Shawyer dissertation May 2008 final version - The University of ...

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“The Politics of YIP.” Time Magazine 5 Apr. 1968. Nov. 2007..President's Commission on the Assassination of President Kennedy. [“The WarrenCommission.”] Report of the President's Commission on the Assassination ofPresident Kennedy. [“Warren Report.”] Washington, D. C.: United StatesGovernment, 1964. Nov. 2007. .“Professors Hold Vietnam Protest.” New York Times 25 Mar. 1965: 9.Puchner, Martin. “Society of the Counter-Spectacle: Debord and the Theatre of theSituationists.” Theatre Research International 29.1 (2004): 4-15.Ragni, Gerome, Rado, James, and MacDermot, Galt. Hair: The American Tribal Love-Rock Musical. 1966. Great Rock Musicals. Ed. Stanley Richards. New York:Stein and Day, 1979. 379-478.Raskin, Jonah. For the Hell of It: The Life and Times of Abbie Hoffman. Berkeley: UCalifornia P, 1996.Raspberry, William and Carey, Robert F. “40,000 Soldiers, Police Alerted for Chicago.”Washington Post 21 Aug. 1968: A1+.Resist. “A Call to Resist Illegitimate Authority.” 1967. Civil Disobedience: Theory andPractice. Ed. Hugo Adam Bedau. New York: Pegasus, 1969. 162-164.Reston, James. “Everyone Is a Loser.” New York Times 23 Oct. 1967: 1, 32.Rheingold, Howard. Smart Mobs: The Next Social Revolution. Cambridge, MA: Perseus,2002.Robinson, Douglas. “Scattered Peace Activists Seek to Unify Movement.” New YorkTimes 26 Feb. 1967: 3.- - - . “100,000 Rally at U. N. against Vietnam War.” New York Times 16 Apr. 1967: 1, 2.Rodenbeck, Judith. “Madness and Method: Before Theatricality.” Grey Room 13 (2003):54-79.Rosen, Ruth. The World Split Open: How the Modern Women’s Movement ChangedAmerica. New York: Penguin, 2000.240
Rosenberg, Bernard. “Chicago: Blood and Disaster.” Dissent 15 (Nov./Dec.1968): 482-486.Rosenberg, Bernard and Harburg, Ernest. The Broadway Musical: Collaboration inCommerce and Art. New York: New York UP, 1993.Rossinow, Doug. The Politics of Authenticity: Liberalism, Christianity, and the New Leftin America. New York: Columbia UP, 1998.Rubin, Jerry. “Revolutions per Minute: Are Hair Curlers Fatal to Romance—and MustIllusion Always Be Love's Little Playmate?” East Village Other 3.5 (5 Jan. 1968):5, 16.- - - . “I am the Walrus!” WIN: Peace and Freedom through Nonviolent Action 4.3 (15Feb. 1968): 4-6.- - - . “Yippees are Coming, Coming, Coming to Chicago.” Liberation News Service 48(1 Mar. 1968): np [4 pages].- - - . Do it! Scenarios of the Revolution. New York: Simon and Schuster, 1970.- - - . We are Everywhere. New York: Harper & Row, 1971.- - - . Growing (Up) at Thirty-Seven. New York: M. Evans, 1976.Sanchez, Stephanie. “Flash Mob Stirs up Streaker Spirit on Campus.” Daily Texan[Austin] 5 Apr. 2007: 8A.Sargent, Lyman Tower. New Left Thought: An Introduction. Homewood, IL: DorseyPress, 1972.Savage, Sean. “Manhattan Flash Mob Photos.” Cheesebikini? 17 Jun. 2003. Jan. 2008..- - - . “Upcoming Flash Mobs.” Cheesebikini? 26 Jun. 2003. Jan. 2008..- - - . “Coverage of the Fourth Manhattan Flash Mob.” Cheesebikini? 16 Jul. 2003. Jan.2008. .- - - . “Snapshots from the First San Francisco Flash Mob.” Cheesebikini? 16 Jul. 2003.Jan. 2008. .241
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CopyrightbySusanne Elizabeth Shawye
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Radical Street Theatre and the Yipp
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Kokai, Olivia Whitmer O’Hare, Tam
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organizational strategies of the an
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IntroductionThe Chicago Poster:Cont
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adical hipsters, or counterculture
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linguistic theory, the field of per
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The language of performance thus al
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protest from theatre. 8 Mass demons
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performative has the potential to e
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evolution using methodological and
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Realist, suddenly noticed that when
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Revolution for the Hell of It is a
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The Yippies’ politics are clear i
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2). They embraced a romantic notion
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made up of many separate organizati
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and a free store on the Lower East
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When they formed the Youth Internat
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Most of the dozen core Yippies were
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acknowledgment that her business sk
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The claim of millions of Yippies wa
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Man to tease out the New Left’s n
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eports from the popular press, test
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Image of Yippie Chicago poster.47
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surround the Pentagon are a long wa
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the Conference for New Politics in
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Washington was no stranger to mass
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uilding in acts of civil disobedien
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had a history of civil disobedience
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the crowd into affinity groups by m
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Like Abbie Hoffman, Rubin was aware
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Krishna” and “Om” to their re
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Pentagon began its work for the wee
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A respectable horde of respectable
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that time was still expected to see
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It didn’t matter if there was dis
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democratic political-economic and c
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social activist Malcolm X, Communis
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The aesthetic of the New Left now t
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straight-laced emphasis on communit
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Unlike the young student politician
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on the improvised actions of variou
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society” by changing, not ignorin
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similar to the very same ones used
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scenery falls. The Yippies loved th
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unrest by the lower ranks of societ
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Don’t rely on words. Words are th
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writing to President Johnson from V
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wasn’t just their situation that
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freshly-shorn young men in army uni
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I also argue that blurring of life
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Armed with a budget of just $15.00
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ounced through the air above the cr
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they ran into again in Chicago when
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Yip-In moved into an unexpected sec
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Yippies had been publishing manifes
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experimental works. Like other New
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not Broadway, was the venue for pla
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adicalism of Off-Off-Broadway conte
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theater, and including it on their
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environment that pays special atten
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meaning or appreciate the aesthetic
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Since Happenings emerged from New Y
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that contrasted visual peaceful pro
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prominence of ordinary actions and
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The costumes of the Yip-In particip
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ecruit, several blocks from the hip
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free stores, or crash pads. In 1969
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The hippies and Yippies also used m
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from their weekday Establishment re
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perform the power of authority and
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commuters the actions and dress tha
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emotion and hope, like the “utopi
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Chapter ThreeThe Festival of Life:
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Double (1938). The Yippies used the
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anti-war views, and movement leader
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Republican candidate Richard Nixon;
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death, it seemed like Humphrey was
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American politicians. We’ll infil
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named themselves the Youth Internat
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if necessary, Mobe was unable to ge
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ut the Yippies’ signs supported a
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craze, offering a special section o
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efforts to bring performances to th
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commentary in the East Village Othe
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which Hoffman designated as ‘medi
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already in Chicago, and prepared to
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Even though many of the demonstrato
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with a fire-cracker throwing crowd
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Hilton to interview passing delegat
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political positions, merged to form
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protest against the order, rules, a
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experience the performance event wi
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The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231 and 232: Yet the insider/outsider dynamic of
Page 233 and 234: List of AbbreviationsCOREFBIHUACLBJ
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237 and 238: Telegram, Marjorie Satthoff to the
Page 239 and 240: Brown, Joe David, ed. The Hippies.
Page 241 and 242: Editorial. Chicago Tribune. 29 Aug.
Page 243 and 244: Higgins, Dick. “The Origin of the
Page 245 and 246: Karastamatis, John. “Don’t Star
Page 247: McMillian, John. “Garbage Guerril
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
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