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The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

The vast history of the territory of the Euro-Region Galicia and the North of Portugal has enabled the footprints of the different settlers to be still perceptible these days. It is enriching to be able to visit the prehistoric monuments of these regions, for a better understanding of how life centuries ago was.

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From Gallaecia to the Euro-Region<br />

Obradoiro Square (Santiago de Compostela)<br />

Baroque in Galicia<br />

Baroque was strongly spread in Galicia during the 17th century, being<br />

Santiago the main diffusing and creating centre. The image that is currently<br />

transmitted from this city, this “sea of stone”, is the result of the importance that<br />

Baroque architecture had in the city. In a first phase, between 1650 and 1750,<br />

the privileged classes nobility, chivalry and clergy, began building big stone<br />

buildings that contrasted the traditional popular architecture, mostly made of<br />

pallabarro (“adobe”) and wood.<br />

The introduction of Baroque in Santiago started in the monastery of<br />

San Paio, which remodelled the façade that gave access to the Quintana<br />

square, and finished with the construction of the façade of Obradoiro in the<br />

cathedral, and the palace of Rajoy. Throughout this period, the city gathered<br />

the most outstanding Galician architects, who left greatly valuable examples.<br />

Among many other constructions, Domingo de Andrade was the author of the<br />

cock tower of the cathedral, the Baroque façade of the convent of San Domingos<br />

de Benaval, the house of the Parra and the Casa de la Conga.<br />

The church of the Compañía de<br />

Romay, also dated back from this<br />

period, is an excellent example of<br />

adaptation of the characteristics of<br />

Baroque to the traditional architectural<br />

austerity of the Jesuits. San Martiño<br />

Pinario also underwent an important<br />

remodelling in this period, by the hand<br />

of Fray Gabriel de las Casas, the<br />

best representative of the Classicism<br />

of Compostela. Another architect<br />

that had his own personality within<br />

the general characteristics was Simón<br />

Rodríguez, who opted for the so-called<br />

Baroque of plaques, of which there<br />

is an excellent example in the façade<br />

of the convent of Santa Clara. But<br />

it was especially Fernando de Casas<br />

y Novoa the one who took this style<br />

to its highest peak with the monumental<br />

façade of the cathedral.<br />

Given the diffusion that Baroque<br />

had in Galicia, one of its main<br />

characteristics was the adaptation to<br />

the materials and characteristics of<br />

the environment. This is the reason<br />

why the council of O Barco de<br />

85

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