VV2

“New” Showroom for
Tony’s Farewell
By: Sam Wagmeister / People & Places
Tony Orlando’s final performance at the South
Point Casino last month was a memorable
event for both the audience and Entertainment Director Michael
Libonati. The longevity of Orlando’s career and the loyalty of recurring
show-goers Adele Tanner and companion Harvey Katz reflect the
impact Orlando has had on his fans.
“It leaves me with a special feeling,” Tanner remarked. “Tony’s show
is very moving,” added Katz, referring to Orlando’s patriotic tributes.
The opening of Orlando’s final 3-nighter represented a milestone for
Libonati. The Showroom reopened after a major project to restore and
refresh.
After the Bronx
Wanderers
counted down to
Michael Libonati surveys refreshed
South Point showroom
midnight New
Year’s Eve, the
showroom closed
for the project.
Wear and tear
had begun to
show.
Libonati
collaborated with
the Showroom’s Production Manager, Jason Lein to craft a plan. “Our
goal was to represent Mr. Gaughan (founder and owner) and what he
has done…we want to make it more presentable…to welcome guests
to our ‘home.’”
The all-inclusive list included the annual re-upholstering of all
booths, a new stage floor, stage screen lighting to extend around the
audience and bar and sanding and refinishing all exposed wood. “The
Showroom takes a beating during the 15 days of NFR (National Finals
Rodeo) with 700-800 attendees daily,” Libonati reflected.
With the closing of NFR in mid-December, the countdown to New
Year’s Eve celebrations begins. Libonati is tasked with the entertainment
in venues throughout the casino, including the Grandview Lounge
and ballrooms. A tireless worker, he commented, “New Year’s Eve is my
adrenalin.”
Libonati, whose career began as a stagehand at MGM and Thomas
and Mack Center while attending UNLV, possesses an old-school
approach. While Las Vegas’ casinos seem to downscale the amenities
that appeal most to locals, Libonati’s crew is focused on increasing
revenue by improving the customer experience.
Long delayed backstage improvements have been made for both
employees and talent, which he believes will help the venue continue
to attract top acts. “We’re trying to create a living room experience for
the performers and office staff,” he said.
For audience members Tanner and Katz, “It all adds up to a positive
experience.”
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