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Shawyer dissertation May 2008 final version - The University of ...

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similar to the very same ones used by the system’s approved political parties. After all,what were the political conventions <strong>of</strong> the Democratic or Republican parties exceptcarefully planned events with speeches, nominations, delegate voting, and organizedhierarchies <strong>of</strong> committees and chairmen? Even though these too can be consideredperformances according to a performance studies definition <strong>of</strong> performance as actionsintended to influence others, the Yippies embraced specifically a kind <strong>of</strong> performancethat that depended on an improvised and open-ended theatricality. Whereas the politicalperformances at conventions are carefully choreographed to communicate a very specificmessage, the Yippies rejected these kinds <strong>of</strong> structured performances. Rather than play bythe rules <strong>of</strong> the system, the Yippies used an improvised and largely unpredictabletheatricality.This kind <strong>of</strong> improvised theatricality later used by the Yippies was also part <strong>of</strong> thePentagon exorcism. Although at its center the exorcism relied on the small group <strong>of</strong>hippie exorcists who had rehearsed the chanting for an audience <strong>of</strong> media just the weekbefore in New York, the performance was open to participation and adaptation by others.As the thousands <strong>of</strong> demonstrators marched past the north parking lot toward the sit-inlocation, they had the option <strong>of</strong> stopping to participate in the exorcism themselves. Andalthough the exorcism began with <strong>The</strong> Fugs playing music, it had no clear end point. Itended when the observing crowd, media, and even the exorcists drifted away to witnessother parts <strong>of</strong> the demonstration, such as the showdown between protesters and themilitary police guarding the Pentagon steps.87

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