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Rozenzweig, Roy and Thelen, David, The Presence of the Past: Popular Uses of History inAmerican Life (New York: Columbia University Press, 1998).Sarris, Andrew (ed), Hollywood Voices: Interviews with Film Directors (London: Seeker&Warburg, 1971, first published 1967).Schatz, Thomas, Boom and Bust: American Cinema in the 1940s (Berkeley: University ofCalifornia Press, 1999).Schickel, Richard, D. W. Griffith: An American Life, 1875-1949 (New York: Simon andSchuster, 1984).Schindler, Colin, Hollywood in Crisis: Cinema and American Society, 1929-1939(London: Routledge, 1996).Schlesinger, Arthur M, Jr., The Disuniting of America: Reflections on a Multi-CulturalSociety (New York: Norton, 1992).Schrecker, Ellen, Many Are the Crimes: McCarthyism in America (Princeton: PrincetonUniversity Press, 1998).Scott, lan, American Politics in Hollywood Film (Edinburgh: Edinburgh University Press,2000).Server, Lee, Sam Fuller: Film is a Battleground (Jefferson, North Carolina: McFarland,1994).Silber, Nina, The Romance of Reunion: Northerners and the South 1865-1900 (ChapelHill: University of Carolina Press, 1993).Sitkoff, Harvard (ed.), Perspectives on Modern America: Making Sense of the TwentiethCentury (New York: Oxford University Press, 2001).Sklar, Robert, Movie-made America: A Cultural History of American Movies, Revised andUpdated (New York: Vintage Books, 1994, first published 1975).Snead, James, White Screens: Black Images (New York: Routledge, 1994).Sorlin, Pierre, The Film in History: Restaging the Past (Oxford: Basil Blackwell, 1980).South gate, Beverley, History: What and Why?: Ancient, Modern and PostmodernPerspectives (London: Routledge, 1996).Spears, Jack, The Civil War on the Screen and other Essays (New York: A. S. Barnes,1977).Spehr, Paul C., The Civil War in Motion Pictures: A Bibliography of Films Produced inthe United States since 1897 (Washington: Library of Congress, 1961).Staiger Janet, Interpreting Film: Studies in the Historical Reception of American Cinema(Ewing, New Jersey: Princeton University Press, 1992).200
Sternsher, Bernard, Consensus, Conflict and American Historians (Bloomington, Indiana:Indiana University Press, 1975).Stokes, Melvyn and Maltby, Richard (eds.), American Movie Audiences: From the Turn ofthe Century to the Early Sound Era (London: British Film Institute, 1999).Stokes, Melvyn, 'The Civil War in the Movies,' in Susan-Mary Grant and Peter JParish.(eds.) Legacy of Disunion: The Enduring Significance of the American Civil War(Baton Rouge: Louisiana State University Press, 2003), 65-78.Stokes, Melvyn, The Rise of Film History,' in Melvyn Stokes, (ed.), The State ofU. S.History (Oxford: Berg, 2002), 265-84.Sugure, Thomas J., 'Crabgrass-Roots Politics: Race, Rights and the Reaction againstLiberalism in the Urban North, 1940-64,' in Jack E. Davis, (ed.), The Civil RightsMovement (Maiden, Massachusetts: Blackwell, 2001).Thomas, Tony, Hollywood and the American Image (Westport, Connecticut: ArlingtonHouse, 1981).Toeplitz, Jerzy, Hollywood and After: The Changing Face of American Cinema (London:George Alien and Unwin,1974).Toplin, Robert Brent, 'History on Television: A Growing Industry,' Journal of AmericanHistory, 83(1988), 1109-12.Toplin, Robert Brent, (ed.), Hollywood as Mirror: Changing Views of 'Outsiders' and'Enemies' in American Movies (London: Greenwood Press, 1993).Toplin, Robert Brent, History by Hollywood: The Use and Abuse of the American Past(Urbana, Illinois: University of Illinois Press, 1996).Toplin, Robert Brent, Reel History: In Defense of Hollywood (Lawrence, Kansas:University Press of Kansas, 2002).Toplin, Robert Brent, 'Cinematic History: where do we go from here,' Public Historian,25 (Summer, 2003), 79-91.Tosh, John, The Pursuit of History: Aims, Methods and New Directions in the Study ofModern History (Harlow, Essex: Longman, 1999, first published 1984).Tulloch, Hugh, The Debate on the American Civil War Era (Manchester: ManchesterUniversity Press, 1999).Turner, Adrian, Hollywood 1950s (London: Admiral, 1986).Verney, Kevern, Black Civil Rights in America (New York: Routledge, 2000).Waller, Gregory A, (ed.) Moviegoing in America: A Sourcebook in the History of FilmExhibition (Maiden, Massachusetts: Blackwell Publishers Limited, 2002).201
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Greenwich Academic Literature Archi
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REEL WARS: COLD WAR, CIVIL RIGHTSAN
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ABSTRACTThis study is an examinatio
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ABBREVIATIONSAMPASAHRBirthCommissio
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Historians using film as a resource
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dominated America's foreign policy
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Mary L. Dudziak explores this relat
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pure and simple' and were therefore
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historical texts. Hayden White comp
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Historians, history films and film
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How have sympathetic film historian
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Therefore historians can, with over
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identity and these were taken as th
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21 George F. Custen, 'Hollywood and
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63 Rosenstone, The Historical Film,
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of Honor dedicated to, and listing,
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War.....[it] defined us as to what
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The Civil War and popular cultureJu
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memory,53 the place where Union and
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Despite being a new medium Hollywoo
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From the late 1940s Hollywood was u
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1 William Faulkner, Requiem for a N
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36 Blight, Race and Reunion, 77, 81
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mainly composed of members of the w
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there was cowardice, it was either
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This was another Lost Cause myth -
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stuff with plenty of clothes, rich
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women into or within slavery. 47 Th
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departure when, in the discussion o
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1 William Dean Howells, Los Angeles
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37 Melvyn Stokes, The Civil War in
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All races and religions, that's Ame
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Hollywood almost abandoned Civil Wa
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charged with disloyalty and silence
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ecover from the HUAC investigations
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a living. The daughters grow up to
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Gettysburg. 'You know,' says Henry,
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combining two great myths, which co
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(1948), Tom Dunson's style of autoc
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Patriotism became a white attribute
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In the absence of African Americans
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(Horizons West) and businessmen (An
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year later, and there was no lead f
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20 Mary L. Dudziak, Cold War, Civil
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56 Richard White, 'Western History'
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7 have seen the promised land.' 'Th
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those between whites and African Am
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change, to forget what made him, he
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eported that the film had 'already
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campaigning for Lincoln. John's rea
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lack/white relationships, in Civil
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McCarthy discredited and a more rel
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dispute which once divided our nati
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pressure, continued to hold. The me
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discrimination, attempts at univers
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talks about Lincoln pleading that '
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creativity. The Confederates use a
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police in Birmingham and Kennedy's
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1 Martin Luther King Jr.'s, speech,
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44 Blight, Race and Reunion, 8-11,
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- self-belief, reasons for fighting
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Sexploitation - which reversed the
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would surely recognise the Mexicans
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There are similar examples in Major
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on working class whites nor receive
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The conflict between civil rights a
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e trusted from the wiles of the mis
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field-hands are too valuable an inv
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moving the civil rights agenda to a
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McBurney, even though he is wounded
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Most reviewers were sympathetic, se
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conservatism,' as a natural ally fo
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By the early 1970s, Hollywood's opt
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20 Enoch, in Friendly Persuasion (1
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62 Johnson called what happened the
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The world is white no longer; and i
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proceed with civil rights legislati
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Page 161 and 162: those historians who were contestin
Page 163 and 164: 1 James Baldwin, Stranger in the Vi
Page 165 and 166: 39 Robert Brent Toplin, Reel Histor
Page 167 and 168: 1210mmmto3sCT>The number of America
Page 169 and 170: There is a third problem - that of
Page 171 and 172: the Library of Congress and the Uni
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Page 175 and 176: killing. There were two other areas
Page 177 and 178: are 'no compensating moral values a
Page 179 and 180: epresented.' 32 However, this was t
Page 181 and 182: Reference has already been made to
Page 183 and 184: It is in the final period that anti
Page 185 and 186: 22 Letter from Shurlock to William
Page 187 and 188: Year Director Company190819091910Ba
Page 189 and 190: 191119121912Grant and LincolnHe Fou
Page 191 and 192: 19131913Call to Arms, TheCarpenter,
Page 193 and 194: 1915 Birth of a Nation, TheColonel
Page 195 and 196: 19341935193619371938193919401941194
Page 197 and 198: Searchers, TheShowdown at AbileneTh
Page 199 and 200: Alien, Robert C., and Douglas Gomer
Page 201 and 202: Cassidy, John M., Civil War Cinema:
Page 203 and 204: Foner, Eric, Who Owns History, (New
Page 205 and 206: Landy, Marcia, (ed.), The Historica
Page 207: Prince, Stephen, A New Pot of Gold:
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