(Part 1)
JBTM_13-2_Fall_2016
JBTM_13-2_Fall_2016
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JBTM<br />
Jim Shaddix<br />
4<br />
Because God has spoken and the Bible is the accurate record of his speech, we are<br />
compelled to communicate it accurately so that we represent God rightly. Biblical exposition,<br />
then, ought to serve as our foundational approach to preaching. In exposition, the preacher<br />
lays open a biblical text—God’s voice—in such a way that its intended meaning is brought<br />
to bear on the lives of the listeners. The word expose means to lay open or uncover, and it<br />
includes the totality of the preacher’s exegesis, hermeneutics, and homiletics. Expository<br />
preaching of the Bible, then, provides the only chance we have to preserve God’s voice<br />
correctly and reveal it to listeners accurately. Six theological footings anchor this conviction.<br />
The Inspiration of the Bible<br />
The practice of biblical exposition is first and foremost driven by a high view of Scripture,<br />
which itself depends on a certain conviction about biblical inspiration. By “inspiration” I am<br />
referring to “the supernatural work of the Holy Spirit that enabled and motivated the human<br />
authors of Scripture to produce an accurate record and revelation of God’s redemptive will,<br />
purpose, and activity.” 6 Preaching has to be driven by an understanding that the text of<br />
Scripture accurately records God’s voice. Merrill F. Unger asserted, “If the Bible is considered<br />
merely to contain the Word of God, rather than actually to be in toto the Word of God, there<br />
is naturally a decreased sense of responsibility to study its text minutely, or to systematize<br />
its theology, or authoritatively to declare its message.” 7 The conviction that the Bible is God’s<br />
Word dictates everything in both the preparation and delivery of sermons.<br />
The doctrine of verbal plenary inspiration frames up these convictions about Scripture as<br />
well as preaching. This doctrine suggests that “in the composition of the original manuscripts,<br />
the Holy Spirit guided the authors even in their choice of expressions—and this throughout<br />
all the pages of the Scriptures—still without effacing the personalities of the different men.” 8<br />
Inspiration is verbal because the words are inseparable from the message. Inspiration is<br />
plenary because it is entire and without restriction. 9 Frank E. Gaebelein said, “The doctrine<br />
of plenary inspiration holds that the original documents of the Bible were written by men,<br />
who, though permitted the exercise of their own personalities and literary talents, yet wrote<br />
under the control and guidance of the Spirit of God, the result being in every word of the<br />
original documents a perfect and errorless recording of the exact message which God desired<br />
to give to man.” 10<br />
6<br />
James D. Hernando, Dictionary of Hermeneutics (Springfield, MO: Gospel, 2005), 26. See also Stanley<br />
Grenz, David Guretzki, and Cherith Fee Nordling, Pocket Dictionary of Theological Terms (Downers<br />
Grove: InterVarsity, 1999), 66; Millard Erickson, Christian Theology, 2nd ed. (Grand Rapids: Baker,<br />
1998), 199.<br />
7<br />
Merrill F. Unger, Principles of Expository Preaching (Grand Rapids: Zondervan, 1955), 18.<br />
8<br />
René Pache, The Inspiration and Authority of Scripture (Chicago: Moody, 1969), 71.<br />
9<br />
Ibid., 72–73.<br />
10<br />
Frank E. Gaebelein, The Meaning of Inspiration (Chicago: InterVarsity, 1950), 9.