02.03.2013 Views

Moving Picture World (Dec 1917) - Learn About Movie Posters

Moving Picture World (Dec 1917) - Learn About Movie Posters

Moving Picture World (Dec 1917) - Learn About Movie Posters

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Dec</strong>ember 22, <strong>1917</strong> THE MOVING PICTURE WORLD 1811<br />

Goldburg Opens State Rights Sales Bureau<br />

Intends Employing His Knowledge of Seven Years in the<br />

Business for Benefit of Independent Manufacturers.<br />

JESSE<br />

j. goldbukg. lately sales and exploitation manager<br />

for the Ogden <strong>Picture</strong>s Corporation, has completed plans<br />

for a state rights sales and exploitation office, and is<br />

located in the Times Building, New York City. The plan of<br />

Mr. Goldburg's operations, as outlined in his announcement,<br />

is essentially in accordance with the ideas of those who had<br />

endeavored to form The Producers' Protective Association.<br />

He will exploit and handle independent productions that are<br />

to be released through the state rights market and, as part<br />

of the entire scheme, will supervise and regulate the advertising<br />

and publicity and the advertising matter issued in<br />

connection with the productions placed under his charge.<br />

Mr. Goldburg is one of the first producers to have released<br />

pictures on the state rights plan. He organized The Life<br />

Photo Film Corporation,<br />

which produced among'<br />

others ''The Greybound"<br />

and "The Ordeal,"<br />

and which numbered<br />

among its stars<br />

Lionel Barrymore, Mary<br />

Nash, Florence Nash and<br />

Elita Proctor Otis. He<br />

thereafter organized the<br />

Rialto Film Corporation,<br />

and with both companies<br />

acted as supervising<br />

director and sales<br />

and exploitation manager.<br />

Before joining the<br />

Ogden <strong>Picture</strong>s Corporation,<br />

which has ceased<br />

producing, at least for<br />

the present, Mr. Goldburg<br />

was sales and exploitation<br />

manager for<br />

the Frohman Amusement<br />

Corporation.<br />

In the course of his<br />

activities, Mr. Goldburg<br />

toured the country sev-<br />

Jesse J. Goldburg.<br />

eral times in order to<br />

keep abreast of market<br />

conditions.<br />

Mr. Goldburg has given out the following statement at his<br />

new offices:<br />

"The entire industry has suddenly awakened to a condition<br />

of affairs that some characterize as likely to destroy it. This<br />

clarion call is sounded because of extravagance in production<br />

and methods of distribution, and lack of business co-ordination.<br />

The same condition of affairs exists, although to a lesser extent,<br />

in connection with independent producers and state rights<br />

exchanges.<br />

"With my organization I hope to ultimately house under one<br />

roof a medium of distribution concentrating the advertising<br />

mediums, and engaging in a method of exploitation that will<br />

materially reduce the expense of selling and exploiting, and<br />

shorten the time within which a picture production can be<br />

entirely disposed of.<br />

"It is a strange fact that the industry was never in a more<br />

profitable or healthy condition or conducted upon a more<br />

businesslike basis than before the era of stars with excessive<br />

salaries and other talent drawing princely income out of all<br />

proportion to the service they perform. The very gentlemen<br />

who are decrying present conditions are those who have created<br />

the star system with its fantastical salaries, not alone for the<br />

star but everybody in authority. With state rights productions<br />

there has been less of this mad scramble to do things regardless<br />

of the cost, and I believe that theaters have come to<br />

realize they can book high-class independent productions without<br />

committing themselves to whole series of pictures at prices<br />

not in excess of the ordinary program booking and that for<br />

the immediate future there is nothing left but open booking,<br />

and state rights method of distribution. My plans are fully<br />

completed, and all that is required to be done is to put each<br />

into operation as the progress of my institution justifies, but<br />

no production will be handled through my organization unless<br />

I can give it my full attention. When I find that I have got<br />

to shunt the work which I am expected to perform on to the<br />

shoulders of an employee, I will cease for the time being to<br />

take on added productions."<br />

Mr. Goldburg further stated that he had his first picture to<br />

exploit but was not yet prepared to announce its details.<br />

W. H. PROMISE NEXT HART FEATURE.<br />

W. H. Productions Co., which Is now releasing on the state<br />

rights market their first production featuring William S. Hart<br />

as "The Two-Gun Man" in "The Bargain," announces that they<br />

have now in preparation the second Hart feature, which will<br />

be entitled "The Bandit and the Preacher." The role of the<br />

bandit is claimed to be a typical characterization by Hart,<br />

who is supported by the following stars: Robert Edeson,<br />

Herschall Mayall, Rhea Mitchell, and Gladys Brockwell.<br />

A very spectacular fight takes place in this production,<br />

wherein Hart and Edeson fight a lone battle against an aggregation<br />

of roughnecks.<br />

HODUPP LAUDS "SINS OF AMBITION."<br />

••Sins of Ambition," [van Film Productions' latest release, Is<br />

heralded by President I. E. Chadwick as his firm's crowi<br />

creation.<br />

"Before having for home," said V. H. Hodupp, of St. Louis,<br />

Mo., "I would like to state why I made my purchase from<br />

Ivan Film Productions as huge as I did. It is because iii buying<br />

I always keep four cardinal points in mind; first, the title<br />

of the picture; secondly, the story; thirdly, the cast and direction,<br />

ami fourthly, of course, photography.<br />

"To illustrate my above statement as qualifications<br />

of a picture for my exchan id point In fact may be<br />

my must important purchase, 'Sins of Ambition,' the latest Ivan<br />

Film Productions' release. First of all let us look at the title,<br />

'Sins of Ambition.' At this present time, when insatiable B<br />

tion seems to have been the cause of all the world's difficulty,<br />

il seems to me that the title of this production will Strongly<br />

appeal to the public, and, while this is nowise a military<br />

tnr c- , yet the title is not a misnomer, for every one in the<br />

presents a distinct ambition, which is forcefully depleted in the<br />

play. As to the story the high touches are masterfully interwoven<br />

so as to present a perfect unity of action. Thirdly, it<br />

is always important to have people with drawing power,<br />

people that are known and favorites of long standing, and<br />

Whose artistry stands out markedly. The female cast, headed<br />

by Leah Baird, Barbara Castleton, and Madeline Traverse,<br />

stands in equal strength with the male east, including Wilfred<br />

I, in as, James Morrison, and Anders Randolf. The photography<br />

of the picture is of the topnotch variety.<br />

"The picture will have its first showing on Broadway in<br />

the New York theater, <strong>Dec</strong>ember 19. and," concludes Mr.<br />

Hodupp, "I am sanguine that the reviewers' opinion will<br />

unanimously endorse the sentiments above expressed."<br />

CLUNE AND SHALLENBERGER MAKE DEAL.<br />

"The Eyes of the <strong>World</strong>" will be given a trade showing in<br />

New York shortly. Much interest attaches to this adaptation<br />

from Harold Bell Weight's novel of the same title, and was<br />

produced by W. H. Clune, whose production of "Ramona" was<br />

presented at the 44th Street Theater for an extended run.<br />

"The Eyes of the <strong>World</strong>" has never been offered in New York,<br />

although it has been acclaimed a motion picture thriller and it<br />

said to have taken over one hundred thousand dollars out of<br />

the Pacific Coast and intermountain states under the direction<br />

of J. L. Adams of the Deseret Film Company, Salt Lake<br />

City.<br />

Shallenberger & Priest, of the Arrow Film Corporation, are<br />

the selling managers for both "The Eyes of the <strong>World</strong>" and<br />

"Ramona."<br />

"SHAME" LAUNCHED BEFORE HOLIDAYS.<br />

Jules Burnstein, who is engineering the campaign which will<br />

place the new Zena Keefe vehicle. "Shame," on the state rights<br />

market, announces that the advertising matter, which will<br />

introduce the John W. Noble production to the public, is now<br />

ready, and the picture will be offered to state rights buyers<br />

before the holidays.<br />

Mr. Burnstein was anxious to have the posters and other<br />

advertising accessories in keeping with the importance of Mr.<br />

Noble's production, and after devoting ample time to their<br />

careful preparation now says that "Shame" is well prepared<br />

for high-class theater presentation.<br />

Sales of the Week<br />

Herebelow a Compendium of the Selling Activities Recorded<br />

in the State Rights Market the Past Seven Days.<br />

Rights for Tennessee and Kentucky on the Pathe features,<br />

"Today" and "The Mad Lover." have been sold to the Big Feature<br />

Rights Corporation, of Louisville, Ky., Col. Fred Levy,<br />

president, and Lee L. Goldberg, secretary and treasurer.<br />

Tom North, manager of the Pathe State Rights Department,<br />

reports that 'with the exception of some territory in the South<br />

and the New England States territory for these pictures has<br />

been practically all sold.<br />

« » »<br />

An arrangement, which involves an outlay of upwards of<br />

half a million dollars, gives to the Robertson, Cole Company,<br />

of New York and London, the exclusive marketing privileges<br />

to the U. S. Exhibitors' Booking Corporation productions, of<br />

eh the new Ince spectacle, "The Zeppelin's Last Raid." is<br />

the first: the Ince drama, "Those Who Pay," starring Bessie<br />

Barriscale, the second, and Sidney Olcott's historical drama,<br />

"The Belgian," the third.<br />

In consummating the arrangement with the Robertson, Cole<br />

Company. Mr. Hall is applying to the foreign market the s<br />

ideas he put into effect in the domestic distribution of U. S.<br />

subjects. He conceived the idea of marketing his productions<br />

through an already established chain of exchanges, and selected<br />

the Hoffman-Eoursquare system and the Globe Feature Film<br />

Corporation for the New England district, the Consolidated<br />

Film & Supply Co. for territory south of the Mason-Dixon<br />

line, and the Gersten exchange for New Jersey.<br />

• * *<br />

W. H. Productions Co. announces the sale of William S.<br />

II irt as "The Two-Gun Man" in "The Bargain" to Sol. L. Lesser<br />

for the territory comprising California. Nevada, and Arizona.<br />

Mr. Lesser has also purchased the rights for the same territory<br />

for the second Hart production, which is now in preparation,<br />

entitled "The Bandit and the Preacher.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!