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REEL WARS: COLD WAR, CIVILRIGHTS AND HOLLYWOOD'SCHANGING INTERPRETATION OFTHE AMERICAN CIVIL WAR 1945-75J. Roy CollinsM. Phil.2006HESISfctc o:>COL g.
REEL WARS: COLD WAR, CIVIL RIGHTSAND HOLLYWOOD'S CHANGINGINTERPRETATION OF THE AMERICANCIVIL WAR 1945-75J. Roy CollinsA thesis submitted in partial fulfilment of therequirements of the University of <strong>Greenwich</strong>for the degree of Master of PhilosophyMarch 2006
Page 1: Greenwich Academic Literature Archi
Page 6 and 7: ABSTRACTThis study is an examinatio
Page 8 and 9: ABBREVIATIONSAMPASAHRBirthCommissio
Page 10 and 11: Historians using film as a resource
Page 12 and 13: dominated America's foreign policy
Page 14 and 15: Mary L. Dudziak explores this relat
Page 17 and 18: pure and simple' and were therefore
Page 19 and 20: historical texts. Hayden White comp
Page 21 and 22: Historians, history films and film
Page 23 and 24: How have sympathetic film historian
Page 25 and 26: Therefore historians can, with over
Page 27 and 28: identity and these were taken as th
Page 29 and 30: 21 George F. Custen, 'Hollywood and
Page 31 and 32: 63 Rosenstone, The Historical Film,
Page 33 and 34: of Honor dedicated to, and listing,
Page 35 and 36: War.....[it] defined us as to what
Page 37 and 38: The Civil War and popular cultureJu
Page 39 and 40: memory,53 the place where Union and
Page 41 and 42: Despite being a new medium Hollywoo
Page 43 and 44: From the late 1940s Hollywood was u
Page 45 and 46: 1 William Faulkner, Requiem for a N
Page 47 and 48: 36 Blight, Race and Reunion, 77, 81
Page 49 and 50: mainly composed of members of the w
Page 51 and 52: there was cowardice, it was either
Page 53 and 54:
This was another Lost Cause myth -
Page 55 and 56:
stuff with plenty of clothes, rich
Page 57 and 58:
women into or within slavery. 47 Th
Page 59 and 60:
departure when, in the discussion o
Page 61 and 62:
1 William Dean Howells, Los Angeles
Page 63 and 64:
37 Melvyn Stokes, The Civil War in
Page 65 and 66:
All races and religions, that's Ame
Page 67 and 68:
Hollywood almost abandoned Civil Wa
Page 69 and 70:
charged with disloyalty and silence
Page 71 and 72:
ecover from the HUAC investigations
Page 73 and 74:
a living. The daughters grow up to
Page 75 and 76:
Gettysburg. 'You know,' says Henry,
Page 77 and 78:
combining two great myths, which co
Page 79 and 80:
(1948), Tom Dunson's style of autoc
Page 81 and 82:
Patriotism became a white attribute
Page 83 and 84:
In the absence of African Americans
Page 85 and 86:
(Horizons West) and businessmen (An
Page 87 and 88:
year later, and there was no lead f
Page 89 and 90:
20 Mary L. Dudziak, Cold War, Civil
Page 91 and 92:
56 Richard White, 'Western History'
Page 93 and 94:
7 have seen the promised land.' 'Th
Page 95 and 96:
those between whites and African Am
Page 97 and 98:
change, to forget what made him, he
Page 99 and 100:
eported that the film had 'already
Page 101 and 102:
campaigning for Lincoln. John's rea
Page 103 and 104:
lack/white relationships, in Civil
Page 105 and 106:
McCarthy discredited and a more rel
Page 107 and 108:
dispute which once divided our nati
Page 109 and 110:
pressure, continued to hold. The me
Page 111 and 112:
discrimination, attempts at univers
Page 113 and 114:
talks about Lincoln pleading that '
Page 115 and 116:
creativity. The Confederates use a
Page 117 and 118:
police in Birmingham and Kennedy's
Page 119 and 120:
1 Martin Luther King Jr.'s, speech,
Page 121 and 122:
44 Blight, Race and Reunion, 8-11,
Page 123 and 124:
- self-belief, reasons for fighting
Page 125 and 126:
Sexploitation - which reversed the
Page 127 and 128:
would surely recognise the Mexicans
Page 129 and 130:
There are similar examples in Major
Page 131 and 132:
on working class whites nor receive
Page 133 and 134:
The conflict between civil rights a
Page 135 and 136:
e trusted from the wiles of the mis
Page 137 and 138:
field-hands are too valuable an inv
Page 139 and 140:
moving the civil rights agenda to a
Page 141 and 142:
McBurney, even though he is wounded
Page 143 and 144:
Most reviewers were sympathetic, se
Page 145 and 146:
conservatism,' as a natural ally fo
Page 147 and 148:
By the early 1970s, Hollywood's opt
Page 149 and 150:
20 Enoch, in Friendly Persuasion (1
Page 151 and 152:
62 Johnson called what happened the
Page 153 and 154:
The world is white no longer; and i
Page 155 and 156:
proceed with civil rights legislati
Page 157 and 158:
would have been counter to the poli
Page 159 and 160:
mid-1990s was rejected as the compa
Page 161 and 162:
those historians who were contestin
Page 163 and 164:
1 James Baldwin, Stranger in the Vi
Page 165 and 166:
39 Robert Brent Toplin, Reel Histor
Page 167 and 168:
1210mmmto3sCT>The number of America
Page 169 and 170:
There is a third problem - that of
Page 171 and 172:
the Library of Congress and the Uni
Page 173 and 174:
mainly contain copies of correspond
Page 175 and 176:
killing. There were two other areas
Page 177 and 178:
are 'no compensating moral values a
Page 179 and 180:
epresented.' 32 However, this was t
Page 181 and 182:
Reference has already been made to
Page 183 and 184:
It is in the final period that anti
Page 185 and 186:
22 Letter from Shurlock to William
Page 187 and 188:
Year Director Company190819091910Ba
Page 189 and 190:
191119121912Grant and LincolnHe Fou
Page 191 and 192:
19131913Call to Arms, TheCarpenter,
Page 193 and 194:
1915 Birth of a Nation, TheColonel
Page 195 and 196:
19341935193619371938193919401941194
Page 197 and 198:
Searchers, TheShowdown at AbileneTh
Page 199 and 200:
Alien, Robert C., and Douglas Gomer
Page 201 and 202:
Cassidy, John M., Civil War Cinema:
Page 203 and 204:
Foner, Eric, Who Owns History, (New
Page 205 and 206:
Landy, Marcia, (ed.), The Historica
Page 207 and 208:
Prince, Stephen, A New Pot of Gold:
Page 209 and 210:
Sternsher, Bernard, Consensus, Conf
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