22.12.2012 Views

5 Case Study 1 - Leicester Research Archive - University of Leicester

5 Case Study 1 - Leicester Research Archive - University of Leicester

5 Case Study 1 - Leicester Research Archive - University of Leicester

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

the future, which he in reference to Hooper-Greenhill 153 defines as audience-<br />

driven museum rather than collection-driven-museum. 154<br />

Dietz et. al. argue along similar lines when they say that “prior to online exhibits,<br />

the curator had exclusive control over juxtaposition and contextualization. But<br />

virtual museums allow both other museum staff and the general public to<br />

perform their own juxtapositions and contextualization. One <strong>of</strong> the main<br />

challenges for the next generation <strong>of</strong> virtual museums is to find a common<br />

platform for the great variety <strong>of</strong> virtual exhibits produced by a wide range <strong>of</strong><br />

creators, from museums, allied organizations as well as individuals.” 155 For<br />

McKeown as well, “transposing the museum into the digital domain (…)<br />

facilitates a whole new approach to interpretation such as <strong>of</strong>fering alternative<br />

views.” 156 This shows that museum pr<strong>of</strong>essionals right from the beginnings <strong>of</strong><br />

the Web, believed in its potential to transform the museum into a more visitor<br />

driven institution. However, during times <strong>of</strong> continuing development <strong>of</strong><br />

museums’ websites, “it is still not clear,” as Roberta Buiani writes in 2003,<br />

“whether the existence <strong>of</strong> the virtual museum will produce a final transformation<br />

<strong>of</strong> the museum as we know it, or, on the contrary, it will use Internet tools in a<br />

way that serve its traditional goals.” 157<br />

Nevertheless, there is evidence which suggests that some online museums are<br />

moving towards the development <strong>of</strong> services and tools which have the potential<br />

to transform museum practice – a museum practice which places the user rather<br />

than the collection at the centre. One <strong>of</strong> the things one can observe is that<br />

developers <strong>of</strong> museum websites recognized the potential to foster user<br />

participation and to use the Web as a way to cater to specific target audiences<br />

153 Eilean Hooper-Greenhill. Museum education: past, present and future. Towards the Museum<br />

<strong>of</strong> the Future. New European Perspectives. Ed. Roger Miles and Lauro Zavala. (London/New<br />

York: Routledge, 1994) pp. 133-146, (p.134).<br />

154 Werner Schweibenz, ‘Das virtuelle Museum. Überlegungen zum Begriff und Wesen des<br />

Museums im Internet’ Conference Proceedings <strong>of</strong> the MAI-Tagung (Museums and the Internet,<br />

2001) www.mai-tagung.de/Maitagung+2001/schweibenz.pdf (12.2.2005).<br />

155 Dietz et.al. Virtual Museum (<strong>of</strong> Canada): The Next Generation, published by the<br />

Canadian Heritage Network (CHIN) http://www.chin.gc.ca/English/Members/Rethinking_Group/<br />

(as <strong>of</strong> 20.4.2005).<br />

156 Roy McKeown, ‘Accessing the virtual museum: bringing museum information into<br />

cyberspace’ in The New Review <strong>of</strong> Information Networking (2003) pp.40-52 (p.42).<br />

157 Roberta Buiani, ‘Virtual museums and the Web: a dilemma <strong>of</strong> compatibility?’.<br />

90

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!