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download catalogue high resolution pdf (22.3 mb) - Jens Haaning

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tax-free prices foods such as salami, cheese, cake and pasta. He had bought<br />

the foodstuff in France, paid taxes at the border, and imported it to<br />

Switzerland. In FRI-ART, visitors to his exhibition could do their grocery shopping<br />

at prices 35% less than normal. These actions throw a mischievous wink at<br />

social structures and economic systems, but ultimately they are sooner generous<br />

than conflict-arousing.<br />

Back in Gwangju. <strong>Jens</strong> and the Korean chauffeur have safely returned from their<br />

ride to Imgingak. Twice they have shared each other's company for eight hours,<br />

cooped up in the cabin of a truck. I try to imagine how they communicated. <strong>Jens</strong>,<br />

who knows nothing of the Korean language or signs, with a head full of questions<br />

about the country passing him by; and the Korean chauffeur, who does not speak<br />

one word of English, full of thousands of questions about the artist’s work. Both<br />

of them cut off from each other's world. How do you bridge the distance, the<br />

contradictions? I can picture it before my eyes. The chauffeur making gestures,<br />

pointing left and right, miming the words. <strong>Jens</strong> nodding his head and answering<br />

with his eyes. Empathizing, sympathizing.<br />

Translated from Dutch by Jane Bemont, Amsterdam.<br />

NFA<br />

P.119

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