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Martial Arts World News Magazine - Volume 23 | Issue 3

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COVER STORY<br />

Building the Foundation<br />

The success of the world’s<br />

first and only <strong>Martial</strong> <strong>Arts</strong> History<br />

Museum has been a tough and<br />

winding road filled with countless<br />

roadblocks, broken promises, and<br />

at times, financial hardship before<br />

enjoying the notoriety it has today.<br />

“I always knew that was not going<br />

to be an easy road,” confesses<br />

Matsuda. “I knew I would face so<br />

much disappointment and heartache,<br />

but I always knew it would<br />

succeed. I have never had one<br />

doubt in my mind, since day one,<br />

that it would not succeed. I could<br />

always see the light at the end of<br />

the tunnel and knew it would be a<br />

success. I knew this would work!”<br />

Matsuda was a contributing editor<br />

for Black Belt and Inside Kung<br />

Fu magazine for 20 years and started<br />

his own publication in 1983 called <strong>Martial</strong> Art <strong>Magazine</strong>. In 1988,<br />

he sold the magazine and set his sights on creating something that<br />

would keep the martial arts history alive. Although now in his 60s,<br />

he personally witnessed the evolution of the martial arts, so for<br />

him, it’s a little personal. “Hey, I was there to see most of this happen,”<br />

remarks Matsuda.<br />

“The beauty of growing up in the 1960s is that you got to meet<br />

or experience this amazing time in history, when martial arts got<br />

on the map. Being there to see Eric Lee perform and meeting Ed<br />

The Mast from the 1983 Film “Revenge of the Ninja” on Display<br />

<strong>Martial</strong> <strong>Arts</strong> Celebrity Sightings are an Every Day Affair: Here The Lady Dragon Cynthia Rothrock Visits<br />

Parker and doing a few moves with Brendan Lai or shaking hands<br />

with Chuck Norris and Joe Lewis was overwhelming.”<br />

Today, however, our iconic generation is slowly passing away,<br />

and in the martial arts community, there are no resource libraries,<br />

there are no governing bodies, there are no more magazines,<br />

and there is nothing to keep the history of the martial arts alive for<br />

generations to read about.<br />

“When I had the magazine, I wanted to focus on history. But, I<br />

got so many ads for tournaments, so that’s what I covered. When<br />

someone made me an offer to purchase<br />

the magazine, I jumped at the chance<br />

because I wanted to do something more,<br />

something that would keep our history<br />

alive,” says Matsuda. “I thought the best<br />

thing we could all do for the martial<br />

arts is to create a place, a museum that<br />

would house the history of the arts, how<br />

it began and how it made its way across<br />

the world.”<br />

The creation of the museum was not<br />

going to be an easy road, and at the time,<br />

Matsuda did not have the education or<br />

experience to begin such a huge task.<br />

“In 1988, when I sold my magazine, I<br />

knew nothing about creating a museum.<br />

So, I went back to school to learn. I did<br />

not want to be one of those guys who because<br />

he’s done the martial arts for over<br />

20, 30 years, decides he’s going to be a<br />

museum curator. I’ve seen this a lot. Just<br />

because you know martial arts history<br />

doesn’t mean you know how to create,<br />

continued on page 42<br />

MARTIAL ARTS WORLD NEWS VOLUME <strong>23</strong> | ISSUE 3 39

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