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Photoshop_Creative_-_Issue_154_2017

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Jan Urschel<br />

www.hendrix-design.com/<br />

This illustration was made for the movie<br />

Ghost in the Shell from Paramount Pictures.<br />

<strong>Photoshop</strong> was used to composite several 3D<br />

render passes, add photographic background plates, bring in<br />

atmospheric efects like steam, and the inal colour grading.<br />

Yukai Du<br />

www.yukaidu.com/<br />

This is the cover of a children’s book,<br />

commissioned by Wide-Eyed Editions . The cover<br />

image needed to incorporate the themes of the<br />

book, feel coherent, and also feel related to the other pages<br />

illustrated inside. Brushes were used to create the illustration.<br />

Jan has worked with countless production companies, and this is a<br />

shining example of his work. We love the detail and atmosphere in<br />

this piece, and so do 135,000 people who have viewed him online.<br />

Aitor Prieto Reyes<br />

www.aitorprieto.com/<br />

I work on my digital pieces as if they were a real canvas, so<br />

I don’t usually accumulate many layers. In this piece I used<br />

a layer for the background and another for the characters,<br />

which I blocked to give them volume with brushstrokes.<br />

With half a million online views and support from The Student Show<br />

and Pantone, Yukai’s work is highly rated. We love this one, because it<br />

feels slick yet playful: that’s the power of <strong>Photoshop</strong> brushes.<br />

Barcelona-born Aitor has been recognised by four separate Behance showcases for<br />

his perfectly detailed, oten caricaturist digital art. This landscape is beautifully<br />

realised and was featured by the <strong>Photoshop</strong>, Behance and Illustration galleries.<br />

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