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Moving Picture World (Dec 1917) - Learn About Movie Posters

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1790 THE MOVING PICTURE WORLD <strong>Dec</strong>ember 22, <strong>1917</strong><br />

Associated Theatres to Meet<br />

First Meeting of Stockholders of Exhibitors' Booking and<br />

Exchange Organization of the Northwest.<br />

Tlil"<br />

first big meeting of stockholders of Associated<br />

Theaters Incorporated will take place at the West<br />

Hotel in Minneapolis Monday, <strong>Dec</strong>ember 17, to elect<br />

a board of five directors and adopt the franchise and information<br />

blanks after discussion, and also make any cortions<br />

decided upon.<br />

This is the organization of exhibitors which incorporated<br />

October 1(> for $100,000 under Minnesota laws to operate<br />

booking offices and film exchanges in the following cities<br />

of our states: Minneapolis, Duluth, Milwaukee, La Crosse,<br />

Sioux Falls, Aberdeen, Fargo and Minot. Six hundred<br />

theaters was the goal to be reached before starting actual<br />

operations, and according to General Manager Hamlin, in a<br />

statement issued <strong>Dec</strong>ember 1, the five hundred mark had just<br />

been passed.<br />

The present officers are: President, H. L. Hartman, Mandan,<br />

i\. D. ; vice-president, W. S. Smith, Menominee, Wis.;<br />

chairman, C. W. Gates, Aberdeen, S. D. ; treasurer, H. P.<br />

Greene, Minneapolis, Minn.; secretary and general manager,<br />

T. H. Hamlin, Minneapolis, Minn.<br />

"Although our plan is a radical departure from the present<br />

expensive methods of marketing and distributing film,<br />

supplies and equipment we do not expect to revolutionize<br />

the motion picture industry in a single day," declared Mr.<br />

Hamlin. "At the start we will not be able to serve all our<br />

members all of the time, but we can start serving part of<br />

our members all the time and all of our members part of<br />

the time.<br />

"In the meantime they will continue dealing with the individual<br />

exchanges direct as under the present system.<br />

When we have the film that each member desires for every<br />

day in the week at a price which he feels he can individually<br />

afford to pay, then and only then will we be able to serve<br />

the entire membership every show. While this evolution is<br />

going on the members have no dues or assessments to pay,<br />

so there can be no dissatisfaction. We do not expect to<br />

play grand stand politics to retain the loyalty of our immense<br />

membership. No, indeed. There is only one thorough<br />

method of completely satisfying such a large organization<br />

and that is to actually save each member money<br />

every week and render him service, with courtesy and<br />

rapidity.<br />

"Our sole aim is to eliminate the middleman's enormous<br />

expenses. We want each producer and parent distributing<br />

company to realize more net profit on these four States<br />

and our members under our plan of distributing will be<br />

able to obtain better film at a lower film rental.<br />

"Our weekly sales sheet eliminates the expenses of traveling<br />

salesmen and saves approximately seven thousand dollars<br />

a week in these four States.<br />

"The seven inspection points to be established in the<br />

different localities will save our members express charges<br />

to the same amount weekly because of the shorter hauls.<br />

"It is just eleven hundred miles across our zone from<br />

Sheboygan, Wisconsin, to Beach North, Dakota, and it is a<br />

losing territory for the producers and distributors.<br />

"We will either play film on a percentage or buy exclusive<br />

rights and pay for our own prints. Associated Theaters,<br />

Inc., is not in the business to make a cent of profit<br />

from anybody. It is here to give the best service to its<br />

members at the very lowest cost.<br />

"If there is very little film handled at the start our overhead<br />

expenses will be correspondingly low as they can be<br />

made very slight," concluded Mr. Hamlin.<br />

PRINCE GHOSH AFTER PATHE, BY GOSH!<br />

Prince Sarath Ghosh, author and dramatist, has filed an<br />

action in the United States District Court against Pathe<br />

Exchange, Inc., alleging that his rights have been invaded<br />

upon through the production of "The Iron Claw."<br />

The plaintiff asserts that previous to the production of<br />

the Pathe serial he adapted a similar serial from a series<br />

of short stories written by him and published in Pearson's<br />

Magazine. The author's serial was christened "1001 Amer-<br />

Nights" and he alleges the Pathe serial is a modified<br />

adaptation of the Ghosh product.<br />

The short stories upon which Ghosh based his serial were<br />

"The Rajah's Knight's Move," "Slowly Hanged," "The Avenger<br />

of the Gods," "The Rajah's Dungeon," "The Garland of<br />

the Goddess," and "The Playful Way of the Rajah," which<br />

the author asserts were especially well adapted for presentation<br />

on the screen and written with that object in view.<br />

The author asks injunctive relief and an accounting of the<br />

profits which have accrued to the producers.<br />

Artcraft Wins Wm. S. Hart Case<br />

Judge Goff Denies the Application of the New York Motion<br />

<strong>Picture</strong> Company for an Injunction.<br />

JUDGE GOFF in a lengthy decision handed down yesterday<br />

denied the application of the New York Motion<br />

<strong>Picture</strong> Company for an injunction pendente lite restraining<br />

Artcraft <strong>Picture</strong>s Corporation from distributing<br />

the first Wm. S. Hart production, entitled "The Narrow<br />

Trail," and vacated the temporary stay granted pending<br />

the argument of the injunction.<br />

Judge Goff at the close of an elaborate and painstaking<br />

review of the affidavits submitted on both sides said: "Upon<br />

an examination of all the papers submitted upon this motion,<br />

and the extensive briefs and arguments of counsel for<br />

both sides, I am of the opinion that there is not such certainty<br />

or even probability of the plaintiff succeeding upon<br />

the trial of this action as would warrant the granting of the<br />

relief sought herein. Nor is there any such preponderance<br />

of creditable evidence as would justify the plaintiff's assertion<br />

of ownership of the scenario of the picture "The<br />

Narrow Trail," or even its assertion that its rival producing<br />

corporation induced the employees of plaintiff to leave its<br />

employment. The defendant served in this action, Artcraft<br />

<strong>Picture</strong>s Corporation, is not reasonably chargeable with any<br />

act of the William S. Hart Production, Inc., so far as appears<br />

by the evidence before me to justify the restraint<br />

sought for before the determination of the issues in the<br />

action. The claim of ownership by the plaintiff is sufficiently<br />

refuted and upon his claim alone there appears<br />

to be no reasonable ground for granting the relief sought<br />

herein. The unique and extraordinary services alleged by<br />

the plaintiff are as I have heretofore indicated not such as<br />

would justify the granting of a restraining order. Upon<br />

these considerations 1 am constrained to deny the motion<br />

for an injunction pendente lite and to order the temporary<br />

stay granted in the order to show cause vacated."<br />

Giebler to Write Scenarios<br />

St. Louis Member of the <strong>World</strong> Staff Has Moved to Los<br />

Angeles and Will Give More Time to<br />

Imaginative Writing.<br />

READERS of this paper have remarked the unusually<br />

interesting human quality of the Giebler stories of<br />

trade happenings in St. Louis. There is a touch of<br />

homely humor in him and on several occasions his comment<br />

on men and facts in his district has made a column the<br />

equal of any special column in the country. We have known<br />

that there was a literary side to Giebler and though sorry,<br />

we were not surprised when he reached a point where he<br />

could devote a large part of his time to imaginative writing<br />

pure and simple. He has sold enough stories to magazines<br />

and enough scripts to the film companies to make it a<br />

safe move now, and so he is off to the Coast to be near<br />

the studios and in touch with the needs of the different<br />

companies. He won't need to depend entirely on the film<br />

script market, though he is awake to the possibilities of<br />

the screen and he may eventually come to specialize on<br />

that alone. Mr. Giebler has not entirely severed his newspaper<br />

associations. The staff of the <strong>Moving</strong> <strong>Picture</strong> <strong>World</strong><br />

wishes the best of success to him and we feel sure that<br />

he will make a hit.<br />

Leopold D. Wharton in Harness<br />

Senior Member of Well-Known Firm of Producers Returns<br />

from Battle Creek to Assist in Direction of<br />

Chief Flynn's Serial.<br />

LEOPOLD<br />

D. WHARTON arrived in New York last<br />

week from the Battle Creek Sanitarium where he had<br />

been for three weeks, resting up, at the advice of his<br />

physicians. He came east at this time in order that he<br />

might assist his brother, Theodore, in the direction of the<br />

first episodes of "The Eagle's Eye," the Whartons' new<br />

serial, written by William J. Flynn, Chief of the United<br />

States Secret Service.<br />

Mr. Wharton was met in New York City by his brother,<br />

who has been in charge of the preliminary New York scenes,<br />

and with the principal characters in the production, they<br />

left for the Wharton Studios at Ithaca, New York.<br />

Leopold Wharton was author and co-director of "The<br />

Great White Trail," a five-reel feature which the M. H.<br />

Hoffman, Inc., Foursquare Exchanges rate as one of their<br />

best distributing assets. This same company will have<br />

charge of the distribution of "The Eagle's Eye."

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