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Gitlin, Todd. The Whole World is Watching: Mass Media and the Making and Unmakingof the New Left. Berkeley: U of California P, 1980.- - - . The Sixties: Years of Hope, Days of Rage. New York: Bantam, 1987.Goffman, Erving. The Presentation of Self in Everyday Life. New York: Doubleday,1959.Goldberg, RoseLee. Performance Art: From Futurism to the Present. Rev. ed. NewYork: Thames and Hudson, 2001.“The Great Christmas Mill-In.” WIN: Peace and Freedom through Nonviolent Action 4.1(15 Jan. 1968): 10.Groom, Winston. Forrest Gump. Garden City, NY: Doubleday, 1986.Guernsey, Otis L. Jr., ed. The Best Plays of 1966-67. New York: Dodd, Mead, 1967.- - - . The Best Plays of 1967-68. New York: Dodd, Mead, 1968.“Guerrilla Theatre: Act Now!” In special section “Free Other.” Esquire 70.3 (1968): 83.Hansen, Al [Alfred Earl]. A Primer of Happenings and Time/Space Art. New York:Something Else Press, 1965.Harding, James M., and Rosenthal, Cindy. “Introduction: Between Characteristics,Continuities, and Change—Theorizing the Legacy of Radical Theaters.”Restaging the Sixties: Radical Theaters and their Legacies. Ann Arbor: U ofMichigan P, 2006. 1-25.Hatton, Nigel. “Show Up, Strike a Pose, Hit the Road.” Star Tribune [Minneapolis] 23Jul. 2003: B1.Hayden, Casey. “Thoughts of Young Radicals: Raising the Question of Who Decides.”New Republic 22 Jan. 1996: 9-10.Hayden, Tom. Reunion: A Memoir. New York: Random House, 1988.Heimann, Jim, ed. 60s: All-American Ads. Köln: Taschen, 2002.Henry, Washington. “The New Politics Box.” Dissent 14 (1967): 682-687.Herbers, John. “Youths Dominate Capital Throng.” New York Times 22 Oct. 1967: 58.234
Higgins, Dick. “The Origin of the Happening.” American Speech: A Quarterly Journal ofLinguistic Usage. 51.3-4 (1976): 268-271.Hinckle, Warren. “A Social History of the Hippies.” The Sixties. Ed. Gerald Howard.New York: Washing Square, 1982. 207-232.Hoagland, Jim. “Protest Leaders Faded at Pentagon.” Washington Post 23 Oct. 1967:A17.Hoffman, Abbie. “Fuck the System.” 1968. Revolution for the Hell of It. New York: DialPress, 1968. 220-252.- - - . Revolution for the Hell of It. New York: Dial Press, 1968.- - - . “Media Freaking.” Excerpt of speech 27 Aug. 1968. TDR: The Drama Review 13.4(1969): 46-51.- - - . “Freedom and License.” Interview with Walker Study team. The Conspiracy. Ed.Peter and Deborah Babcox and Bob Abel. New York: Dell, 1969. 41-75.- - - . Woodstock Nation: A Talk-Rock Album. New York: Vintage, 1969.- - - . “Testimony of Abbie Hoffman [from Chicago trial].” Counterculture andRevolution. Ed. David Horowitz et al. New York: Random House, 1972. 28-46.- - - . Steal this Book. 1970. New York: Four Walls Eight Windows, 1996.- - - . Soon to be a Major Motion Picture. New York: G. P. Putnam’s Sons, 1980.Hoffman, Jack and Simon, Daniel. Run Run Run: The Lives of Abbie Hoffman. NewYork: G. P. Putnam’s Sons, 1994.Hoffman, Paul. “50,000 at San Francisco Peace Rally.” New York Times 16 Apr. 1967: 3.“Hundreds of Protesters Block Traffic in Chicago.” New York Times 26 Aug. 1968: 25.Hunt, Andrew E. David Dellinger: The Life and Times of a Nonviolent Revolutionary.New York: New York UP, 2006.Hunter, Marjorie. “HUAC and the Yippies Do Their Thing.” New York Times 6 Oct.1968: E7.Hurwitt, Robert. “Revolution Stage-In: The Miracles of St. Francis.” East Village Other3.1 (15-30 Nov. 1967): 9.235
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CopyrightbySusanne Elizabeth Shawye
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Radical Street Theatre and the Yipp
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Kokai, Olivia Whitmer O’Hare, Tam
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organizational strategies of the an
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IntroductionThe Chicago Poster:Cont
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adical hipsters, or counterculture
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linguistic theory, the field of per
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The language of performance thus al
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protest from theatre. 8 Mass demons
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performative has the potential to e
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evolution using methodological and
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Realist, suddenly noticed that when
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Revolution for the Hell of It is a
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The Yippies’ politics are clear i
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2). They embraced a romantic notion
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made up of many separate organizati
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and a free store on the Lower East
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When they formed the Youth Internat
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Most of the dozen core Yippies were
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acknowledgment that her business sk
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The claim of millions of Yippies wa
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Man to tease out the New Left’s n
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eports from the popular press, test
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Image of Yippie Chicago poster.47
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surround the Pentagon are a long wa
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the Conference for New Politics in
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Washington was no stranger to mass
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uilding in acts of civil disobedien
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had a history of civil disobedience
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the crowd into affinity groups by m
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Like Abbie Hoffman, Rubin was aware
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Krishna” and “Om” to their re
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Pentagon began its work for the wee
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A respectable horde of respectable
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that time was still expected to see
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It didn’t matter if there was dis
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democratic political-economic and c
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social activist Malcolm X, Communis
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The aesthetic of the New Left now t
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straight-laced emphasis on communit
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Unlike the young student politician
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on the improvised actions of variou
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society” by changing, not ignorin
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similar to the very same ones used
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scenery falls. The Yippies loved th
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unrest by the lower ranks of societ
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Don’t rely on words. Words are th
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writing to President Johnson from V
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wasn’t just their situation that
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freshly-shorn young men in army uni
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I also argue that blurring of life
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Armed with a budget of just $15.00
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ounced through the air above the cr
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they ran into again in Chicago when
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Yip-In moved into an unexpected sec
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Yippies had been publishing manifes
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experimental works. Like other New
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not Broadway, was the venue for pla
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adicalism of Off-Off-Broadway conte
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theater, and including it on their
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environment that pays special atten
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meaning or appreciate the aesthetic
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Since Happenings emerged from New Y
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that contrasted visual peaceful pro
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prominence of ordinary actions and
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The costumes of the Yip-In particip
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ecruit, several blocks from the hip
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free stores, or crash pads. In 1969
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The hippies and Yippies also used m
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from their weekday Establishment re
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perform the power of authority and
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commuters the actions and dress tha
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emotion and hope, like the “utopi
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Chapter ThreeThe Festival of Life:
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Double (1938). The Yippies used the
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anti-war views, and movement leader
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Republican candidate Richard Nixon;
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death, it seemed like Humphrey was
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American politicians. We’ll infil
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named themselves the Youth Internat
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if necessary, Mobe was unable to ge
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ut the Yippies’ signs supported a
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craze, offering a special section o
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efforts to bring performances to th
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commentary in the East Village Othe
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which Hoffman designated as ‘medi
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already in Chicago, and prepared to
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Even though many of the demonstrato
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with a fire-cracker throwing crowd
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Hilton to interview passing delegat
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political positions, merged to form
Page 191 and 192: protest against the order, rules, a
Page 193 and 194: experience the performance event wi
Page 195 and 196: The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231 and 232: Yet the insider/outsider dynamic of
Page 233 and 234: List of AbbreviationsCOREFBIHUACLBJ
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237 and 238: Telegram, Marjorie Satthoff to the
Page 239 and 240: Brown, Joe David, ed. The Hippies.
Page 241: Editorial. Chicago Tribune. 29 Aug.
Page 245 and 246: Karastamatis, John. “Don’t Star
Page 247 and 248: McMillian, John. “Garbage Guerril
Page 249 and 250: Rosenberg, Bernard. “Chicago: Blo
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
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