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download catalogue high resolution pdf (22.3 mb) - Jens Haaning

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Hou Hanru, Paris<br />

INTERVIEW WITH JENS HAANING,<br />

COPENHAGEN<br />

HHP: The current situation on the Danish political scene reveals a profound problem<br />

in the European society: how to deal with the increasingly growing immigrant<br />

community and the transformation of our society towards a multicultural one? As<br />

an artist dealing with the issue, what is your opinion on the situation? and what is<br />

your opinion on the general relationship between art and social reality?<br />

JHC: Even though I have always been very critical towards the Danes, the political<br />

scene and the mentality among the citizens, I was shocked the day in 2001 when<br />

Denmark elected the ultra right wing government. Lately, I flew back to Denmark<br />

and what welcomed me home was a Danish paper with a front page story about the<br />

Parliament seriously discussing to make a law stating that "foreigners" should get<br />

a lower salery than Danes, when they do the same job, and another front page<br />

story was trying to prove statistically that foreigners commit 80 percent of all<br />

rapes in Denmark.<br />

The situation in Denmark actually confirms that there are some major cultural<br />

difficulties that I have been aware of for many years and dealt with in my artistic<br />

praxis. It is nice to find out that these things are actually happening in the "objective<br />

reality" and not only in my sick brain, but I am very worried about how far the<br />

Danes are going to take the consequence of their populist and neoliberal ideas.<br />

I have never agreed with the political, cultural or economical construction in the<br />

country I live in, but my criticism towards the present situation is mainly based<br />

on ethic and humanistic points of view. No human beings should be treated like<br />

the foreigners are treated in Denmark, it is from my point of view unacceptable.<br />

Concerning my opinion about the general relationship between art and social<br />

reality, I am not really interested in putting up any overall views. Artists can talk<br />

about whatever they like, some artists talk about and deal with their personal<br />

subjective stories. I am occupied with multiculturalism, inter-human relations<br />

and cultural critique or to put it in another way; I do not believe in any general<br />

values like "it is important that artists take active part in the debate in the society",<br />

I just do what is right for me in the hope that my activities can work as a frame<br />

for reflection for some other human beings.<br />

HHP<br />

P.141

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