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Modernist cooking includes the use of

many ingredients that are unfamiliar and

that have names that sound scary and

unnatural. But there is no objective reason

to treat them any differently than refined

sugar, salt, vinegar, baking soda, or many

other ingredients we take for granted.

It is hard see any rational reasons to use sugar

refined from sugar cane or beets but to rule pectin

refined from orange peel out of bounds. Both

products result from a series of processing steps

that refine and purify a natural product. In both

cases, you can specify (and pay more for) “or ganic”

versions, if you wish.

If anything, Modernist ingredients are subjected

to higher safety standards than traditional

foods because they are highly purified and so must

meet strict FDA approval requirements to be

allowed in food. The manufacturers that make

these ingredients follow very stringent specifications

for purity because their industrial customers

are very demanding. Companies like Nestlé and

Coca- C ola that use these ingredients in their

packaged foods have billions of dollars at stake.

They perform thorough chemical analyses with

teams of chemists to ensure exact batch-to-batch

consistency. As a result, these products are far

purer and more consistent than anything else in

a chef’s kitchen.

Indeed, most Modernist ingredients have

received much more testing than the familiarseeming

food in our home pantries. Traditional

ingredients have been ushered past regulatory

review by a grandfather clause that goes by the

term “GRAS,” which stands for “generally recognized

as safe.” These foods have not been subjected

to carefully controlled tests and protocols.

It is often argued that sucrosecommon table

sugarwould face an uphill battle if it came up for

approval as a new food additive. After all, it is

refined in an industrial process, and it clearly can

cause harm by promoting obesity, diabetes, and

tooth decay. Because sucrose, which was originally

sold in small quantities in apothecary shops

as an exotic additive, met GRAS criteria, it has

largely avoided the intense regulatory scrutiny

that newer additives face.

In truth, the most important difference between

so-called “artificial” additives and traditional

additives like sucrose, baking soda, and

baking powder is that the newer additives were

com pletely tested for safety, whereas their older

GRAS cousins entered the market in more lax

times and thus escaped such testing.

Natural, Perhaps, but Not Better

Some Modernist ingredients are indeed artificial

in the sense that they are produced via chemical

synthesis. One example is ascorbic acid, better

known as vitamin C. Besides its use as a vitamin

essential for human nutrition, ascorbic acid is also

very good at preventing the oxidative reactions

that brown cut fruits or vegetables like apples,

avocadoes, and endives.

Vitamin C can be refined from natural sources,

such as rose hips (the fruit produced by rose

flowers). But ascorbic acid made in this way will

generally not be very pure because the source

material also contains extraneous substances.

Moreover, the amount of ascorbic acid present in

a particular rose hip depends on the plant’s

nutrition, the amount of sun it got, and other

variables. So the concentration of naturally

derived vitamin C tends to be highly variable.

Inconsistency of this kind is a common problem

with natural foods. Compare a peach at the peak

of ripeness taken directly from the tree with

a hard, unripe, out-of-season peach picked green

and then shipped thousands of miles. The two are

hard to recognize as the same fruit. That variability

can pose real problems when cooking and

developing new recipes.

But ascorbic acid can be synthesized easily, and

the synthetic compound is identical to the natural

product. It is much easier to purify, however, so its

strength and concentration can be guaranteed.

There is no scientific reason to prefer the natural

product, with its impurities and variable concentration,

to the pure synthetic. Indeed, just the

opposite is true.

The same can be said for baking soda and

baking powder, both caustic salts that are best

created synthetically. The Solvay process, a series

of chemical reactions, produces sodium bicarbonate

from salt brine and limestone. These ingredients

are also sometimes purified from mineral

deposits such as natron, a naturally occurring

caustic salt found in dry desert lake beds.

Neither approach is “natural” by most definitions,

yet most chefs don’t think of baking soda

and powder as unnatural because of their long

history and their ubiquity in our mothers’ and

grandmothers’ cupboards. The reality, however, is

that baking soda and powder are best used in pure

form, and that purity comes from either chemical

synthesis or chemical purification methods.

Modernist ingredientsfrom calcium salts

used in gelling hydrocolloids to myriad pure

versions of other nonflavor compoundsare no

different from baking soda in this regard. Here,

too, there is no scientific basis for labeling the

newer compounds as unnatural while embracing

baking soda, distilled vinegar, or other common

kitchen chemicals. Nor is there any reason to be

concerned about chemical engineering processes

that extract, synthesize, or purify food

ingredients.

Indeed, we can be reassured by the fact that the

nontraditional ingredients used in Modernist

cuisine have been used in high volume by the

packaged food industry, usually for decades. If

these products really caused harm, consumers

would be dropping like fliesbut of course they

are not. The only thing truly novel and modern

about these ingredients is their increasing use in

fine dining and avante-garde gastronomy.

Yet somein particular, certain traditionalist

chefshave persisted in claiming that Modernist

cuisine is associated with health or safety risks.

Some of them have even publicly attacked the use

of these ingredients (see Santi Santamaria Versus

elBulli, page 258). Scaremongering of this kind is

irresponsible. If there were actual evidence of

a health concern, complaints should have been

brought to the appropriate food authorities so

they could launch any investigations that are

warranted.

Decide for Yourself

The sagas of fiber, fat, and salt teach us that it is

very difficult to get the truth about the health

implications of dietary choices. Three main

factors cloud the issues. First, it takes a long time

and a lot of money to rigorously test the benefits

of a dietary system. Second, industrial food

companies and advocates can make a very good

living promoting claims, substantiated or not,

about dietary systems. Third, even when ideas

are proven to be false, they tend to linger as part

of the conventional wisdom or popular viewpoint.

Advocates want to keep selling diet books,

nutrition experts hate to admit that they are

wrong, doctors and health organizations want to

maintain an aura of authority, and food companies

want to keep selling products for which they

can claim health benefits.

Today we know that butter seems to be okay,

but trans fat-laden margarine could kill you: just

the opposite of the conventional wisdom a generation

ago. As medical science gains more understanding

of the underlying causes of heart disease,

cancer, stroke, and other common diseases, we

may learn that there are some other real villains in

what we eat. But it is also possible that we will find

that some of these diseases are, by and large,

unrelated to diet.

254 VOLUME 1 · HISTORY AND FUNDAMENTALS

FOOD AND HEALTH 255

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