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Greenwich Academic Literature Archi
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REEL WARS: COLD WAR, CIVIL RIGHTSAN
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ABSTRACTThis study is an examinatio
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ABBREVIATIONSAMPASAHRBirthCommissio
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Historians using film as a resource
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dominated America's foreign policy
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Mary L. Dudziak explores this relat
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pure and simple' and were therefore
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historical texts. Hayden White comp
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Historians, history films and film
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How have sympathetic film historian
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Therefore historians can, with over
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identity and these were taken as th
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21 George F. Custen, 'Hollywood and
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63 Rosenstone, The Historical Film,
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of Honor dedicated to, and listing,
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War.....[it] defined us as to what
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The Civil War and popular cultureJu
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memory,53 the place where Union and
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Despite being a new medium Hollywoo
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From the late 1940s Hollywood was u
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1 William Faulkner, Requiem for a N
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36 Blight, Race and Reunion, 77, 81
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mainly composed of members of the w
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there was cowardice, it was either
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This was another Lost Cause myth -
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stuff with plenty of clothes, rich
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women into or within slavery. 47 Th
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departure when, in the discussion o
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1 William Dean Howells, Los Angeles
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37 Melvyn Stokes, The Civil War in
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All races and religions, that's Ame
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Hollywood almost abandoned Civil Wa
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charged with disloyalty and silence
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ecover from the HUAC investigations
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a living. The daughters grow up to
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Gettysburg. 'You know,' says Henry,
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combining two great myths, which co
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(1948), Tom Dunson's style of autoc
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Patriotism became a white attribute
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In the absence of African Americans
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(Horizons West) and businessmen (An
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year later, and there was no lead f
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20 Mary L. Dudziak, Cold War, Civil
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56 Richard White, 'Western History'
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7 have seen the promised land.' 'Th
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those between whites and African Am
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change, to forget what made him, he
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eported that the film had 'already
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campaigning for Lincoln. John's rea
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lack/white relationships, in Civil
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McCarthy discredited and a more rel
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dispute which once divided our nati
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pressure, continued to hold. The me
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discrimination, attempts at univers
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talks about Lincoln pleading that '
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- Page 119 and 120: 1 Martin Luther King Jr.'s, speech,
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- Page 133 and 134: The conflict between civil rights a
- Page 135 and 136: e trusted from the wiles of the mis
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- Page 143 and 144: Most reviewers were sympathetic, se
- Page 145 and 146: conservatism,' as a natural ally fo
- Page 147 and 148: By the early 1970s, Hollywood's opt
- Page 149 and 150: 20 Enoch, in Friendly Persuasion (1
- Page 151 and 152: 62 Johnson called what happened the
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- Page 157 and 158: would have been counter to the poli
- Page 159 and 160: mid-1990s was rejected as the compa
- Page 161 and 162: those historians who were contestin
- Page 163 and 164: 1 James Baldwin, Stranger in the Vi
- Page 165: 39 Robert Brent Toplin, Reel Histor
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- Page 171 and 172: the Library of Congress and the Uni
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- Page 179 and 180: epresented.' 32 However, this was t
- Page 181 and 182: Reference has already been made to
- Page 183 and 184: It is in the final period that anti
- Page 185 and 186: 22 Letter from Shurlock to William
- Page 187 and 188: Year Director Company190819091910Ba
- Page 189 and 190: 191119121912Grant and LincolnHe Fou
- Page 191 and 192: 19131913Call to Arms, TheCarpenter,
- Page 193 and 194: 1915 Birth of a Nation, TheColonel
- Page 195 and 196: 19341935193619371938193919401941194
- Page 197 and 198: Searchers, TheShowdown at AbileneTh
- Page 199 and 200: Alien, Robert C., and Douglas Gomer
- Page 201 and 202: Cassidy, John M., Civil War Cinema:
- Page 203 and 204: Foner, Eric, Who Owns History, (New
- Page 205 and 206: Landy, Marcia, (ed.), The Historica
- Page 207 and 208: Prince, Stephen, A New Pot of Gold:
- Page 209 and 210: Sternsher, Bernard, Consensus, Conf