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5 Case Study 1 - Leicester Research Archive - University of Leicester

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saw the Web as a means to integrate the user into processes <strong>of</strong> museum practice<br />

that are usually left to experts. Even though it was argued that museums have not<br />

really exploited the possibilities <strong>of</strong> integrating the user into meaning making<br />

processes on a large scale, the idea was there right from the beginning. Now,<br />

within the context <strong>of</strong> the Web 2.0, museums are experimenting with new ways <strong>of</strong><br />

integrating the user in the museum. ‘WikiMap Linz‘ and ‘Every Object Tells a<br />

Story’ were two examples named. Again, it is only the technologies used and the<br />

technological tools to realise such projects, which are new, not the call to<br />

integrate users more closely into the museum. An important question that was<br />

identified in this context had to do with trust and reliability. In other words, how<br />

sustainable is people’s trust in museum’s online resources, if users are getting<br />

involved in content production? The research argued that while this is an<br />

important question it is impossible to evaluate it further at this point. We are only<br />

beginning to see what is made possible with technologies such as Wikis and<br />

blogs.<br />

However, what this research suggests is that one has to take a more differentiated<br />

approach to the idea <strong>of</strong> ‘fostering user participation’ in the museum. This must<br />

not be restricted to projects around the ideas <strong>of</strong> ‘user-generated content.’ Rather,<br />

it was proposed that research on how people make meaning <strong>of</strong> exhibitions in<br />

museums, suggests that a more informed visitor will have a much more valuable<br />

experience. Therefore, it is suggested that audiovisual media might help to<br />

provide visitors with the intellectual tools that allows them a more engaging,<br />

participatory and accessible experience <strong>of</strong> the museum.<br />

What also becomes clear, therefore, is that there are some regional differences in<br />

terms <strong>of</strong> what people working in museums see as the key rationale behind<br />

museum websites. Museums in the German speaking countries <strong>of</strong> the EU still<br />

focus more on using the Web as a way to publish collection information or as<br />

marketing tool, whereas in the Anglo-Saxon world the emphasis has clearly<br />

108

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