an inv
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moving the civil rights agenda to a
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McBurney, even though he is wounded
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Most reviewers were sympathetic, se
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conservatism,' as a natural ally fo
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By the early 1970s, Hollywood's opt
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20 Enoch, in Friendly Persuasion (1
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62 Johnson called what happened the
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The world is white no longer; and i
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proceed with civil rights legislati
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would have been counter to the poli
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mid-1990s was rejected as the compa
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those historians who were contestin
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1 James Baldwin, Stranger in the Vi
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39 Robert Brent Toplin, Reel Histor
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1210mmmto3sCT>The number of America
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There is a third problem - that of
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the Library of Congress and the Uni
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mainly contain copies of correspond
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killing. There were two other areas
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are 'no compensating moral values a
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epresented.' 32 However, this was t
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Reference has already been made to
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It is in the final period that anti
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22 Letter from Shurlock to William
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Year Director Company190819091910Ba
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191119121912Grant and LincolnHe Fou
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19131913Call to Arms, TheCarpenter,
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1915 Birth of a Nation, TheColonel
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19341935193619371938193919401941194
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Searchers, TheShowdown at AbileneTh
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Alien, Robert C., and Douglas Gomer
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Cassidy, John M., Civil War Cinema:
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Foner, Eric, Who Owns History, (New
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Landy, Marcia, (ed.), The Historica
Page 207 and 208:
Prince, Stephen, A New Pot of Gold:
Page 209 and 210:
Sternsher, Bernard, Consensus, Conf
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