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The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

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From Gallaecia to the Euro-Region<br />

Pre-Romanesque art<br />

This period has left artistically interesting religious buildings. Others, such as the<br />

first basilica of Santiago de Compostela, were destroyed in the following,<br />

successive reconstructions, and are only known through the archaeological data.<br />

This basilica in Santiago, started in 872 and rebuilt after the attack by Almanzor<br />

in 997, had a basilica floor plan, with a rectangular front framing the apostolic<br />

sarcophagus, three naves and an arcade, opened through arches, as well as<br />

decorative elements that clearly linked it to the Asturian art.<br />

Among the temples that have reached<br />

out days, one of the most interesting<br />

ones of this pre-Romanesque art is<br />

Santa María de Mixós in Monterrei,<br />

3 kilometres far from Verín. Although it<br />

was remodelled in the 16th century, it<br />

keeps intact its original front, something<br />

that allows to know its former structure.<br />

It had three naves, the central one<br />

wider and higher, separated by<br />

arches of which some startings are still<br />

maintained. These naves ended in the<br />

three apses that were maintained, with<br />

an infrequent configuration: an access<br />

horseshoe arc, covered with brick<br />

vaults. Another curiosity is that its floor<br />

plan is not corresponded in the inside<br />

and in the outside: inside the temple,<br />

it has a semi-circular shape, but this is<br />

not seen in the outer façade, where it<br />

has a quadrangular finish, and small<br />

windows with horseshoe arches. In<br />

these same apses, the existence of<br />

other elements attracts attention, such<br />

as wall paintings in the central one<br />

(late-medieval) and two Roman altars<br />

supporting other two, a witness of the<br />

important Romanization of this area.<br />

To finish the tour around the art of<br />

this period, it is recommended to visit<br />

three interesting examples within a<br />

30-kilometres radius from the city of<br />

Ourense:<br />

- San Xes de Francelos (Ribadavia),<br />

with its characteristic latticework and<br />

the decoration of the façade with pre-<br />

Romanesque bas-reliefs.<br />

- Santa Eufemia de Ambía (Xunqueira<br />

de Ambía), with a similar configuration<br />

in its front as Mixós, where the<br />

geminated windows stand out.<br />

- San Miguel de Celanova, a<br />

jewel of the Mozarabic art, unique<br />

in Galicia. It is an oratory, a tiny,<br />

but architectonically complex chapel.<br />

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