Martial Arts World News Magazine - Volume 23 | Issue 3
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COVER STORY<br />
Building the Foundation<br />
The success of the world’s<br />
first and only <strong>Martial</strong> <strong>Arts</strong> History<br />
Museum has been a tough and<br />
winding road filled with countless<br />
roadblocks, broken promises, and<br />
at times, financial hardship before<br />
enjoying the notoriety it has today.<br />
“I always knew that was not going<br />
to be an easy road,” confesses<br />
Matsuda. “I knew I would face so<br />
much disappointment and heartache,<br />
but I always knew it would<br />
succeed. I have never had one<br />
doubt in my mind, since day one,<br />
that it would not succeed. I could<br />
always see the light at the end of<br />
the tunnel and knew it would be a<br />
success. I knew this would work!”<br />
Matsuda was a contributing editor<br />
for Black Belt and Inside Kung<br />
Fu magazine for 20 years and started<br />
his own publication in 1983 called <strong>Martial</strong> Art <strong>Magazine</strong>. In 1988,<br />
he sold the magazine and set his sights on creating something that<br />
would keep the martial arts history alive. Although now in his 60s,<br />
he personally witnessed the evolution of the martial arts, so for<br />
him, it’s a little personal. “Hey, I was there to see most of this happen,”<br />
remarks Matsuda.<br />
“The beauty of growing up in the 1960s is that you got to meet<br />
or experience this amazing time in history, when martial arts got<br />
on the map. Being there to see Eric Lee perform and meeting Ed<br />
The Mast from the 1983 Film “Revenge of the Ninja” on Display<br />
<strong>Martial</strong> <strong>Arts</strong> Celebrity Sightings are an Every Day Affair: Here The Lady Dragon Cynthia Rothrock Visits<br />
Parker and doing a few moves with Brendan Lai or shaking hands<br />
with Chuck Norris and Joe Lewis was overwhelming.”<br />
Today, however, our iconic generation is slowly passing away,<br />
and in the martial arts community, there are no resource libraries,<br />
there are no governing bodies, there are no more magazines,<br />
and there is nothing to keep the history of the martial arts alive for<br />
generations to read about.<br />
“When I had the magazine, I wanted to focus on history. But, I<br />
got so many ads for tournaments, so that’s what I covered. When<br />
someone made me an offer to purchase<br />
the magazine, I jumped at the chance<br />
because I wanted to do something more,<br />
something that would keep our history<br />
alive,” says Matsuda. “I thought the best<br />
thing we could all do for the martial<br />
arts is to create a place, a museum that<br />
would house the history of the arts, how<br />
it began and how it made its way across<br />
the world.”<br />
The creation of the museum was not<br />
going to be an easy road, and at the time,<br />
Matsuda did not have the education or<br />
experience to begin such a huge task.<br />
“In 1988, when I sold my magazine, I<br />
knew nothing about creating a museum.<br />
So, I went back to school to learn. I did<br />
not want to be one of those guys who because<br />
he’s done the martial arts for over<br />
20, 30 years, decides he’s going to be a<br />
museum curator. I’ve seen this a lot. Just<br />
because you know martial arts history<br />
doesn’t mean you know how to create,<br />
continued on page 42<br />
MARTIAL ARTS WORLD NEWS VOLUME <strong>23</strong> | ISSUE 3 39