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Bogle, Donald, Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretative Historyof Blacks in American Films, New Third Edition (Oxford: Roundhouse, 1994, firstpublished 1973).Borstleman, Thomas, The Cold War and the Color Line: American Race Relations in theGlobal Arena (Cambridge, Massachusetts: Harvard University Press, 2001).Bowser, Eileen, The Transformation of Cinema, 1907-15 (Berkeley: University ofCalifornia Press, 1994).Browne, Ray B., 'Conversations with Scholars of American Popular Culture' inAmericana, The Journal of American Popular Culture 1900 to the Present (Autumn,2002.) Available from:americanpopularculture.com/journal/articles/fall_2002/browne.htm.Brownlow, Kevin, The Parade's Gone By (Berkeley: University of California Press, 1968).Brownlow, Kevin, Behind the Mask of Innocence (London: Jonathan Cape, 1990).Brownwall, Eva Maria, Die Amerikanner und ihr Kreig: Analyse der Jahrhundertfeier desCivil War in den Vereinigten Staaten vonAmerika 1961-1965 (Stuttgart: J.B.Verlagsbuchhandlung, 1978).Burgoyne, Robert, Film Nation: Hollywood Looks at U.S. History (Minneapolis:University of Minnesota Press, 1997, first published 1976).Buscombe, Edward, BFI Companion to the Western (London: Andre Deutsch and BFI,1988).Buscombe, Edward, Stagecoach (London: BFI Publishing, 1992).Calder, Jenni, There Must be a Lone Ranger: The Myth and Reality of the American WildWest (London: Sphere Books, 1976).Cameron, Kenneth M., America on Film: Hollywood and American History (New York:Continuum Publishing, 1997).Campbell, E. D. C., The Celluloid South (Knoxville: University of Tennessee Press, 1981).Campbell, Neil, and Alasdair Kean, American Cultural Studies: An Introduction toAmerican Culture (London: Routledge, 1997).Carnes, Mark, (ed.), Past Imperfect: History according to the Movies (New York: HenryHolt, 1995).Carr, Edward H., What is History? (London: Penguin Books, 1990, first published 1961).Catton, Bruce, America Goes to War (Middletown, Connecticut: Weslyan UniversityPress, 1958).192
Cassidy, John M., Civil War Cinema: A Pictorial History of Hollywood and the WarBetween the States (Missoula, Montana: Pictorial Histories Publishing, 1986).Chadwick, Bruce, The Reel Civil War: Mythmaking in American Film (New York: AlfredA. Knopff, 2001).Chafe, William H, The Unfinished Journey: America Since World War II (New York:Oxford University Press, 1999).Christensen, Terry, Reel Politics: American Political Movies from Birth of a Nation (NewYork: Blackwell, 1987).Coles, Robert, The White Northerner: Pride and Prejudice,' Atlantic Monthly 217 (June,1966), 53-7.Cook, David A, A History of Narrative F//w(New York: W. W. Norton, 1996, firstpublished 1981).Cook, David A., Lost Illusions: American Cinema in the Shadow of Watergate andVietnam, 1970-1979 (Berkeley: University of California Press, 2000).Cook, Raymond A., Thomas Dixon (New York: Twayne, 1974).Cook, Robert, 'From Shiloh to Selma: The Impact of the Civil War Centennial on theBlack Freedom Struggle in the United States, 1961-65', in Brian Ward and Tony Badger,(eds.), The Making of Martin Luther King and the Civil Rights Movement (Basingstoke:MacMillan Press, 1996), 131-146.Cook, Robert, Sweet Land of Liberty: The Afro-American Struggle for Civil Rights in theTwentieth Century (London: Longman, 1998).Coyne, Michael, The Crowded Prairie: American National Identity in the HollywoodWestern (London: I. B. Tauris, 1997).Cripps, Thomas, 'Film: The "Historians" Dangerous Friend,' Film and History, 5(December, 1975), 6-9.Cripps, Thomas, Hollywood's High Noon: Moviemaking and Society Before Television(Baltimore: Johns Hopkins University Press, 1997).Cripps, Thomas, Slow Fade to Black: The Negro in American Film, 1900-1942, (Oxford:Oxford University Press, 1977, reprinted 1993).Cripps, Thomas, Making Movies Black: The Hollywood Message Movie from World WarII to the Civil rights Era (New York: Oxford University Press, 1993).Cullen, Jim, The Civil War in Popular Culture: A Reusable Past (Washington:Smithsonian Institution Press, 1995).Custen, George F., 'Hollywood and the Research Department' in Alan Rosenthal (ed.),Why Docudrama? (Cartonda\e, Illinois: South Illinois University Press, 1999).193
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Greenwich Academic Literature Archi
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REEL WARS: COLD WAR, CIVIL RIGHTSAN
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ABSTRACTThis study is an examinatio
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ABBREVIATIONSAMPASAHRBirthCommissio
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Historians using film as a resource
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dominated America's foreign policy
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Mary L. Dudziak explores this relat
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pure and simple' and were therefore
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historical texts. Hayden White comp
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Historians, history films and film
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How have sympathetic film historian
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Therefore historians can, with over
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identity and these were taken as th
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21 George F. Custen, 'Hollywood and
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63 Rosenstone, The Historical Film,
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of Honor dedicated to, and listing,
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War.....[it] defined us as to what
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The Civil War and popular cultureJu
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memory,53 the place where Union and
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Despite being a new medium Hollywoo
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From the late 1940s Hollywood was u
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1 William Faulkner, Requiem for a N
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36 Blight, Race and Reunion, 77, 81
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mainly composed of members of the w
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there was cowardice, it was either
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This was another Lost Cause myth -
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stuff with plenty of clothes, rich
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women into or within slavery. 47 Th
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departure when, in the discussion o
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1 William Dean Howells, Los Angeles
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37 Melvyn Stokes, The Civil War in
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All races and religions, that's Ame
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Hollywood almost abandoned Civil Wa
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charged with disloyalty and silence
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ecover from the HUAC investigations
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a living. The daughters grow up to
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Gettysburg. 'You know,' says Henry,
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combining two great myths, which co
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(1948), Tom Dunson's style of autoc
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Patriotism became a white attribute
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In the absence of African Americans
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(Horizons West) and businessmen (An
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year later, and there was no lead f
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20 Mary L. Dudziak, Cold War, Civil
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56 Richard White, 'Western History'
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7 have seen the promised land.' 'Th
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those between whites and African Am
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change, to forget what made him, he
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eported that the film had 'already
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campaigning for Lincoln. John's rea
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lack/white relationships, in Civil
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McCarthy discredited and a more rel
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dispute which once divided our nati
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pressure, continued to hold. The me
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discrimination, attempts at univers
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talks about Lincoln pleading that '
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creativity. The Confederates use a
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police in Birmingham and Kennedy's
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1 Martin Luther King Jr.'s, speech,
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44 Blight, Race and Reunion, 8-11,
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- self-belief, reasons for fighting
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Sexploitation - which reversed the
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would surely recognise the Mexicans
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There are similar examples in Major
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on working class whites nor receive
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The conflict between civil rights a
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e trusted from the wiles of the mis
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field-hands are too valuable an inv
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moving the civil rights agenda to a
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McBurney, even though he is wounded
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Most reviewers were sympathetic, se
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conservatism,' as a natural ally fo
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By the early 1970s, Hollywood's opt
Page 149 and 150: 20 Enoch, in Friendly Persuasion (1
Page 151 and 152: 62 Johnson called what happened the
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Page 159 and 160: mid-1990s was rejected as the compa
Page 161 and 162: those historians who were contestin
Page 163 and 164: 1 James Baldwin, Stranger in the Vi
Page 165 and 166: 39 Robert Brent Toplin, Reel Histor
Page 167 and 168: 1210mmmto3sCT>The number of America
Page 169 and 170: There is a third problem - that of
Page 171 and 172: the Library of Congress and the Uni
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Page 175 and 176: killing. There were two other areas
Page 177 and 178: are 'no compensating moral values a
Page 179 and 180: epresented.' 32 However, this was t
Page 181 and 182: Reference has already been made to
Page 183 and 184: It is in the final period that anti
Page 185 and 186: 22 Letter from Shurlock to William
Page 187 and 188: Year Director Company190819091910Ba
Page 189 and 190: 191119121912Grant and LincolnHe Fou
Page 191 and 192: 19131913Call to Arms, TheCarpenter,
Page 193 and 194: 1915 Birth of a Nation, TheColonel
Page 195 and 196: 19341935193619371938193919401941194
Page 197 and 198: Searchers, TheShowdown at AbileneTh
Page 199: Alien, Robert C., and Douglas Gomer
Page 203 and 204: Foner, Eric, Who Owns History, (New
Page 205 and 206: Landy, Marcia, (ed.), The Historica
Page 207 and 208: Prince, Stephen, A New Pot of Gold:
Page 209 and 210: Sternsher, Bernard, Consensus, Conf
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