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a Flologiol vdtag. poi in onlcr lo ftsare lcnpoal - od int Ged -<br />
hen ncuric.ncounts w<strong>it</strong>h lhc p<strong>of</strong>t in ftvoui olo log*nri€lly simllEn{us or<br />
sparirl - md objEdvc peeprion. Hc n tcrually describing Eli<strong>of</strong>t rh&bment<br />
sirh ih. rEd<strong>it</strong>ion.l (in Elioas ldguAe) *oirs <strong>of</strong> pasr. his oen lime Md n)rholoeictl<br />
conventions. McCunk (2001), stEskingolEliorsdedisotion ro Pound. r.l.les the hcts<br />
lo rhe EuFD€a Incnry tradiiion. Hc srtr: 'Ihe dedicarion ro Ea Pound tho ha t<br />
back ro rh. Toubadour pcls oi trclih-ccnlury Povchce, who "Eptwnr the origiis<br />
or gE r EuDp6b hdnions <strong>of</strong> hi8rr po.tic an. To Elior ihe @llotivc cflcd <strong>of</strong> lhc<br />
continenral lileEruc hod: vcr, sisnificet nle to p.ve rhe say lor a n.r l<strong>it</strong>e6tuG.<br />
Eliot shr.s "No poer has hn compl.le msnins alone, His signilictne, hh<br />
a4ei.rion, is rhe lppreidion oahis Ekrio 10 rh. d€ad pcll ed lnids (Ehor,<br />
2l?l), Elior *d <strong>of</strong>rhe opi.ioi lhal a lh con lation rnh the pa$ is salisliing to<br />
Elde6; h. @eriz.d the nced for. ncw 8.nE lo ddl silh lh. f.elingi oilhe p@plc<br />
who sutr Ed a lor i. rh€ poe-wr md4 Am.s, in his .sr dpl.ins Eliors i.rdrios<br />
aDd objectives <strong>of</strong>hh theory oircd<strong>it</strong>ion. He eys, iom Eliol's poinl <strong>of</strong>vi.w: 'Sidply<br />
reiiemting d c.ptine ol&. *orfis 6 nor doueh. inst !d. th. modch poct <strong>of</strong>ay rgc<br />
nustutilizebothfie'\rcdnion <strong>of</strong>rhoe who came b.lbrc and lhe individualr.lenf ol<br />
thos qho would add disii.ctiv.ns to th. hodeh wo|I Whl| Th. tule I'nl *rs<br />
publisled $E yed !ft6 'Irldirion .nd rhe Individuol Tslenr, n is $. s.<br />
philosoph] thar inspires boti works. .The Wsle L6nd utilizes rhe s.ntinoB <strong>of</strong><br />
''Iddnioi" in lha il is hishly allusiv., y.r. limutIarousl$ <strong>it</strong> is. .ew kind <strong>of</strong>Fxo.<br />
which jsclqrl, dillire 6om anlhing that cme b.forc. Clinlon (2001), r.lkin8 abour<br />
Kirk'swo on Eliot, hd sivcn r .umb* <strong>of</strong> facb rh.l re abour lllid s adh.Enc rd his<br />
l<strong>it</strong>€ry mntxrt he $ys: ..K<strong>it</strong>t ew in Elior ! vihl link b rh. p.n {d r ponising liDl<br />
to lhe iu re." ln his dicle, Clinron. quoin! Knk, h6s ricd io establish lill<strong>of</strong>s lnemry<br />
Fxnion by h@@ring him rirh sal lills &d lab.ls; hc spetJ <strong>of</strong>Eliol ii vcry ndy<br />
and blunr rnli.g, cauing hin \h. upnan Am6ic.n *ho took rhe Euopce l<strong>it</strong>edry<br />
esblhhncnl b! 3tom"i rhc iconel6lic pioner <strong>of</strong> Dctic<br />
ionovation .nd<br />
impFv.m.nr: $. omanric Eb.l Md crp.n ol $. *nhdics <strong>of</strong> ho!.1.$n6s: th.<br />
aiioCatrioiSinator0ndcmftsnan<strong>of</strong>ob{u<strong>it</strong>taDdinrignificancqrhem.nralltdi.eas.d<br />
FM.. rco-medievalisr .nd dclling AnSlican: lhc lileEl! aulhoikrian and sevcrc<br />
trodsen.r ond facililrtor<strong>of</strong>Drivil.g.d clile clss. Eihnd 0 ale spels ol Eliol s ech<br />
conl€xtuol ispirartoDs !o wi!. 'iThe w.d. l-d". "Thc w6l. knd (1922) is T s<br />
Elior's hallrcinarory visio. <strong>of</strong> rh€ nodcn mdFpolis, diacrly inspiEd by Cheler<br />
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