22.12.2012 Views

5 Case Study 1 - Leicester Research Archive - University of Leicester

5 Case Study 1 - Leicester Research Archive - University of Leicester

5 Case Study 1 - Leicester Research Archive - University of Leicester

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

museum. All these expressions are mediated by different kinds <strong>of</strong> social agents,<br />

be it a curator, an educator or a security guard. Therefore, the analysis in the<br />

interpretation stage is always oscillating between the relationship <strong>of</strong> the text and<br />

social practice as well as its relationship with its social agent, who actually<br />

articulates the text. But how can one analyse how people produce and interpret<br />

certain pieces <strong>of</strong> text? It is, <strong>of</strong> course, impossible to gain access to people’s<br />

heads. Fairclough says that what the analyst can gain access to is people’s<br />

cognitive processes. Hence, it is the cognitive processes <strong>of</strong> producing and<br />

consuming texts that the interpretation stage is concerned with; and Fairclough<br />

provides a set <strong>of</strong> questions that can be asked <strong>of</strong> a text to analyse how producers<br />

and interpreters arrive at establishing the situational and the intertextual contexts.<br />

Drawing upon them, the interpretation stage will reveal how the text is part <strong>of</strong><br />

webs <strong>of</strong> other texts. The objective <strong>of</strong> the interpretation stage is therefore not the<br />

identification <strong>of</strong> ‘the hidden meaning’ <strong>of</strong> the text, or the authors ‘true’ intentions.<br />

Rather, what the interpretation is aiming at is to find out how a specific<br />

situational context shapes the text itself. This process will uncover, for instance,<br />

the assumptions on which the text is based; that is, assumptions made by the<br />

speaker who the audience is, and how it might best be addressed. This in turn<br />

will reveal something about the relationship <strong>of</strong> the text to museum practice, and<br />

this will ultimately answer the question <strong>of</strong> this section, namely, whether the text<br />

represents continuity or change in traditional museum practice.<br />

Explanation<br />

The objective <strong>of</strong> the interpretation stage was to analyse the text in relation to<br />

museum practice. Or in other words, to analyse the traces <strong>of</strong> other discourses that<br />

are found in the text. “The objective <strong>of</strong> the stage <strong>of</strong> explanation,” in Fairclough’s<br />

terms “is to portray a discourse as part <strong>of</strong> a social process, as a social practice,<br />

showing how it is determined by social structures, and what reproductive effects<br />

discourses can cumulatively have on those structures, sustaining them or<br />

changing them.” 41<br />

41 Norman Fairclough, Language and Power, p.135.<br />

37

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!