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Revista de Gambiologia #2 Gambiologia magazine - 2nd issue 10/2013 "Acúmulo, ação criativa" / "Accumulation, a creative action"

Revista de Gambiologia #2 Gambiologia magazine - 2nd issue 10/2013 "Acúmulo, ação criativa" / "Accumulation, a creative action"

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It seems a police noir, and indeed it would make a good one.

On March 21,1947, the New York City police were called

by neighbors of a building at the corner of Fifth Avenue and

128th Street, in Harlem, in Manhattan. They reported the

stench emanating from the address, more precisely from

the apartment where the brothers Homer Lusk Collyer,

who was then 68 years old, and Langley Wakeman Collyer,

62, lived. They were inmates figures, considered eccentric

by those who lived nearby, and rightfully so they ended up

arousing neighborhood curiosity.

When the police reached the spot and tried to forcibly enter

the apartment, since no other type of contact or approach was

possible, they learned that it would not be an easy endeavor.

The front door was barred by a wall of papers, catalogs and

general debris. The basement windows were broken, but

protected by railings. The solution was to break and enter

the window of a room on the second floor. The scene inside

the room was comparable to the downstairs: a multitude

of boxes, papers, various objects, the structure of a stroller,

several umbrellas tied in a bundle and every imaginable type

of material. The first officer to enter took two hours to crawl

through the rubble and get to the body of Homer, found

sitting in a chair, wearing a blue and white bathrobe.

The medical team found that he probably died from a

combination of malnutrition, dehydration and cardiac

complications, no more than ten hours before, which meant

that the stench exuded from the apartment could not be

his. Police and firefighters continued taking the debris out

of the site, hoping to find Langley also in the apartment.

About 600 onlookers followed the work from the street.

Two days later, more than 19 tons of garbage had been

removed, papers and junk the Collyer brothers compulsively

accumulated. And no sign of Langley.

Nine days later, when crews were still taking things from

the apartment - about 84 tons of debris had been already

accounted for by then - rumors abound that the youngest

of the Collyer brothers had been seen near Atlantic City.

A search for Langley which covered nine different states

began. But nothing. On May 8 of that year, he was finally

found inside the apartment, a few meters away from where

the corpse of Homer had been, buried under a pile of phone

books, books and other papers. His decomposing body had

been partially eaten by rats. The delay to reach him was

fundamentally due the difficulty of removing so much debris.

It was found that he had died before Homer, and it was his

stench, therefore, that exuded from that house. Langley crept

down a hallway from tons of objects to bring water and food

to his older brother, who had mobility problems caused by

rheumatism and because he had lost his sight in 1933 – he

lived thus practically an invalid. The youngest Collyer had

been a victim of a trap he had prepared himself. When

passing by it, he caused the collapse of the junk on him and

died, crushed. The traps – there were several in the apartment

- were made in order to prevent entry by outsiders.

There were taken, in whole, from the Collyer house,

approximately 140 tons of indistinct things they had

accumulated over the years: guns, 14 pianos, one X-ray

machine, the carcass of a Ford Model T, much paper,

including telephone books of old date, approximately

25,000 books and piles of paper, tables, chairs, boxes,

human organs preserved in jars, cradles, violins, accordions

and other musical instruments, glass bottles, bowling balls,

old bicycles, gramophones, records, beds, sofas, dressers,

clocks, paintings and many many more objects imaginable,

all in the way of compressed garbage, plus eight live cats.

The case of the Collyer brothers, little known in Brazil, is

referential in the United States to what is called compulsive

hoarding - the obsessive accumulation of anything, often

without any focus. The term "Collyer Mansion" became a

jargon among New York firefighters and is used even today.

For decades, Langley and Homer brought objects together

in their apartment without apparent purpose. They were

also gradually moving away from social life, turning their

home into a kind of impregnable fortress, complete with

traps. Because of non-payment, the Collyer phone service

was cut in 1917, water, electricity and gas in 1928, which

means that they have spent the last 19 years of their lives in

improvisation - a kerosene lamp to light, a gadget created

by Langley to generate some energy and the water from a

station nearby. Also their food was obtained thanks to the

mendicant strolls of the younger brother in the city.

Could there be any justification or moral of the story for

the case that records the behavior of the Collyers? No,

it's just a pathological degeneration of the so common act

of collecting that could happen to any person. The case

of the Collyer brothers reverberated far, by the way, and

many of the items that have been accumulated by them

- including the chair in which Homer was found dead

- were gathered in an exhibition at the Hubert's Dime

Museum in New York in the early 1950s, and followed on

public exhibition for a long time, in an eccentric kind of

metacollection of collections.

Besides the exhibition, the episode also generated other

cultural products such as books (it is the case of "My

Brother's Keeper" by Marcia Davenport, 1954, or "Ghosty

Men" by Franz Lidz, which came to light in 1991) and films

(the short "Collyer Brother Syndrome", by David Willing

and Jessica Birnbaum, launched in 2003 and that can be

seen on YouTube, and the feature "Unstrung Heroes",1995,

directed by Diane Keaton) - a testament to the vocation of

this bizarre episode to the universe of fiction.

78

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