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5 Case Study 1 - Leicester Research Archive - University of Leicester

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from people with very diverse backgrounds and from different historical periods,<br />

can be found. Most significantly these statements are not made by museum staff,<br />

but by authors, such as the archbishop <strong>of</strong> Canterbury and the BBC’s<br />

Meteorologist Michael Fish. So not only, does the presentation focus on ‘the<br />

story behind the objects,’ the presentation also recognizes the importance <strong>of</strong><br />

providing text which is not only written by the museums’ own staff but from<br />

people <strong>of</strong> various backgrounds.<br />

Related to the idea <strong>of</strong> a story-based museum experience is that <strong>of</strong> the ‘blended<br />

museum,’ the museum, which blends the online and onsite exhibition, so as to<br />

help the visitor make sense <strong>of</strong> the objects in a more narrative-based way. The<br />

Natural History Museum London (NHM) serves as a good example to illustrate<br />

this point further. The NHM argues “museums should encourage a ‘virtuous<br />

circle’ between their physical and virtual spaces. Visitors to the museum should<br />

be encouraged to bookmark information to be sent to them via the<br />

Internet/mobile for use at a later date. This extends the relationship with the<br />

visitor beyond the walls <strong>of</strong> the museum, building on Museum ‘citizenship’, and<br />

allows the visitor to receive and consume complex information in their own time<br />

and in the right environment.” 227<br />

In order to realise the ‘virtuous circle’ the NHM suggests that a variety <strong>of</strong><br />

platforms, mobile, handhelds, kiosks, etc. could be explored for developing this<br />

facility. An initial example at the NHM is their Ecology kiosk, “where visitors<br />

can send information on relevant organizations to themselves via email, and the<br />

upcoming PDA pilot to mark the centenary <strong>of</strong> Waterhouse, which will have the<br />

capacity to bookmark and send links via email.” 228<br />

Other examples, which illustrate the shift from object-centred to story-centred<br />

museum websites were developed by the National Museums <strong>of</strong> Science and<br />

Industry (NMSI). In 2004 they launched two websites. Referencing them, the<br />

NMSI argued in the consultation ‘Understanding the Future’ that “its experience<br />

with its two award-winning new websites launched in 2004 has shown that the<br />

227 Understanding the Future.<br />

228 Ibid.<br />

122

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