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a fresh perspective<br />
The mental health impact of<br />
being a writer of colour<br />
As a writer of colour, people will<br />
constantly challenge where you<br />
are in your career, and accuse<br />
you of being there because of<br />
‘positive discrimination’, or<br />
because everyone is so ‘woke’ at<br />
the moment. Or they’ll question<br />
why you take up certain spaces,<br />
and that will mess with your<br />
head. Your own community will<br />
tear you apart because when<br />
you’re the one writer who gets<br />
through, they expect you to be<br />
representative of everyone, and<br />
that is impossible.<br />
For me specifically, the thing<br />
that I didn’t even consider<br />
as a job was being a public<br />
intellectual about race and<br />
immigration. I’m a comedy and<br />
fiction writer, that’s where I<br />
started out, and then The Good<br />
Immigrant led me down this<br />
weird cul de sac where I was<br />
asked to go on the news and talk<br />
about Nigel Farage!<br />
My tweets were mentioned in<br />
the papers, MPs were reporting<br />
me to the Equality and Human<br />
Rights Commission, and editors<br />
were snarking behind my back<br />
saying the only reason I was<br />
doing any of this ‘race chat’ was<br />
to further my own career.<br />
So you’re constantly made to<br />
feel like you don’t deserve any of<br />
it. The sad truth was that I didn’t<br />
want to be speaking on any of<br />
those platforms in the first place.<br />
I just wanted to be writing my<br />
dumb jokes, and books about men<br />
trying to be better at their lives,<br />
that’s all I wanted to do when I<br />
started out, and now here I am.<br />
In the two years that I was<br />
touring The Good Immigrant, I had<br />
a new kid, I was being trolled on<br />
the internet, and was being sent<br />
death threats to my house, my<br />
inbox, and on social media. All of<br />
this because I just wanted better<br />
representation in books. With all<br />
of that vitriol, you start to think:<br />
‘What’s the point? Why am I<br />
doing all this stuff?’ and you start<br />
to feel alone.<br />
No one tells you about any of<br />
this when you start out, so I’ve<br />
decided to be honest about it.<br />
The value in being vulnerable<br />
I’ve been having a lot of therapy<br />
recently to address a couple<br />
of things I talk about in Brown<br />
Baby, such as binge-eating and<br />
depression, and it’s all rooted<br />
to a feeling of worthlessness<br />
that I have. I’m still trying to<br />
understand where that comes<br />
from, and I’m working through<br />
the murky waters of it.<br />
When I feel stressed, worthless,<br />
or anxious, I reach out for<br />
comfort. Now my mum isn’t<br />
around, and because I can’t lie on<br />
the sofa with her, split a bag of<br />
crisps and watch Frasier – which<br />
would be my happy place – I<br />
just reach for the bag of crisps<br />
instead. The thing about it is<br />
one bag is not enough, the act<br />
of eating is what’s sustaining the<br />
feeling. The immediate response<br />
afterwards is to feel shame, and<br />
that’s why I think: “If I keep<br />
eating, I’ll be OK.”<br />
Putting the binge-eating into<br />
the book was my way of carving<br />
out a space, because I’m happy to<br />
be vulnerable and open with my<br />
friends, and I really want that to be<br />
reflected in my writing. I shared<br />
it in the hope that other men<br />
can start to have these open and<br />
transparent conversations, too.<br />
The big questions about parenting<br />
My new book is about the stuff<br />
that keeps me up at night, such as<br />
raising my kids to be proud of their<br />
heritage, but also mindful that the<br />
world is very racist, and how I – as<br />
a father – raise my daughters, but<br />
don’t take up space in their life that<br />
perpetuates the patriarchy. Also<br />
how I might talk to them about my<br />
own mental health.<br />
The best writing bleeds<br />
on the page<br />
I remember when I May Destroy You<br />
first came out, Michaela Coel talked<br />
about bleeding for your art, and<br />
putting your soul on the page, and<br />
her words just really resonated with<br />
me. As a writer, I’m communicating<br />
from the heart. I throw myself into<br />
my books, and it takes a piece of<br />
me every single time. I think that’s<br />
really important.<br />
‘Brown Baby: A Memoir of Race,<br />
Family and Home’ by Nikesh Shukla<br />
is out now (bluebird books for life,<br />
£16.99). Listen to Nikesh’s episode of<br />
‘I am. I have’ on iTunes, Spotify, and<br />
other podcasting platforms.<br />
happiful.com | <strong>April</strong> <strong>2021</strong> | 89