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Archeomatica International 2017

Special supplement to Archeomatica 3 2017

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AGORÀ<br />

The Italian Archaeometry Society turns 25...<br />

and the 10th Congress is looking very youthful<br />

indeed!-The Italian Archaeometry Society (Associazione<br />

Italiana di Archeometria - AIAr) is presently<br />

the main Italian association of scholars and<br />

researchers involved in the scientific investigation<br />

of the tangible Cultural Heritage. The Association<br />

aims at promoting and developing research, education,<br />

training and professional activities addressed<br />

to further the knowledge and the preservation<br />

of Cultural Heritage through scientific methods<br />

and techniques. Within this framework, it encourages<br />

synergies between the sciences and the<br />

humanities in order to face the various emerging<br />

issues in the conservation and the study of materials in the Cultural Heritage domain, from archaeological<br />

sites to modern art museums”.<br />

The 10th AIAr National Congress will be held from the 14th to the 17th of February in Torino<br />

(Italy) and will be a celebration of the 25th anniversary of AIAr’s constitution. The organizer of<br />

such a unique event is a team of researchers from Universities and Institutions of the Italian<br />

North-West that are already involved in the field of archaeometry: five departments of the Università<br />

di Torino as well as the Politecnico di Torino and the Università del Piemonte Orientale,<br />

and several research institutions (CCR, INFN, CNR-INRiM and the scientific laboratory of the<br />

Valle D’Aosta Region). TecnArt srl, a past-spin off of the Università di Torino and presently active<br />

member of the AIAr network of enterprises, is also among the organizers.<br />

More than 150 contributors will participate to the congress, which is expected to be very rich,<br />

judging from the high scientific level of the abstracts that have been submitted. In the afternoons<br />

and after the closing remarks, a number of social events will provide an informal environment<br />

to share ideas and experiences among participants. As a side event, twenty young graduates<br />

in either the sciences or the humanities will attend the 2nd AIAr school “Archaeometry<br />

and/is multidisciplinarity: common issues and different approaches”. The title is a pun - and it<br />

does work in Italian! -, because it highlights the synergy among various fields of expertise involved<br />

in the study, conservation and enhancement of the material cultural heritage.<br />

Three invited lecturers will open each of the three days of the congress. They will illustrate<br />

their research activity in a multidisciplinary environment, from museums to informatics. In more<br />

detail, dr Christian Greco (director of the “Museo Egizio” of Torino, the second most relevant<br />

museum in the world entirely devoted to the ancient Egyptian Culture) will report on the “archaeology<br />

of the invisible”, Sofia Pescarin (Institute for Technologies Applied to Cultural heritage)<br />

will discuss state-of-the-art digital technologies in museums and prof Matthew Collins (University<br />

of Copenhagen and York) will give a lecture on the “Ancient Biomolecule Revolution”.<br />

Importantly, early-stage researchers will be central in the congress. Several oral presentations<br />

are scheduled for young researchers and professionals who are presently involved in the Cultural<br />

Heritage sphere. These young minds contribute strongly to the development of the field,<br />

adding value and novelty with their ideas, and yet they are still lacking a clear professional/<br />

institutional recognition.<br />

Info: http://www.associazioneaiar.com/wp/eventi/x-congresso-nazionale/<br />

Visual Heritage 2018 - Digitize: Research – Record - Reactivate - Reconstruct<br />

The next edition of CHNT (Cultural Heritage and New Technologies – www.chnt.at) will be organized<br />

in cooperation with the EG GCH (Eurographics Symposium and Graphics Cultural Heritage)<br />

and other partners (will be announced soon) in the City Hall of Vienna Austria.The aim of this<br />

federated event is again to bring different communities in the same venue, to share experiences<br />

and discuss methodologies concerning digital visual media and their use in the context of<br />

heritage applications, to document digitally on at-risk archaeological sites, historical buildings,<br />

museums… and their texts, books, paints, pictures, objects …all records of through collecting<br />

original image collection’s source.<br />

The 2018 edition will be a special event, since 2018 has been declared by the European Commission<br />

the “European Year of Cultural Heritage”. The event will also take place during the Austrian<br />

Presidency of the Council of the European Union, at 2nd half of 2018.<br />

Therefore, Visual Heritage 2018 will be an ideal context for discussing European policies on<br />

digital heritage and digital humanities.<br />

Visual Heritage 2018 hosted by CHNT 23 2018 - (Vienna, Austria – November 12 – 15, 2018)<br />

The eye tracker as a potential natural<br />

interaction device in a museum<br />

audioguide system - Scholars<br />

Moayad Mokatren, Tsvi Kuflik and<br />

Ilan Shimshoni used and examined<br />

a mobile eye tracker, as a natural<br />

interaction device, in an audioguide<br />

system for museum visitors. Use as a<br />

pointing device allows the system to<br />

reasonably reflect on user attention<br />

and provide relevant information as<br />

needed.<br />

To accomplish this goal, the researchers<br />

integrated a technique based<br />

on image matching for indoor positioning<br />

and an eye-gaze detection<br />

technique to identify the focus of<br />

user attention in two different versions<br />

of a mobile audio guide: (1 ) a<br />

proactive version that automatically<br />

provides the information whenever<br />

a user’s interest is detected and (2)<br />

a reactive version that notifies users<br />

of the availability of informations,<br />

thus giving it greater control over<br />

the transmission of information. In<br />

addition, they have developed a<br />

mobile guidance system for visitors<br />

to conventional museums using a<br />

smartphone and low-energy Bluetooth<br />

beacon for positioning; this<br />

guide has been used as a reference<br />

system.<br />

The three visitor guides were evaluated<br />

in realistic settings at the<br />

Hecht Museum, a small museum<br />

located at the University of Haifa,<br />

which has both archaeological and<br />

artistic collections. The experimental<br />

evaluation compared the contribution<br />

of the three versions of the<br />

audio guide to the visiting experience.<br />

The results showed that the mobile<br />

eye tracking technology, although<br />

not familiar and perhaps even<br />

immature, was accepted by the<br />

participants. The mobile eye tracker<br />

audioguide was perceived as preferable<br />

to the traditional museum<br />

guide, particularly as regards learning<br />

during the visit. Moreover, as<br />

regards the proactivity in contextaware<br />

systems, the results showed<br />

that participants like to have control<br />

and that most of them preferred the<br />

reactive version of the mobile eye<br />

tracker audio tracker compared to<br />

the proactive one.<br />

44 ArcheomaticA <strong>International</strong> Special Issue<br />

44 ArcheomaticA <strong>International</strong> Special Issue

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