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5 Case Study 1 - Leicester Research Archive - University of Leicester

5 Case Study 1 - Leicester Research Archive - University of Leicester

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Stasi City… Stasi stands for Staatssicherheit… so that’s secret<br />

service…in East Germany. Literally, when the wall came down, this<br />

place was the embodiment <strong>of</strong> the political regime. So this place was<br />

stormed. And what you actually see in this video installation at<br />

SFMOMA is what’s left over.<br />

Imagine you would be in jail… how does it actually feel? How does<br />

it feel to be in an interrogation chamber? To see all these doors, to see<br />

the recording devices, these old telephones, and to have this feeling<br />

that this is really the past. It looks old, its already gone, fortunately its<br />

gone, but at the same time it’s also something that you feel, well…<br />

these regimes, these structures, these architectures <strong>of</strong> repression are<br />

still existing everywhere; and hopefully, you also feel that eventually<br />

these ideologies and these regimes have to come down have to fail.<br />

So it’s a kind <strong>of</strong> hope. And the motive <strong>of</strong> hope is also what links it to<br />

the second piece in this exhibition by a young Kurdish artist called<br />

Fikret Atay. Now new generation… and operating from a completely<br />

different part <strong>of</strong> the world… whereas before, there was East West in<br />

terms <strong>of</strong> Socialist Capitalist, now it’s a town in the Kurdish part <strong>of</strong><br />

Turkey and its East West as opposed between the eastern world, the<br />

Islam world and the western world, Christian world, if you want.<br />

So imagine you are a young boy in a Kurdish city and you want to go<br />

somewhere you want to go elsewhere possibly and you possibly also<br />

want to get away form all these conflicts, you want to have a future<br />

and let’s say you even want to be an artist. And you think… well…<br />

how on earth can I make art in such an environment? How can you<br />

still manifest your desire to do something to express yourself?<br />

So here is this young boy that is recorded in one take on top <strong>of</strong> the<br />

hill overlooking the city, which is his hometown, close to the Iraq<br />

boarder and he takes what is available what he finds on the site: tin<br />

cans, rubbish and he just makes that into some sort <strong>of</strong> a drum kit and<br />

plays his piece. And he plays that very pr<strong>of</strong>essionally so you think<br />

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