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Vanity. Ares

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ti sembra di guardare affidable, hai detoo che sei di

Bolagna troppo?” Basically at the time, I knew the

word seem (sembra) and reliable (affidable), so I

made out that the painter said I can trust you, your

face is ok and I also noticed the word Bologna.

Rafaele kept saying Bologna, which then

provoked he and the painter to then have a long

discussion about Bologna, that I was keenly

observing, trying to interpret what was happening

and it seemed to be so full of camaraderie; back

slaps, laughs and even some type of football chant

towards the end: “For Bologna Ale, For Bologna Ale,

We will always be with you, Come on Bologna Ale…”

The painter and Rafaele sung the chant quite a

number of times, the painter perhaps taking the

tenor pitch — a higher pitched voice —and Rafael

more of an Alto pitch as he had a rather deep

voice, but it wasn’t a restrictive one, as it always

seemed just as flamboyant as his personality. They

were laughing and joking by this time, for the

painter to then give Rafaele the painting still in

high spirits and smiles, and off we went down the

road. Me and Rafaele walked a few metres of ear

shot of the painter, who I saw was still stood where

we had spoken, looking towards us momentarily

and smiling from the corner of his eyes.

I said to Rafaele: “Nice painting, I did'nt

know that you Curate.” “Whata ya mean? I justa

made it up,” replied Rafaele. I was in shock; I

could not believe how believable a person could

be. Then Rafaele basically explained that he

started to work on the technique for conning

artists a few year’s prior, as he knew a few Art

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