Archeomatica International 2017
Special supplement to Archeomatica 3 2017
Special supplement to Archeomatica 3 2017
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
AGORÀ<br />
The Italian Archaeometry Society turns 25...<br />
and the 10th Congress is looking very youthful<br />
indeed!-The Italian Archaeometry Society (Associazione<br />
Italiana di Archeometria - AIAr) is presently<br />
the main Italian association of scholars and<br />
researchers involved in the scientific investigation<br />
of the tangible Cultural Heritage. The Association<br />
aims at promoting and developing research, education,<br />
training and professional activities addressed<br />
to further the knowledge and the preservation<br />
of Cultural Heritage through scientific methods<br />
and techniques. Within this framework, it encourages<br />
synergies between the sciences and the<br />
humanities in order to face the various emerging<br />
issues in the conservation and the study of materials in the Cultural Heritage domain, from archaeological<br />
sites to modern art museums”.<br />
The 10th AIAr National Congress will be held from the 14th to the 17th of February in Torino<br />
(Italy) and will be a celebration of the 25th anniversary of AIAr’s constitution. The organizer of<br />
such a unique event is a team of researchers from Universities and Institutions of the Italian<br />
North-West that are already involved in the field of archaeometry: five departments of the Università<br />
di Torino as well as the Politecnico di Torino and the Università del Piemonte Orientale,<br />
and several research institutions (CCR, INFN, CNR-INRiM and the scientific laboratory of the<br />
Valle D’Aosta Region). TecnArt srl, a past-spin off of the Università di Torino and presently active<br />
member of the AIAr network of enterprises, is also among the organizers.<br />
More than 150 contributors will participate to the congress, which is expected to be very rich,<br />
judging from the high scientific level of the abstracts that have been submitted. In the afternoons<br />
and after the closing remarks, a number of social events will provide an informal environment<br />
to share ideas and experiences among participants. As a side event, twenty young graduates<br />
in either the sciences or the humanities will attend the 2nd AIAr school “Archaeometry<br />
and/is multidisciplinarity: common issues and different approaches”. The title is a pun - and it<br />
does work in Italian! -, because it highlights the synergy among various fields of expertise involved<br />
in the study, conservation and enhancement of the material cultural heritage.<br />
Three invited lecturers will open each of the three days of the congress. They will illustrate<br />
their research activity in a multidisciplinary environment, from museums to informatics. In more<br />
detail, dr Christian Greco (director of the “Museo Egizio” of Torino, the second most relevant<br />
museum in the world entirely devoted to the ancient Egyptian Culture) will report on the “archaeology<br />
of the invisible”, Sofia Pescarin (Institute for Technologies Applied to Cultural heritage)<br />
will discuss state-of-the-art digital technologies in museums and prof Matthew Collins (University<br />
of Copenhagen and York) will give a lecture on the “Ancient Biomolecule Revolution”.<br />
Importantly, early-stage researchers will be central in the congress. Several oral presentations<br />
are scheduled for young researchers and professionals who are presently involved in the Cultural<br />
Heritage sphere. These young minds contribute strongly to the development of the field,<br />
adding value and novelty with their ideas, and yet they are still lacking a clear professional/<br />
institutional recognition.<br />
Info: http://www.associazioneaiar.com/wp/eventi/x-congresso-nazionale/<br />
Visual Heritage 2018 - Digitize: Research – Record - Reactivate - Reconstruct<br />
The next edition of CHNT (Cultural Heritage and New Technologies – www.chnt.at) will be organized<br />
in cooperation with the EG GCH (Eurographics Symposium and Graphics Cultural Heritage)<br />
and other partners (will be announced soon) in the City Hall of Vienna Austria.The aim of this<br />
federated event is again to bring different communities in the same venue, to share experiences<br />
and discuss methodologies concerning digital visual media and their use in the context of<br />
heritage applications, to document digitally on at-risk archaeological sites, historical buildings,<br />
museums… and their texts, books, paints, pictures, objects …all records of through collecting<br />
original image collection’s source.<br />
The 2018 edition will be a special event, since 2018 has been declared by the European Commission<br />
the “European Year of Cultural Heritage”. The event will also take place during the Austrian<br />
Presidency of the Council of the European Union, at 2nd half of 2018.<br />
Therefore, Visual Heritage 2018 will be an ideal context for discussing European policies on<br />
digital heritage and digital humanities.<br />
Visual Heritage 2018 hosted by CHNT 23 2018 - (Vienna, Austria – November 12 – 15, 2018)<br />
The eye tracker as a potential natural<br />
interaction device in a museum<br />
audioguide system - Scholars<br />
Moayad Mokatren, Tsvi Kuflik and<br />
Ilan Shimshoni used and examined<br />
a mobile eye tracker, as a natural<br />
interaction device, in an audioguide<br />
system for museum visitors. Use as a<br />
pointing device allows the system to<br />
reasonably reflect on user attention<br />
and provide relevant information as<br />
needed.<br />
To accomplish this goal, the researchers<br />
integrated a technique based<br />
on image matching for indoor positioning<br />
and an eye-gaze detection<br />
technique to identify the focus of<br />
user attention in two different versions<br />
of a mobile audio guide: (1 ) a<br />
proactive version that automatically<br />
provides the information whenever<br />
a user’s interest is detected and (2)<br />
a reactive version that notifies users<br />
of the availability of informations,<br />
thus giving it greater control over<br />
the transmission of information. In<br />
addition, they have developed a<br />
mobile guidance system for visitors<br />
to conventional museums using a<br />
smartphone and low-energy Bluetooth<br />
beacon for positioning; this<br />
guide has been used as a reference<br />
system.<br />
The three visitor guides were evaluated<br />
in realistic settings at the<br />
Hecht Museum, a small museum<br />
located at the University of Haifa,<br />
which has both archaeological and<br />
artistic collections. The experimental<br />
evaluation compared the contribution<br />
of the three versions of the<br />
audio guide to the visiting experience.<br />
The results showed that the mobile<br />
eye tracking technology, although<br />
not familiar and perhaps even<br />
immature, was accepted by the<br />
participants. The mobile eye tracker<br />
audioguide was perceived as preferable<br />
to the traditional museum<br />
guide, particularly as regards learning<br />
during the visit. Moreover, as<br />
regards the proactivity in contextaware<br />
systems, the results showed<br />
that participants like to have control<br />
and that most of them preferred the<br />
reactive version of the mobile eye<br />
tracker audio tracker compared to<br />
the proactive one.<br />
44 ArcheomaticA <strong>International</strong> Special Issue<br />
44 ArcheomaticA <strong>International</strong> Special Issue