Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

More documents

Recommendations

Info

16 Introduction 1. 4 Overview of mobility in North Africa Based on AMA’s statistics, gathered over the period 2005 – 2018, Morocco, Tunisia and Egypt are the countries that have the strongest mobility trends. The chart below illustrates the volume of mobility to/from other African regions for each North African country: Outgoing mobility 100 Incoming mobility exchange with other African regions in % 90 80 70 60 50 40 30 20 10 0 Morocco Tunisia Egypt Algeria Mauritania Libya
17 Introduction In order of volume of exchange with North Africa, the following countries are most active: 1. 2. 3. 4. 5. 6. 7. 8. 9. Senegal Cameroon and South Africa Democratic Republic of Congo (DRC) Ethiopia Burkina Faso Kenya and Tanzania Côte d’Ivoire Mali Nigeria Most exchanges happen with West Africa, with Senegal, Burkina Faso, Côte d’Ivoire, Mali and Nigeria being the most active countries. Egypt has relatively strong links with Nigeria. The Dakar Biennale is repeatedly cited as a reference for visual artists across North Africa; other events that are often noted include the Marché des Arts et du Spectacle (MASA – Market for Performing Arts) in Abidjan and the Bamako and Lagos biennales. Exchange is roughly the same with South, Central and East Africa (14 – 16%). Cameroon is by far the country in Central Africa that generates the most exchange, with strong ties to Morocco and Egypt in particular; it is followed by DRC. In East Africa, Ethiopia is the country that generates the most exchange, largely thanks to strong ties with Egypt; Kenya and Tanzania are the other two major hubs for mobility. In Southern Africa, South Africa is by far the country that generates the most exchange, presumably due to its strong cultural sector and capacity to host international events. — QUOTE: « I’m working on African identity. Culturally, we have many points in common. There are trends linking all North African countries, whether they be in dance, music… there’s a history that links us, sometimes a painful one, because all the trade routes were between North and South. There’s a large community of black Africans from South of the Sahara that has become North African. We need to recognize this entity. […] I think Africa has a great future. It’s a future we have to build ourselves; no one outside should decide what we should be. » Bahri Ben Yahmed Dancer and choreographer, Danseurs Citoyens & Lang’art, Tunis* Quote translated from French by the author. Other translated quotes will be marked (*) throughout the document. —
Page 1: Retracing Roots and Tracing New Rou
Page 4 and 5: 4 Acknowledgments and Imprint This
Page 6 and 7: 6 Foreword FORE — WORD In a world
Page 8 and 9: 8 Introduction 1 — Fact : AMA did
Page 10 and 11: 10 Introduction 1.1 Background of A
Page 12 and 13: 12 Introduction 1.2 Purpose of the
Page 14 and 15: 14 Introduction Arab identity was r
Page 18 and 19: 18 Methodology 2 — Fact: This stu
Page 20 and 21: 20 Methodology — NORTH AFRICA —
Page 22 and 23: 22 Methodology 2.2 Limitations 1. T
Page 24 and 25: 24 Sunmmary of Outcomes 3 — QUOTE
Page 26 and 27: 26 Summary of Outcomes course remai
Page 28 and 29: 28 Summary of Outcomes The program
Page 30 and 31: 30 Summary of Outcomes Two programs
Page 32 and 33: 32 Summary of Outcomes — 3.1. 3 T
Page 34 and 35: 34 Summary of Outcomes As such, con
Page 36 and 37: 36 Summary of Outcomes High costs :
Page 38 and 39: 38 Summary of Outcomes — 3. LACK
Page 40 and 41: 40 Summary of Outcomes — 6. LACK
Page 42 and 43: 42 Summary of Outcomes — QUOTE:
Page 44 and 45: 44 Country-Specific Information 4
Page 46 and 47: 46 Country-Specific Information 4.1
Page 48 and 49: 48 Country-Specific Information des
Page 50 and 51: 50 Country-Specific Information CHE
Page 52 and 53: 52 Country-Specific Information —
Page 54 and 55: — A L G E R I A — Visas · Alge
Page 56 and 57: — GENERAL INFORMATION — Spannin
Page 62 and 63: 62 Country-Specific Information 4.
Page 64 and 65: 64 Country-Specific Information whe
Page 66 and 67:
66 Country-Specific Information Mus
Page 68 and 69:
68 Country-Specific Information the
Page 70 and 71:
70 Country-Specific Information —
Page 72 and 73:
72 Country-Specific Information Moh
Page 74 and 75:
Page 76 and 77:
Page 78 and 79:
78 Country-Specific Information Com
Page 80 and 81:
Page 82 and 83:
Page 84 and 85:
Page 86 and 87:
86 Country-Specific Information L
Page 88 and 89:
Page 90 and 91:
90 Country-Specific Information 4.7
Page 92 and 93:
Page 94 and 95:
94 Conclusion & Recommendations 5
Page 96 and 97:
96 Conclusion & Recommendations Ins
Page 98 and 99:
— QUOTE: « There’s a growing c
Page 100 and 101:
4. Support the structuring of the a
Page 102 and 103:
102 Introduction Mapping and Backgr
Page 104 and 105:
104 Mapping TUNISIA MOROCCO ALGERIA
Page 106 and 107:
106 Mapping Installations & Equipme
Page 108 and 109:
108 Mapping Events & Festivals Alge
Page 110 and 111:
110 Mapping Tunisia Carthage 1 Jazz
Page 112 and 113:
Events & Festivals Algeria Algiers
Page 114 and 115:
Events & Festivals Venues Kelibia F
Page 116 and 117:
Venues Falaki Theatre American Univ
Page 118 and 119:
Venues Mahal Art Space 122, Avenue
Page 120 and 121:
120 Acronyms APPENDIX A — QUOTE:
Page 122 and 123:
122 Respondents APPENDIX B — Fact
Page 124 and 125:
124 Respondents · Mohammed Hassan
Page 126 and 127:
126 Bibliography APPENDIX C — Fac
Page 128 and 129:
128 Bibliography 8. El Bennaoui, Kh
Page 130:
130 — artmovesafrica.org —
show all

Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?