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Revista Korpus 21 - Volumen 4, número 10

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KORPUS <strong>21</strong>, VOL. 4, NÚM. <strong>10</strong>, 2024, 67-78<br />

dation in 1754) to “death” (the excloistering in<br />

1863). 4 That story would include the rebellion, of<br />

course, but it would aim for a more expansive<br />

explanation of how the convent turned out the<br />

way it did, one that did not assume at the outset<br />

that the rebellion was the defining feature<br />

of the convent’s troubled history. In the end the<br />

book had six chapters, only two of which were<br />

squarely centered on the rebellion. 5<br />

Biography of a convent<br />

Thinking of a convent as the subject of a biography<br />

meant, inevitably, being open to granting<br />

an inanimate institution a degree of agency, independent<br />

of the agency of the individual actors<br />

that appear in the story. Much of the scholarship<br />

on “things” as agents had yet to be written at<br />

the time I was working on my book, but I was<br />

aware of Alfred Gell’s recent book arguing that<br />

point (Gell, 1998). 6 And indeed, my research was<br />

compatible with the idea that nonhuman features<br />

of a convent (its constitution, its buildings)<br />

actively shaped its history.<br />

La Purísima was constitutionally structured<br />

as a reformed, strict observance convent. This<br />

meant there would be no servants, no separate<br />

cells for the nuns to live in, no “niñas” (protégés/<br />

companions who were part of the nuns’ households),<br />

no individual kitchens (or as it was put,<br />

the nuns would eat “from a common pot”). The<br />

nuns would awaken in the middle of the night to<br />

sing the lesser hours of the Divine Office. Theirs<br />

would be a convent of descalzas (as were most<br />

new convents authorized after 1750, a response<br />

to the influence of an “enlightened” Catholicism<br />

that emphasized more stripped down and quiet<br />

religious practices). 7<br />

4 The convent “died” in that unlike the other convents in<br />

the archbishopric, the nuns made no attempt of which I am<br />

aware to live together or reconstitute their community for<br />

the next 45 years. But, as is detailed in the book, there was<br />

an ultimately-successful effort to recruit new nuns and revive<br />

the convent beginning in 1912.<br />

5 Though it is true that one other chapter largely revolved<br />

around the efforts made by abbesses, bishops, and vicars to<br />

ameliorate the conditions in the convent that had given rise<br />

to the rebellions.<br />

6 Later work includes “The Tribune Tower: Spolia as<br />

Despoliation.” (Wharton, 2011); Onto-Cartography: An<br />

Ontology of Machines and Media (Bryant, 2014).<br />

7 See also: Alone Before God: The Religious Origins of<br />

Modernity in Mexico (Voekel, 2002); For God and Liberty:<br />

Catholicism and Revolution in the Atlantic World (Voekel,<br />

2023); The Very Nature of God: Baroque Catholicism and<br />

Religious Reform in Bourbon Mexico City (Larkin, 20<strong>10</strong>).<br />

But La Purísima was also a Conceptionist<br />

convent. All the other Conceptionist convents in<br />

New Spain were unreformed. So while the Capuchins<br />

or the Carmelites or the Poor Clares had<br />

long-standing reputations as strict observance<br />

convents and/or austere convents, and any entrant<br />

into these convents knew what to expect,<br />

in the case of La Purísima there was a clash between<br />

the Conceptionists’ reputation as a relaxed<br />

order, and the reality of its constitutional<br />

provisions for poverty and strict observance.<br />

This misperception was a key factor in generating<br />

resistance on the part of one faction of nuns<br />

to the zealousness of the “obedient” faction.<br />

The divide along lines of observance created<br />

by the constitution of the convent was exacerbated<br />

by the unfortunate combination of nuns<br />

brought to San Miguel as founding nuns. The<br />

first abbess (whom we have already met) was<br />

utterly committed to the idea of building a reformed<br />

convent, after her experience in what she<br />

described as the shockingly relaxed convent of<br />

Regina Coeli in Mexico City. The second abbess,<br />

who took over after the bishop had to remove<br />

the first one because of her intransigence, was<br />

also in favor of reform, but she was weak and<br />

incompetent. The third founding nun, Phelipa de<br />

San Antonio, like the other two, had volunteered<br />

to go to San Miguel because she was unhappy<br />

at Regina Coeli. But her unhappiness there —the<br />

source of which she never detailed— clearly derived<br />

from different reasons. 8 She was never fully<br />

committed to the idea of a strict observance<br />

convent, and though she told the abbess that<br />

she wanted to join such a convent, it appears<br />

that she did so only to escape Regina Coeli.<br />

She began pushing back against the first abbess<br />

and then the second almost from the start.<br />

Thus none of the three was interested in bringing<br />

the culture of Regina Coeli to San Miguel;<br />

they were interested in leaving it behind. They<br />

would have to build a new convent culture from<br />

scratch. And with only three experienced nuns<br />

the chances that they would be able to build this<br />

new culture and stabilize the new convent were<br />

not great. All of the comparable convents in the<br />

bishopric had more founding nuns, and none of<br />

them was charged with putting into place a con-<br />

8 There was a fourth founding nun, but she returned to<br />

Mexico City, ostensibly, for health reasons, shortly after<br />

arriving in San Miguel. It is likely that she too chafed under<br />

the demands of the first abbess.<br />

69

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