Davies, Philip John, (ed.), Representing and Imagining America (Keele: Keele UniversityPress, 1996).Davies, Philip John, and Wells, Paul, (eds.), American Film and Politics from Reagan toBush Jr. (Manchester: Manchester University Press, 2002).Davis, Natalie Zemon, Slaves on Screen: Film and Historical Vision (Cambridge,Massachusetts: Harvard University Press, 2000).Davis, Natalie Zemon, ' "Any Resemblance to Persons Living or/Dead": Film and theChallenge of Authenticity,' Yale Review, 76 (1987), 457-82.Davis, Natalie Zemon, 'Movie or Monograph? A Historian/Filmmaker's Perspective,'Public Historian, 25 (Summer, 2002), 45-8.Davis, Ronald L., Celluloid Mirrors: Hollywood and American Society Since 1945 (NewYork: Harcourt Brace, 1997).Davis, Ronald L, John Ford: Hollywood's Old Master (London: University of OklahomaPress, 1995).Draper, Ellen, ' "Controversy has Probably Forever destroyed the Context": The Miracle'and Movie Censorship in America in the 1950s' in Matthew Bernstein, ControllingHollywood: Censorship and Regulation in the Studio Era (London: Athlone Press, 2000).Dudziak, Mary L., Cold War, Civil Rights: Race and the Image of American Democracy,(Princeton: Princeton University Press, 2000).Ehrlich, Evelyn, 'The Civil War in Early Film: Origin and Development of a Genre' inWarren French, (ed.), The South and Film (Jackson, Mississippi: University Press ofMississippi, 1981).Evans, Richard J., In Defence of History (London: Granta Books, 1997).Fahs, Alice and Joan Waugh, (eds.), The Memory of the Civil War in American Culture(Chapel Hill: The University of North Carolina Press, 2004).Fairclough, Adam, Better Day Coming: Blacks and Equality, 1890-2000 (New York:Penguin Books, 2002).Fischer, David Hackett, America: A Cultural History (New York: Oxford University Press1989).Foner, Eric, The Story of American Freedom (New York: W. W. Norton, 1998).Foner, Eric, (ed.) The New American History - Revised and Expanded Edition(Philadelphia: Temple University Press, 1997).Foner, Eric, The Story of American Freedom, (New York: W. W. Norton, 1998).194
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Greenwich Academic Literature Archi
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REEL WARS: COLD WAR, CIVIL RIGHTSAN
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ABSTRACTThis study is an examinatio
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ABBREVIATIONSAMPASAHRBirthCommissio
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Historians using film as a resource
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dominated America's foreign policy
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Mary L. Dudziak explores this relat
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pure and simple' and were therefore
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historical texts. Hayden White comp
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Historians, history films and film
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How have sympathetic film historian
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Therefore historians can, with over
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identity and these were taken as th
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21 George F. Custen, 'Hollywood and
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63 Rosenstone, The Historical Film,
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of Honor dedicated to, and listing,
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War.....[it] defined us as to what
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The Civil War and popular cultureJu
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memory,53 the place where Union and
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Despite being a new medium Hollywoo
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From the late 1940s Hollywood was u
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1 William Faulkner, Requiem for a N
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36 Blight, Race and Reunion, 77, 81
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mainly composed of members of the w
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there was cowardice, it was either
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This was another Lost Cause myth -
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stuff with plenty of clothes, rich
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women into or within slavery. 47 Th
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departure when, in the discussion o
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1 William Dean Howells, Los Angeles
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37 Melvyn Stokes, The Civil War in
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All races and religions, that's Ame
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Hollywood almost abandoned Civil Wa
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charged with disloyalty and silence
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ecover from the HUAC investigations
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a living. The daughters grow up to
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Gettysburg. 'You know,' says Henry,
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combining two great myths, which co
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(1948), Tom Dunson's style of autoc
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Patriotism became a white attribute
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In the absence of African Americans
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(Horizons West) and businessmen (An
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year later, and there was no lead f
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20 Mary L. Dudziak, Cold War, Civil
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56 Richard White, 'Western History'
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7 have seen the promised land.' 'Th
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those between whites and African Am
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change, to forget what made him, he
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eported that the film had 'already
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campaigning for Lincoln. John's rea
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lack/white relationships, in Civil
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McCarthy discredited and a more rel
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dispute which once divided our nati
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pressure, continued to hold. The me
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discrimination, attempts at univers
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talks about Lincoln pleading that '
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creativity. The Confederates use a
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police in Birmingham and Kennedy's
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1 Martin Luther King Jr.'s, speech,
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44 Blight, Race and Reunion, 8-11,
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- self-belief, reasons for fighting
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Sexploitation - which reversed the
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would surely recognise the Mexicans
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There are similar examples in Major
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on working class whites nor receive
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The conflict between civil rights a
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e trusted from the wiles of the mis
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field-hands are too valuable an inv
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moving the civil rights agenda to a
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McBurney, even though he is wounded
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Most reviewers were sympathetic, se
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conservatism,' as a natural ally fo
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By the early 1970s, Hollywood's opt
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20 Enoch, in Friendly Persuasion (1
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- Page 163 and 164: 1 James Baldwin, Stranger in the Vi
- Page 165 and 166: 39 Robert Brent Toplin, Reel Histor
- Page 167 and 168: 1210mmmto3sCT>The number of America
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- Page 181 and 182: Reference has already been made to
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- Page 197 and 198: Searchers, TheShowdown at AbileneTh
- Page 199 and 200: Alien, Robert C., and Douglas Gomer
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- Page 205 and 206: Landy, Marcia, (ed.), The Historica
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