KORPUS <strong>21</strong>, VOL. 4, NÚM. <strong>10</strong>, 2024, 113-126 Hansen, Miriam B. (2012), Cinema and Experience: Siegfried Krakauer, Walter Benjamin, and Theodor W. Adorno, Berkeley, University of California Press. Hansen, Miriam B. (2000), “Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film as Vernacular Modernism”, Film Quarterly, 54 (1), San Francisco, University of California Press, pp. <strong>10</strong>-22. Kosofsky Sedgwick, Eve and Frank, Adam (2003), Touching Feeling: Affect, Pedagogy and Performativity, Durham, Duke University Press. Lewis, Oscar (2011), The Children of Sánchez: Autobiography of a Mexican Family. 50th Anniversary Edition, New York, Vintage Book. Loviglio, Jason (2005), Radio’s Intimate Public. Network Broadcasting and Mass Mediated Democracy, Minneapolis, Univ. of Minnesota Press. María y Campos, Armando de (1964), “Olímpica, de Héctor Azar, en el Teatro de la Universidad”, Novedades, 13th December, Mexico City, Telesistema Mexicano. Naremore, James (2008), More than Night: Film Noir in its Contexts, Berkeley, University of California Press. Rath, Tom (2013), Myths of Demilitarization in Post Revolutionary Mexico, Chapel Hill, University of North Carolina Press. Paz, Octavio (1961), Labyrinth of Solitude, New York, Grove Press. Piccato, Pablo (2001), City of Suspects: Crime in Mexico City, 1900-1931, Durham, Duke University Press. Poniatowska, Elena (1999), La noche de Tlatelolco, Mexico City, Era. Ramos, Samuel (1934), El perfil del hombre y la cultura en México, Mexico City, Austral, 1965 [ed]. Roumagnac, Carlos (1908), Los criminales en México: ensayo de psicología criminal, Mexico City, Librería de la Viuda de Ch. Bouret. Sainz, Gustavo (1977), Compadre Lobo, Mexico City, Grijalbo. Soldatenko, Michael (2005), “Mexico ’68: Power to the Imagination!”, Latin American Perspectives, 143, Riverside, SAGE Publications, pp. 111-132. Stern, Alexandra M. (1999), “Responsible Mothers and Normal Children: Eugenics, Nationalism, and Welfare in Post Revolutionary Mexico”, Journal of Historical Sociology, 12 (4), New York, B. Blackwell, pp. 369-397. Vaughan, Mary Kay (2019), Retrato de un joven pintor: Pepe Zúñiga y la generación rebelde de la Ciudad de México, Mexico City, Universidad Autónoma de Aguascalientes/El Colegio de San Luis. Vaughan, Mary Kay (2015), Portrait of a Young Painter: Pepe Zúñiga and Mexico City’s Rebel Generation, Durham, Duke University Press. Vaughan, Mary Kay (2000), “The Mexican Revolution and the Modernization of Patriarchy in the Countryside, 1930-1940”, in Elizabeth Dore and Maxine Molyneux (ed), Maxine, Hidden Histories of Gender and the State in Latin America, Durham, Duke University Press, pp. 194-<strong>21</strong>4. Vaughan, Mary Kay (1997), Cultural Politics in Revolution: Teachers, Peasants and Schools in Mexico, 1930-1940, Tucson, Univ. of Arizona Press. Vaughan, Mary Kay (1982), The State, Education and Social Class in Mexico, 1880-1928, Dekalb, Northern Illinois University Press. Zolov, Eric (1999), Refried Elvis: The Rise of the Mexican Counterculture, Berkeley, Univ. of California Press. Mary Kay Vaughan Received: November 19, 2023. Accepted: December 8, 2023. Published: December 15, 2023. Professor Vaughan specializes in the cultural, gender, and educational history of modern Mexico. Her book, Cultural Politics in Revolution: Teachers, Peasants, and Schools in Mexico, 1930- 1940 received the Herbert Eugene Bolton Prize as the most outstanding book in Latin American history in 1997 and the Bryce Wood Award of the Latin American Studies Association for best book on Latin America published in English. She is also the author of The State, Education and Social Class in Mexico, 1880-1928 (1982) and coeditor of several collections including Women of the Mexican Countryside, 1850-1990: Creating Spaces, Shaping Transitions (1994), Escuela 125
MARY KAY VAUGHAN, EDUCATING THE SENSES: PEPE ZÚÑIGA AND MEXICO CITY’S REBEL GENERATION y sociedad en el periodo cardenista (1998). Her most recent publications are The Eagle and the Virgin: Cultural Revolution and National Identity in Mexico, 1920-1940 (2006) coedited with Stephen Lewis, and Sex in Revolution: Gender, Politics and Power in Modern Mexico (2006) coedited with Jocelyn Olcott and Gabriela Cano. She is former editor of the Hispanic American Historical Review and current president of the Conference on Latin American History. She has received fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, the Council for the International Exchange of Scholars (Fulbright) and the Social Science Research Council and grants from the MacArthur Foundation, the Fulbright Hays Program, and the Illinois Humanities Council. She has been visiting professor at the Benemerita Universidad Autonoma de Puebla and the Departamento de Investigaciones Educativas in Mexico City. She wrote the life history of painter Jose Zuniga, a biographical approach to understanding the Mexico City youth rebellion of the 1960s: Retrato de un joven pin tor: Pepe Zúñiga y la generación rebelde de la Ciudad de México, Mexico City, Universidad Autónoma de Aguascalientes/El Colegio de San Luis (2019). 126
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