Moving Picture World (Dec 1917) - Learn About Movie Posters
Moving Picture World (Dec 1917) - Learn About Movie Posters
Moving Picture World (Dec 1917) - Learn About Movie Posters
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1790 THE MOVING PICTURE WORLD <strong>Dec</strong>ember 22, <strong>1917</strong><br />
Associated Theatres to Meet<br />
First Meeting of Stockholders of Exhibitors' Booking and<br />
Exchange Organization of the Northwest.<br />
Tlil"<br />
first big meeting of stockholders of Associated<br />
Theaters Incorporated will take place at the West<br />
Hotel in Minneapolis Monday, <strong>Dec</strong>ember 17, to elect<br />
a board of five directors and adopt the franchise and information<br />
blanks after discussion, and also make any cortions<br />
decided upon.<br />
This is the organization of exhibitors which incorporated<br />
October 1(> for $100,000 under Minnesota laws to operate<br />
booking offices and film exchanges in the following cities<br />
of our states: Minneapolis, Duluth, Milwaukee, La Crosse,<br />
Sioux Falls, Aberdeen, Fargo and Minot. Six hundred<br />
theaters was the goal to be reached before starting actual<br />
operations, and according to General Manager Hamlin, in a<br />
statement issued <strong>Dec</strong>ember 1, the five hundred mark had just<br />
been passed.<br />
The present officers are: President, H. L. Hartman, Mandan,<br />
i\. D. ; vice-president, W. S. Smith, Menominee, Wis.;<br />
chairman, C. W. Gates, Aberdeen, S. D. ; treasurer, H. P.<br />
Greene, Minneapolis, Minn.; secretary and general manager,<br />
T. H. Hamlin, Minneapolis, Minn.<br />
"Although our plan is a radical departure from the present<br />
expensive methods of marketing and distributing film,<br />
supplies and equipment we do not expect to revolutionize<br />
the motion picture industry in a single day," declared Mr.<br />
Hamlin. "At the start we will not be able to serve all our<br />
members all of the time, but we can start serving part of<br />
our members all the time and all of our members part of<br />
the time.<br />
"In the meantime they will continue dealing with the individual<br />
exchanges direct as under the present system.<br />
When we have the film that each member desires for every<br />
day in the week at a price which he feels he can individually<br />
afford to pay, then and only then will we be able to serve<br />
the entire membership every show. While this evolution is<br />
going on the members have no dues or assessments to pay,<br />
so there can be no dissatisfaction. We do not expect to<br />
play grand stand politics to retain the loyalty of our immense<br />
membership. No, indeed. There is only one thorough<br />
method of completely satisfying such a large organization<br />
and that is to actually save each member money<br />
every week and render him service, with courtesy and<br />
rapidity.<br />
"Our sole aim is to eliminate the middleman's enormous<br />
expenses. We want each producer and parent distributing<br />
company to realize more net profit on these four States<br />
and our members under our plan of distributing will be<br />
able to obtain better film at a lower film rental.<br />
"Our weekly sales sheet eliminates the expenses of traveling<br />
salesmen and saves approximately seven thousand dollars<br />
a week in these four States.<br />
"The seven inspection points to be established in the<br />
different localities will save our members express charges<br />
to the same amount weekly because of the shorter hauls.<br />
"It is just eleven hundred miles across our zone from<br />
Sheboygan, Wisconsin, to Beach North, Dakota, and it is a<br />
losing territory for the producers and distributors.<br />
"We will either play film on a percentage or buy exclusive<br />
rights and pay for our own prints. Associated Theaters,<br />
Inc., is not in the business to make a cent of profit<br />
from anybody. It is here to give the best service to its<br />
members at the very lowest cost.<br />
"If there is very little film handled at the start our overhead<br />
expenses will be correspondingly low as they can be<br />
made very slight," concluded Mr. Hamlin.<br />
PRINCE GHOSH AFTER PATHE, BY GOSH!<br />
Prince Sarath Ghosh, author and dramatist, has filed an<br />
action in the United States District Court against Pathe<br />
Exchange, Inc., alleging that his rights have been invaded<br />
upon through the production of "The Iron Claw."<br />
The plaintiff asserts that previous to the production of<br />
the Pathe serial he adapted a similar serial from a series<br />
of short stories written by him and published in Pearson's<br />
Magazine. The author's serial was christened "1001 Amer-<br />
Nights" and he alleges the Pathe serial is a modified<br />
adaptation of the Ghosh product.<br />
The short stories upon which Ghosh based his serial were<br />
"The Rajah's Knight's Move," "Slowly Hanged," "The Avenger<br />
of the Gods," "The Rajah's Dungeon," "The Garland of<br />
the Goddess," and "The Playful Way of the Rajah," which<br />
the author asserts were especially well adapted for presentation<br />
on the screen and written with that object in view.<br />
The author asks injunctive relief and an accounting of the<br />
profits which have accrued to the producers.<br />
Artcraft Wins Wm. S. Hart Case<br />
Judge Goff Denies the Application of the New York Motion<br />
<strong>Picture</strong> Company for an Injunction.<br />
JUDGE GOFF in a lengthy decision handed down yesterday<br />
denied the application of the New York Motion<br />
<strong>Picture</strong> Company for an injunction pendente lite restraining<br />
Artcraft <strong>Picture</strong>s Corporation from distributing<br />
the first Wm. S. Hart production, entitled "The Narrow<br />
Trail," and vacated the temporary stay granted pending<br />
the argument of the injunction.<br />
Judge Goff at the close of an elaborate and painstaking<br />
review of the affidavits submitted on both sides said: "Upon<br />
an examination of all the papers submitted upon this motion,<br />
and the extensive briefs and arguments of counsel for<br />
both sides, I am of the opinion that there is not such certainty<br />
or even probability of the plaintiff succeeding upon<br />
the trial of this action as would warrant the granting of the<br />
relief sought herein. Nor is there any such preponderance<br />
of creditable evidence as would justify the plaintiff's assertion<br />
of ownership of the scenario of the picture "The<br />
Narrow Trail," or even its assertion that its rival producing<br />
corporation induced the employees of plaintiff to leave its<br />
employment. The defendant served in this action, Artcraft<br />
<strong>Picture</strong>s Corporation, is not reasonably chargeable with any<br />
act of the William S. Hart Production, Inc., so far as appears<br />
by the evidence before me to justify the restraint<br />
sought for before the determination of the issues in the<br />
action. The claim of ownership by the plaintiff is sufficiently<br />
refuted and upon his claim alone there appears<br />
to be no reasonable ground for granting the relief sought<br />
herein. The unique and extraordinary services alleged by<br />
the plaintiff are as I have heretofore indicated not such as<br />
would justify the granting of a restraining order. Upon<br />
these considerations 1 am constrained to deny the motion<br />
for an injunction pendente lite and to order the temporary<br />
stay granted in the order to show cause vacated."<br />
Giebler to Write Scenarios<br />
St. Louis Member of the <strong>World</strong> Staff Has Moved to Los<br />
Angeles and Will Give More Time to<br />
Imaginative Writing.<br />
READERS of this paper have remarked the unusually<br />
interesting human quality of the Giebler stories of<br />
trade happenings in St. Louis. There is a touch of<br />
homely humor in him and on several occasions his comment<br />
on men and facts in his district has made a column the<br />
equal of any special column in the country. We have known<br />
that there was a literary side to Giebler and though sorry,<br />
we were not surprised when he reached a point where he<br />
could devote a large part of his time to imaginative writing<br />
pure and simple. He has sold enough stories to magazines<br />
and enough scripts to the film companies to make it a<br />
safe move now, and so he is off to the Coast to be near<br />
the studios and in touch with the needs of the different<br />
companies. He won't need to depend entirely on the film<br />
script market, though he is awake to the possibilities of<br />
the screen and he may eventually come to specialize on<br />
that alone. Mr. Giebler has not entirely severed his newspaper<br />
associations. The staff of the <strong>Moving</strong> <strong>Picture</strong> <strong>World</strong><br />
wishes the best of success to him and we feel sure that<br />
he will make a hit.<br />
Leopold D. Wharton in Harness<br />
Senior Member of Well-Known Firm of Producers Returns<br />
from Battle Creek to Assist in Direction of<br />
Chief Flynn's Serial.<br />
LEOPOLD<br />
D. WHARTON arrived in New York last<br />
week from the Battle Creek Sanitarium where he had<br />
been for three weeks, resting up, at the advice of his<br />
physicians. He came east at this time in order that he<br />
might assist his brother, Theodore, in the direction of the<br />
first episodes of "The Eagle's Eye," the Whartons' new<br />
serial, written by William J. Flynn, Chief of the United<br />
States Secret Service.<br />
Mr. Wharton was met in New York City by his brother,<br />
who has been in charge of the preliminary New York scenes,<br />
and with the principal characters in the production, they<br />
left for the Wharton Studios at Ithaca, New York.<br />
Leopold Wharton was author and co-director of "The<br />
Great White Trail," a five-reel feature which the M. H.<br />
Hoffman, Inc., Foursquare Exchanges rate as one of their<br />
best distributing assets. This same company will have<br />
charge of the distribution of "The Eagle's Eye."