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No. 34 - Its Gran Canaria Magazine

Rutas, recomendaciones y noticias de Gran Canaria. Routes, tips and news about Gran Canaria.

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12<br />

GET TO KNOW GRAN CANARIA I CONOCE GRAN CANARIA EDICIÓN <strong>34</strong><br />

The Traditional Sand Nativity at Las Canteras Beach<br />

Photo: Cabildo de <strong>Gran</strong> <strong>Canaria</strong><br />

As it does every year, the Sand Nativity Scene has<br />

been set up to celebrate Christmas on Las Canteras<br />

beach in Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>. The traditional<br />

and ephemeral nativity scene opened the<br />

doors for the 18th year on 5th December. It features<br />

artistic designs depicting eight different Christmas<br />

scenes that have been modelled by nine sculptors,<br />

with the largest representation of <strong>Canaria</strong>n artists<br />

in its history. On this occasion, the Nativity Scene<br />

also pays tribute to all <strong>Canaria</strong>n men and women<br />

who live outside their homeland.<br />

The Sand Nativity Scene will be open to the public<br />

from 10:00 to 22:00 daily until Monday 8th January<br />

2024, with the exception of 24th and 31st December<br />

2023 and 5th January 2024, when it will be<br />

open until 20:00. Admission is free and, as usual,<br />

donations made by visitors until the day it closes<br />

will be donated to the soup kitchens in the capital<br />

of <strong>Gran</strong> <strong>Canaria</strong>.<br />

The Tourism Councillor at the Town Hall of Las Palmas<br />

de <strong>Gran</strong> <strong>Canaria</strong>, Pedro Quevedo, pointed out<br />

that "it signals the start of the Christmas festivities<br />

after 18 years on Las Canteras beach, and it has a<br />

fundamentally social, tourist and social projection<br />

at this time of the year". The councillor underlined<br />

how the Nativity Scene has boosted the promotion<br />

of the art of sand sculpturing, not only in the capital<br />

but all over the island of <strong>Gran</strong> <strong>Canaria</strong>.<br />

As is the norm, the monies raised by donations given<br />

at the Nativity Sand Scene will go to the soup<br />

kitchens of Las Palmas de <strong>Gran</strong> <strong>Canaria</strong>. The La<br />

Caixa Foundation, through CaixaBank, will also donate<br />

6,000 euros, according to Rubén Sánchez, director<br />

of Institutional Banking at CaixaBank.<br />

The Councillor for Social Welfare, Carmen Luz Vargas,<br />

says she is "grateful for the solidarity shown<br />

by the townsfolk and the commitment of the institutions<br />

that support the collection of donations<br />

for the food kitchens around the capital". These<br />

centres are: the Rescate Juvenil Social Association,<br />

which works with around 150 people; the Nuestra<br />

Señora del Carmen soup kitchen, which works with<br />

70 users; the San Pedro soup kitchen, which offers<br />

support to around 80 people; the Santo Domingo<br />

soup kitchen, which offers the service to around 80<br />

people; and the Parroquia de la Paz, which works<br />

with a further 80 people.<br />

This year will feature a scene of tenant farmers<br />

modelled by the <strong>Canaria</strong>n Etual Ojeda which will<br />

represent the piece 'La aparcería', or sharecropping,<br />

by the <strong>Canaria</strong>n sculptor Santiago Vargas, exhibited<br />

in the municipality of Santa Lucía de Tirajana. This<br />

artist, a world benchmark in sand sculpture, returns<br />

as a participant in this year’s Sand Nativity Scene,<br />

having been away for many years.<br />

He has been joined by fellow <strong>Canaria</strong>ns Aarón and<br />

Bentejuí Ojeda, meaning that the traditional sand<br />

nativity scene in Las Canteras this year has the<br />

largest representation of local artists in its history.<br />

Aarón Ojeda has been in charge of modelling the<br />

daily life of the streets of the scene, inspired by the<br />

works El Risco de San Bernardo, by the <strong>Canaria</strong>n<br />

painter Santiago Santana, and De Chamisso e India<br />

Sambaigo, the work of the Mexican school dating<br />

from the end of the 18th century.<br />

The fountain, meanwhile, was modelled by Bentejuí<br />

Ojeda and the <strong>Gran</strong> <strong>Canaria</strong>-based multidisciplinary<br />

artist Paco Arana, who were inspired by José<br />

Ribera's 'Nature with Fountains'.<br />

Alongside the Canary Islanders, five other sculptors<br />

of other nationalities have contributed to this<br />

edition of the Nativity Scene, all of whom have<br />

participated in previous editions. The scene called<br />

'Readers from Heaven', inspired by a piece by the<br />

Renaissance artist Michelangelo, has been crafted<br />

in sand by American Sue McGrew. The flight<br />

from Egypt, modelled by Canadian Karen Fralich,<br />

is based on a specific design for the Sand Nativity<br />

Scene created by <strong>Gran</strong> <strong>Canaria</strong>n artist Adán López<br />

Alemán and depicts the drama of forced migration<br />

to other lands.<br />

The scene of scene of the Angel Announcer was<br />

created by the Irish artist Fergus Mulvany and is inspired<br />

by a work by El Greco; The Three Wise Men<br />

of the East were brought to life by the Dutch artist<br />

Johannes Christoffel and the American artist<br />

Gresham Glover did the same with the birth of the<br />

Christ child.<br />

This 18th edition of the Sand Nativity Scene is organised<br />

by Go Beyond S.L. in collaboration with<br />

the Department of Tourism of Las Palmas de <strong>Gran</strong><br />

<strong>Canaria</strong>, the Cabildo de <strong>Gran</strong> <strong>Canaria</strong>, <strong>Gran</strong> <strong>Canaria</strong><br />

Tourism, the Department of Culture of <strong>Gran</strong> <strong>Canaria</strong>,<br />

<strong>Canaria</strong>s Getaway, Grupo Ybarra, Mas24 Ingeniería<br />

and Teican Medioambiental.

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