Shawyer dissertation May 2008 final version - The University of ...

More documents

Recommendations

Info

$61~\~SN~JVÃ¡~~~ :fuÃOZ$

network that can be harnessed for exuberant fun or for political or commercial ends. Ascreators of a networked performance form before there was mobile phone, email, or textmessaging technology, the Yippies and their revolutionary action-theater presagedtoday’s flash mob performance phenomenon. With their revolutionary action-theater theymodeled a performance form ideal for the new millennium and the newly wired world oftoday.224
List of AbbreviationsCOREFBIHUACLBJLSDMobeNLFPHSROTCSANESCLCSDSSISNCCUATW/MFWSPYIPCongress for Racial EqualityFederal Bureau of InvestigationHouse Un-American Activities CommitteePresident Lyndon Baines JohnsonLysergic acid diethylamide, hallucinogenic drugMobilization Committee to End the War in Viet NamNational Liberation Front of South VietnamPort Huron StatementReserve Officers’ Training CorpsCommittee for a SANE Nuclear PolicySouthern Christian Leadership ConferenceStudents for a Democratic SocietySituationist InternationalStudent Nonviolent Coordinating CommitteeUp Against the Wall, MotherfuckerWomen Strike for PeaceYouth International Party225
Page 1 and 2:
CopyrightbySusanne Elizabeth Shawye
Page 3 and 4:
Radical Street Theatre and the Yipp
Page 5 and 6:
Kokai, Olivia Whitmer O’Hare, Tam
Page 7 and 8:
organizational strategies of the an
Page 9 and 10:
IntroductionThe Chicago Poster:Cont
Page 12:
adical hipsters, or counterculture
Page 20:
linguistic theory, the field of per
Page 23 and 24:
The language of performance thus al
Page 25 and 26:
protest from theatre. 8 Mass demons
Page 27 and 28:
performative has the potential to e
Page 29 and 30:
evolution using methodological and
Page 31 and 32:
Realist, suddenly noticed that when
Page 33 and 34:
Revolution for the Hell of It is a
Page 35 and 36:
The Yippies’ politics are clear i
Page 37 and 38:
2). They embraced a romantic notion
Page 39 and 40:
made up of many separate organizati
Page 41 and 42:
and a free store on the Lower East
Page 43 and 44:
When they formed the Youth Internat
Page 45 and 46:
Most of the dozen core Yippies were
Page 47 and 48:
acknowledgment that her business sk
Page 49 and 50:
The claim of millions of Yippies wa
Page 51 and 52:
Man to tease out the New Left’s n
Page 53 and 54:
eports from the popular press, test
Page 55 and 56:
Image of Yippie Chicago poster.47
Page 57 and 58:
surround the Pentagon are a long wa
Page 59 and 60:
the Conference for New Politics in
Page 61 and 62:
Washington was no stranger to mass
Page 63 and 64:
uilding in acts of civil disobedien
Page 65 and 66:
had a history of civil disobedience
Page 67 and 68:
the crowd into affinity groups by m
Page 69 and 70:
Like Abbie Hoffman, Rubin was aware
Page 71 and 72:
Krishna” and “Om” to their re
Page 73 and 74:
Pentagon began its work for the wee
Page 75 and 76:
A respectable horde of respectable
Page 77 and 78:
that time was still expected to see
Page 79 and 80:
It didn’t matter if there was dis
Page 81 and 82:
democratic political-economic and c
Page 83 and 84:
social activist Malcolm X, Communis
Page 85 and 86:
The aesthetic of the New Left now t
Page 87 and 88:
straight-laced emphasis on communit
Page 89 and 90:
Unlike the young student politician
Page 91 and 92:
on the improvised actions of variou
Page 93 and 94:
society” by changing, not ignorin
Page 95 and 96:
similar to the very same ones used
Page 97 and 98:
scenery falls. The Yippies loved th
Page 99 and 100:
unrest by the lower ranks of societ
Page 101 and 102:
Don’t rely on words. Words are th
Page 103 and 104:
writing to President Johnson from V
Page 105 and 106:
wasn’t just their situation that
Page 107 and 108:
freshly-shorn young men in army uni
Page 109 and 110:
I also argue that blurring of life
Page 111 and 112:
Armed with a budget of just $15.00
Page 113 and 114:
ounced through the air above the cr
Page 115 and 116:
they ran into again in Chicago when
Page 117 and 118:
Yip-In moved into an unexpected sec
Page 119 and 120:
Yippies had been publishing manifes
Page 121 and 122:
experimental works. Like other New
Page 123 and 124:
not Broadway, was the venue for pla
Page 125 and 126:
adicalism of Off-Off-Broadway conte
Page 127 and 128:
theater, and including it on their
Page 129 and 130:
environment that pays special atten
Page 131 and 132:
meaning or appreciate the aesthetic
Page 133 and 134:
Since Happenings emerged from New Y
Page 135 and 136:
that contrasted visual peaceful pro
Page 137 and 138:
prominence of ordinary actions and
Page 139 and 140:
The costumes of the Yip-In particip
Page 141 and 142:
ecruit, several blocks from the hip
Page 143 and 144:
free stores, or crash pads. In 1969
Page 145 and 146:
The hippies and Yippies also used m
Page 147 and 148:
from their weekday Establishment re
Page 149 and 150:
perform the power of authority and
Page 151 and 152:
commuters the actions and dress tha
Page 153 and 154:
emotion and hope, like the “utopi
Page 155 and 156:
Chapter ThreeThe Festival of Life:
Page 157 and 158:
Double (1938). The Yippies used the
Page 159 and 160:
anti-war views, and movement leader
Page 161 and 162:
Republican candidate Richard Nixon;
Page 163 and 164:
death, it seemed like Humphrey was
Page 165 and 166:
American politicians. We’ll infil
Page 167 and 168:
named themselves the Youth Internat
Page 169 and 170:
if necessary, Mobe was unable to ge
Page 171 and 172:
ut the Yippies’ signs supported a
Page 173 and 174:
craze, offering a special section o
Page 175 and 176:
efforts to bring performances to th
Page 177 and 178:
commentary in the East Village Othe
Page 179 and 180:
which Hoffman designated as ‘medi
Page 181 and 182: already in Chicago, and prepared to
Page 183 and 184: Even though many of the demonstrato
Page 185 and 186: with a fire-cracker throwing crowd
Page 187 and 188: Hilton to interview passing delegat
Page 189 and 190: political positions, merged to form
Page 191 and 192: protest against the order, rules, a
Page 193 and 194: experience the performance event wi
Page 195 and 196: The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231: Yet the insider/outsider dynamic of
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237 and 238: Telegram, Marjorie Satthoff to the
Page 239 and 240: Brown, Joe David, ed. The Hippies.
Page 241 and 242: Editorial. Chicago Tribune. 29 Aug.
Page 243 and 244: Higgins, Dick. “The Origin of the
Page 245 and 246: Karastamatis, John. “Don’t Star
Page 247 and 248: McMillian, John. “Garbage Guerril
Page 249 and 250: Rosenberg, Bernard. “Chicago: Blo
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
show all

Shawyer dissertation May 2008 final version - The University of ...

Create successful ePaper yourself

Delete template?

Save as template?