Shawyer dissertation May 2008 final version - The University of ...

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Barabási, Albert-László. Linked: How Everything Is Connected to Everything Else andWhat it Means for Business, Science, and Everyday Life. New York: Plume, 2003.Barnes, Clive. “Review of Hair.” New York Times 30 Apr. 1968: 40.Barney, Darin. The Network Society. Cambridge: Polity, 2004.Bart, Peter. “33-Hour Teach-In Attracts 10,000.” New York Times 23 May 1965: 26.Beck, Julian and Malina, Judith. Interview with Lita Eliscu. East Village Other 3.45 (11Oct. 1968): 4, 25.Berens, Bob. “The Last Page.” Dissent 50.4 (2003): 112.Bernstein, Carl and Kaiser, Robert G. “2000 Protesters Spend Night at Pentagon—Cold,Hopeful.” Washington Post 22 Oct. 1967: A14.Biner, Pierre. The Living Theatre. New York: Horizon, 1972.Blackburn, Tom. “MacBird! and Macbeth: Topicality and Imitation in Barbara Garson'sSatirical Pastiche.” Shakespeare Survey 57 (2004): 137-145.Blake, Peter. Album cover art for The Beatles' Sgt. Pepper's Lonely Hearts Club Band.Capitol Records, 1967.Blum, John Morton. Years of Discord: American Politics and Society: 1961-1974. NewYork: W. W. Norton, 1991.Bogad, L. M. Electoral Guerrilla Theatre: Radical Ridicule and Social Movements. NewYork: Routledge, 2005.Bottoms, Stephen J. “The Efficacy/Effeminacy Braid: Unpicking the PerformanceStudies/Theatre Studies Dichotomy.” Theatre Topics 13.2 (2003): 173-187.- - - . Playing Underground: A Critical History of the 1960s Off-Off-BroadwayMovement. Ann Arbor: U of Michigan P, 2004.Braunstein, Peter. “Forever Young: Insurgent Youth and the Sixties Culture ofRejuvenation.” Imagine Nation: The American Counterculture of the 1960s and'70s. Ed. Peter Braunstein and Michael William Doyle. New York: Routledge,2002. 243-273.Breslin, Jeremy. “Quiet Rally Turns Vicious.” Washington Post 22 Oct. 1967: A1, A10.230
Brown, Joe David, ed. The Hippies. New York: Time, 1967.Brownfeld, Allan Charles. The New Left: Memorandum Prepared for the Subcommitteeto Investigate the Administration of the Internal Security Act and Other InternalSecurity Laws of the Committee on the Judiciary, United States Senate. 2 nd ed.Washington: U. S. Government, 1968.Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York:Routledge, 1990.- - - . “Performative Acts and Gender Constitution: An Essay in Phenomenology andFeminist Theory.” Performing Feminisms: Feminist Critical Theory and Theatre.Ed. Sue-Ellen Case. Baltimore: Johns Hopkins UP, 1990. 270-282.Cage, John. Interview with Michael Kirby and Richard Schechner. TDR: Tulane DramaReview 10.2 (1965): 50-72.Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: U ofMichigan P, 2001.Castells, Manuel. The Rise of the Network Society. The Information Age: Economy,Society and Culture. Vol. 1. Malden, MA: Blackwell, 1996.Catholic Worker, et al. “Declaration of Conscience Against the War in Vietnam.” 1965.Civil Disobedience: Theory and Practice. Ed. Hugo Adam Bedau. New York:Pegasus, 1969. 160-161.Chapman, William. “55,000 Rally Against War; GIs Repel Pentagon Charge.”Washington Post 22 Oct. 1967: A1, A11.- - - . “Arrests End War Protest.” Washington Post 23 Oct. 1967: A1, A16.Chicago 10. Dir. Brett Morgen. Participant Productions, 2007.Cohen-Cruz, Jan, ed. Radical Street Performance: An International Anthology. London:Routledge, 1998.Cooper, Anderson and Moos, Jeanne. “Flash Mobs Engage in Guerrilla Absurdity.” Livefrom the Headlines. CNN. Transcript 081104CN.V94: 11 Aug. 2003. Jan. 2008..“Cops, Hippies War in Street. Scores Hurt in Battle on Michigan Ave.” Chicago Tribune29 Aug. 1968: A1+.231
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CopyrightbySusanne Elizabeth Shawye
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Radical Street Theatre and the Yipp
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Kokai, Olivia Whitmer O’Hare, Tam
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organizational strategies of the an
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IntroductionThe Chicago Poster:Cont
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adical hipsters, or counterculture
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linguistic theory, the field of per
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The language of performance thus al
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protest from theatre. 8 Mass demons
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performative has the potential to e
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evolution using methodological and
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Realist, suddenly noticed that when
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Revolution for the Hell of It is a
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The Yippies’ politics are clear i
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2). They embraced a romantic notion
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made up of many separate organizati
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and a free store on the Lower East
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When they formed the Youth Internat
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Most of the dozen core Yippies were
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acknowledgment that her business sk
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The claim of millions of Yippies wa
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Man to tease out the New Left’s n
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eports from the popular press, test
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Image of Yippie Chicago poster.47
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surround the Pentagon are a long wa
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the Conference for New Politics in
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Washington was no stranger to mass
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uilding in acts of civil disobedien
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had a history of civil disobedience
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the crowd into affinity groups by m
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Like Abbie Hoffman, Rubin was aware
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Krishna” and “Om” to their re
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Pentagon began its work for the wee
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A respectable horde of respectable
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that time was still expected to see
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It didn’t matter if there was dis
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democratic political-economic and c
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social activist Malcolm X, Communis
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The aesthetic of the New Left now t
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straight-laced emphasis on communit
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Unlike the young student politician
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on the improvised actions of variou
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society” by changing, not ignorin
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similar to the very same ones used
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scenery falls. The Yippies loved th
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unrest by the lower ranks of societ
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Don’t rely on words. Words are th
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writing to President Johnson from V
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wasn’t just their situation that
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freshly-shorn young men in army uni
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I also argue that blurring of life
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Armed with a budget of just $15.00
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ounced through the air above the cr
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they ran into again in Chicago when
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Yip-In moved into an unexpected sec
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Yippies had been publishing manifes
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experimental works. Like other New
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not Broadway, was the venue for pla
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adicalism of Off-Off-Broadway conte
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theater, and including it on their
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environment that pays special atten
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meaning or appreciate the aesthetic
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Since Happenings emerged from New Y
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that contrasted visual peaceful pro
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prominence of ordinary actions and
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The costumes of the Yip-In particip
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ecruit, several blocks from the hip
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free stores, or crash pads. In 1969
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The hippies and Yippies also used m
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from their weekday Establishment re
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perform the power of authority and
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commuters the actions and dress tha
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emotion and hope, like the “utopi
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Chapter ThreeThe Festival of Life:
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Double (1938). The Yippies used the
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anti-war views, and movement leader
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Republican candidate Richard Nixon;
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death, it seemed like Humphrey was
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American politicians. We’ll infil
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named themselves the Youth Internat
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if necessary, Mobe was unable to ge
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ut the Yippies’ signs supported a
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craze, offering a special section o
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efforts to bring performances to th
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commentary in the East Village Othe
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which Hoffman designated as ‘medi
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already in Chicago, and prepared to
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Even though many of the demonstrato
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with a fire-cracker throwing crowd
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Page 189 and 190: political positions, merged to form
Page 191 and 192: protest against the order, rules, a
Page 193 and 194: experience the performance event wi
Page 195 and 196: The Battle of Michigan Avenue was a
Page 197 and 198: “It would take an inspired Artaud
Page 199 and 200: The letters in the Johnson Library
Page 201 and 202: watching” (Box 66). Korean War ve
Page 203 and 204: members who felt that the Yippies g
Page 205 and 206: Dismayed by his lack of action abou
Page 207 and 208: night of the Battle of Michigan Ave
Page 209 and 210: Chapter FourFlash Mobs: The Yippie
Page 211 and 212: that is, they were political only t
Page 213 and 214: as their primary political and cult
Page 215 and 216: 1969, “Four Days of Rage” campa
Page 217 and 218: The Festival of Life and the ensuin
Page 219 and 220: The Yippies’ revolutionary action
Page 221 and 222: Glasgow, Rome, Vienna, Berlin, Sydn
Page 223 and 224: and social conventions: flash mobs
Page 225 and 226: social behaviors, and the technolog
Page 227 and 228: organized by anyone with access to
Page 229 and 230: advantage of the dramaturgy of prot
Page 231 and 232: Yet the insider/outsider dynamic of
Page 233 and 234: List of AbbreviationsCOREFBIHUACLBJ
Page 235 and 236: Letter, Roger Light to the Presiden
Page 237: Telegram, Marjorie Satthoff to the
Page 241 and 242: Editorial. Chicago Tribune. 29 Aug.
Page 243 and 244: Higgins, Dick. “The Origin of the
Page 245 and 246: Karastamatis, John. “Don’t Star
Page 247 and 248: McMillian, John. “Garbage Guerril
Page 249 and 250: Rosenberg, Bernard. “Chicago: Blo
Page 251 and 252: Stewart, M. J. F. and Davis, Lisa.
Page 253: VITASusanne Elizabeth Shawyer was b
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