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lii.dy wort 10 o peson, Dlae, or thing i. history or .nolher wort <strong>of</strong> In@Nrc'<br />
Allusions e ond indiftr o. bd.f €f<strong>it</strong>@es ro *€ll-known ch<br />
zul (2006), tllkin! abdut allusivc.hdacterktics <strong>of</strong>the novel "lnvkiblc Man",3ho<br />
rtlLs rh€ rme poi orljs. l.visibl€ M!n--, *incn*nh ingmuny by Ralph wtldo<br />
Ellhon, isa man.rpi* by ilsell bn il al$ inrenwind inro every page one o! dore<br />
rllusions ro previously wr<strong>it</strong>hn6tceieces<br />
Allusiors aE ond used lo summdize biold, compl.x ideas or.motions in one quick.<br />
pos.rfal ina€e Scmclh (2001) sp€d{s <strong>of</strong> the pdnicul& l<strong>it</strong>dary re ol.llusions. He<br />
says. ln the sudy oalireErurc. an unde6tandinSorhoq lsnguaS. cFares mening is<br />
cs*nrial. One q!) thal \rrnc6 hci8hren or creare mcanins is fioush lhe u* <strong>of</strong>likta4<br />
allusions. lt is not neces$ry rhar rlllie l<strong>it</strong>c6ry wo&s hav. ro use illusion! but in cale<br />
orp@try. lh. !* <strong>of</strong> mdinsfil allusiors ued arflltrid.ly dc heidlens rhe ovc all<br />
impacl oi fie work. It h.lps d p.ot ro mnve] fi. complcx, sotnid or rll.gorical<br />
subjct httLr <strong>of</strong> his p@ms' wirh th. @nony oa wods, by sins suihble lllusio6.<br />
on the oihei hod. the lechnique <strong>of</strong>usins a number olaLlusions in a poem tes$ fte<br />
*nery od i.t llel@l l.vcls oaa Md.r ro conprhend $e livcn pm. Etiol is<br />
$p€cially lmous ior ch.llensing hk i*d.^ b rerd beN.ei rbe linesb appeiarc hh<br />
pdry in the p4ne <strong>of</strong> . bulkoldimr dd indired alhsions.<br />
As ld! as rhct ld8lh is.onc.md. dep€nding or rh.conrcrr dd n.rni.gfulne$ <strong>of</strong>rhe<br />
chosen prLr€. r cu b€ ! sin8le rord_ a ph.a$. a linc/snrene. a chmder or a<br />
lluarion. Tbey on b. direct quorationx rheoatic Efercn*i or srtkric imjt rions.<br />
who in lhc fom <strong>of</strong> a quotation, there is a di6ct corespondocc benl*n rhc lrods<br />
onc author uss to thos ol morbci, Allusiors pmvidc o great rcoh to thc rBders tbr<br />
vlrios po$ible intrprcr.riG <strong>of</strong> ! lirrcy pi* rutl <strong>of</strong> rltBionr. ftis is shai T S<br />
Eliot wonrs to achieve in his p.erry. LA, Richsds one dcscdbed ..The waste Land, 6<br />
'cquiv,lcnt in com€ bdepic. widour [rh. u$ or rllusioNl lwclvc books would<br />
have ben nesdcd.'Bythc use olallusionapoer Fn s, much more rhe is exprcssd<br />
in rh. tllBive wods th.melves" s4E 6n tins ro mind orh.r wo*s in p€n or e.rndy.<br />
Thh onm enablcs hiD or her ro lell .n epic or conlinuc on archer),pat imasc or<br />
nd+hor, wn<strong>it</strong> arlli.g his or hr oM int rpErlrion i.d c<strong>of</strong>tjburion b o atNld)<br />
pose ul lireFry rrcdnjon lvir,Lrin rhis nadirion, rh€ to4 imdin8 !adniotr <strong>of</strong>$.sorn<br />
l<strong>it</strong>craluE. nos <strong>of</strong> rhe th.m€s th{ hav. lo.g plzled ndkiid hav. ol@'ly ben<br />
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