P.056
039 COPENHAGEN – TEXAS (LIGHT BULB EXCHANGE) 1999 P.056 Swapping of a fluorescent tube from the exhibition space Overgaden, Copenhagen with a fluorescent tube from the Vietnamese owned food store Luther King Food Store, situated in a black neighbourhood in Houston, Texas. > INSIDE OUT, Overgaden, Copenhagen, Denmark. (Catalogue) Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > VPD – P.007 NBP – P.104 JAB – P.109 040 FAYSAL 2000 P.058 Photograph of a first generation refugee living in Copenhagen. On the photo the following text is written: FAYSAL - Army trousers by Jack & Jones 400 DKK. Shirt and vest by Nike 400 DKK and 350 DKK. Shoes by Jack & Jones 500 DKK. White tennis socks, cap and boxer shorts, all three presents. Mobile phone by Motorola (Star TAC) 3000 DKK. > ORGANISING FREEDOM, Moderna Museet, Stockholm, Sweden, 2000. (Catalogue) > JENS HAANING,Galleri Nicolai Wallner, Copenhagen, Denmark, 2000. > PERSONAL BRANDSCAPE, Migros Museum, Zürich, Switzerland, 2000. > ON THE SPOT, Public art project in Bern, Switzerland, 2000. > WONDERFUL COPENHAGEN, Stadtgalerie Kiel, Kiel, Germany, 2000. > AMBASSADEN, Koerners kontor, Copenhagen, Denmark, 2000. > BIENNALE DES ARTS, Dakar, Senegal, 2000. (Catalogue) > THE PYRAMIDS OF MARS, The Fruitmarket, Edinburgh, Scotland, 2000. > DU ER HELT NY - DU ER RETRO, Trapholt Kunstmuseum, Denmark, 2001. > IDEOLOGIA – THE NORDIC ART BIENNIAL, Goeteborg, Sweden, 2001. (Catalogue) > MY HOME IS YOUR HOME - YOUR HOME IS MY HOME, Tokyo Opera City Art Gallery, Tokyo, Japan, 2001. (Catalogue) > FOKUS PÅ FREMMEDE, Statens Museum for Kunst, Copenhagen, Denmark, 2002. > TOUCH - RELATIONAL ART FROM THE 1990s TO NOW, San Francisco Art Institute, San Francisco, USA, 2002. (Catalogue) Collection of Migros Museum, Zürich, Switzerland. Collection of Statens Museum for Kunst, Copenhagen, Denmark. Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > NFA – P.117 041 ANTONIO 2000 P.059 Photograph of a first generation refugee living in Copenhagen. On the photo the following text is written: ANTONIO - Second-hand work trousers by Kansas 35 DKK at Red Cross. Check patterned shirt 49 DKK at Bilka. Shoes by Vagabond 600 DKK at Birk Sko. Woollen socks 40 DKK at Føtex. Underwear by Calvin Klein 250 DKK. Mobile phone by Motorola (CD 930) 500 DKK. > ORGANISING FREEDOM, Moderna Museet, Stockholm, Sweden, 2000. (Catalogue) > JENS HAANING,Galleri Nicolai Wallner, Copenhagen, Denmark, 2000. > PERSONAL BRANDSCAPE, Migros Museum, Zürich, Switzerland, 2000. > ON THE SPOT, Public art project in Bern, Switzerland, 2000. > WONDERFUL COPENHAGEN, Stadtgalerie Kiel, Kiel, Germany, 2000. > AMBASSADEN, Koerners kontor, Copenhagen, Denmark, 2000. > BIENNALE DES ARTS, Dakar, Senegal, 2000. (Catalogue) > THE PYRAMIDS OF MARS, The Fruitmarket, Edinburgh, Scotland, 2000. > DU ER HELT NY - DU ER RETRO, Trapholt Kunstmuseum, Denmark, 2001. > IDEOLOGIA – THE NORDIC ART BIENNIAL, Goeteborg, Sweden, 2001. (Catalogue) > MY HOME IS YOUR HOME - YOUR HOME IS MY HOME, Tokyo Opera City Art Gallery, Tokyo, Japan, 2001. (Catalogue) > FOKUS PÅ FREMMEDE, Statens Museum for Kunst, Copenhagen, Denmark, 2002. > TOUCH - RELATIONAL ART FROM THE 1990s TO NOW, San Francisco Art Institute, San Francisco, USA, 2002. (Catalogue) Collection of Migros Museum, Zürich, Switzerland. Collection of Statens Museum for Kunst, Copenhagen, Denmark. Privat Collection. Courtesy: Galleri Nicolai Wallner, Copenhagen, Denmark / Johann König, Berlin, Germany. > VPD – P.006 NFA – P.117 P.057
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HELLO, MY NAME IS JENS HAANING IF Y
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CON- TENTS
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same time remains completely disint
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other goods and thus could be sold
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"agreeable" ones that reflect the t
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"The art is to fall so fast that yo
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overlooked the fact that an artist
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Right before Christmas last year, I
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tax-free prices foods such as salam
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anyway. Due to these links, new spe
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way can it surprise one and provide
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approaches, which are precisely abo
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picture of cultural import. At the
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Lars Bang Larsen, Glasgow. MANIFEST
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We have to remember that it was the
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and thereby aspires to a concrete f
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exhibition. But here a reversal too
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emancipation): in the leftist persp
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“The disappearance of utopia brin
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Hou Hanru, Paris INTERVIEW WITH JEN
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colours - seen from my point of vie
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the public works, where I have used
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TEXTS IN ORIGINAL LANGUA- GE
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le Verbe, à bien des égards, et p
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Kunsthalle. Pendant toute la durée
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l’attention des regardeurs vers s
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Ne pas parler pour les autres, mais
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Harald Fricke, Berlin EIN CAMP FÜR
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Wer andere Arbeiten des dänischen
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NBP P.164 Nicolas Bourriaud, Paris
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005, 010 066 065 064 NBP P.166 réa
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NBP P.168 de la mienne, "en situati
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NFA P.170 je nog even blijft zweven
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003 NFA P.172 vervaarlijk tegen je
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071 040-051 052-062 NFA P.174 Legol
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065 031 NFA P.176 hier ter gelegenh
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Verkettung dieser Felder werden kul
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USA oder Asien, Religionsstaat oder
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Damit aber entgeht er auch der Fall
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diese Überhöhung ist Haaning ange
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024, 065 031 LBLG P.188 Lars Bang L
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LBLG P.190 modsætningsforhold til
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023 LBLG P.192 that work. More spec
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LBLG P.194 — udgrænset og indtr
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LBLG P.196 Middelburg Summer 1996 v
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LBLG P.198 Verden forstener, hvis d
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ARTICLES/ REVIEWS/ CATALGUES (INCOM
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2000 HANRU, Hou and SANS, Jérôme
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CHOUAKRI, Medi (ed.), "Mehdi Chouak
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P.208 PHOTO CREDITS: Andreas Johnse