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The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

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From Gallaecia to the Euro-Region<br />

New artistic expressions<br />

The last quarter of the 20th century was the moment, both in Spain and<br />

in Portugal, of the transition to democracy, a transformation that came in<br />

different ways and situations, but which meant a radical change for both<br />

countries. Over the last 200 years there has been an introduction of new artistic<br />

forms and new lifestyles. The 19th and 20th century art became democratized<br />

and was not a product for elite consumption anymore, but was rather destined<br />

to more open groups.<br />

The biggest consequence of these<br />

social changes is that they meant the<br />

access to culture for collectives that<br />

were, up to this moment, deprived of<br />

it and, consequently, it also meant<br />

the growth of possible consumers<br />

and a diversification of the market.<br />

A paradigmatic case is that of<br />

Camilo Castelo Branco, one of the<br />

first Portuguese professional writers.<br />

His house has been remodelled<br />

nowadays to create a museum<br />

around his figure, and it is located in<br />

the parish of São Miguel de Seide,<br />

in the municipality of Vila Nova de<br />

Famalicão.<br />

Architecture and urbanism are also<br />

among the first indicators of these<br />

new trends. In the 19th century, the<br />

morphology of the modern cities was<br />

transformed through the different<br />

expansion districts that responded<br />

to the needs and taste of the<br />

bourgeoisie of the time. A new style<br />

appeared, modernism in Spain and<br />

Art Nouveau in Portugal. The aim<br />

was to create an art that was new and<br />

different from the domineering styles.<br />

Inspiration was found in nature, and<br />

was spread through the use of new<br />

materials, such as iron or glass.<br />

“A new style appeared,<br />

modernism in Spain and<br />

Art Nouveau in Portugal”<br />

Among the several examples of this<br />

style that are kept in Galicia, there is<br />

the Mondariz Spa in Pontevedra or the<br />

Casa Rey in A Coruña. Meanwhile,<br />

in Portugal, we can find the Martins<br />

Sarmiento Museum in Guimarães,<br />

the Circus-Theatre of Braga (1911-<br />

15), the Casa de Portuzelo in Viana<br />

do Castelo, or the Caixa Xeral de<br />

Depósitos in Porto, among others.<br />

In the case of Ourense, the expansion<br />

and diffusion of modernism were<br />

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