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life. Funnemor€, Karen tp€aks aboul $. sq Eliot h6 n6r€dv d.picrcd nk'!<br />
sp€.iauy tie alimlds oa World W.r I. in 'fhc Wste LcId-!.d prondnes 6'<br />
po€as &nical tron lnp(tunalil) ruccc$lulb pu( ioro Prerice H' els rhd b'<br />
aeining !@ndirim ol imp€mnalir, ..d implnillnv io h<strong>it</strong> sot( n isa kind <strong>of</strong>sign in<br />
rhich Eliot ems b bc dcfcndinS hin*lf and b) .xpMsioD. sict), l@m a<br />
Mppe'm@ <strong>of</strong> frnhef disosr4nc s ud @nllicls<br />
Anemolis (2002) obseryes the continrny oirh.mc lnd tchnique $rcush tne 5@n'1<br />
er.z. ollhe poeh i.c. os rhe lype ol tb. ph.noncnon so $e imaeerv H' sovs that u'e<br />
sonlenl<strong>of</strong>rhes4ondslaizdpr.scnlsastrrc&i{i(.ddiantasv!ikcqualilvth'rsmsto<br />
be based panly li<strong>of</strong>r the chaBcleristics <strong>of</strong>$c sc.ond pdn olfie pftvious nanza The<br />
ndne! in Rhichlhe emmenttut or d.velopment h held lhruugh line ll9 and ev'n rhe<br />
prosBsion <strong>of</strong> the .vcnins s!g!.38 that t couple is havins a othtr uninrerening'<br />
boins, rourine ercninsime in $hichlh.re is a rommunrcaton g.p.<br />
In lhe im.diately next lincs, An hotis Enarts thd tl. voices chdS' expos<strong>it</strong>g<br />
singly mhr.d mnrdtion .t in thc folb*tng lin.s:<br />
H.s b..n in the my fou yclrs h. wo.ts a 8o{'d nmc.<br />
And ifFo donr sive <strong>it</strong> hin, th@ s olh.6 !ill. I sid<br />
Oh is lh.G sle eid. Sohahing o tu( I eid<br />
Thd I U *now *ho to $sk sh. eid, .nd siv. n. ! stt ighr lek<br />
t43-l5l<br />
Th€s dialq!5 dd co.v.Ndons e quilc cxp6sile ol Elio6 'xplor'tioD or<br />
delantion <strong>of</strong> TlF wdre Isd E !h.ll<strong>of</strong>od oaodq afflid sd Eldio'ships This<br />
sbows lhal to Andolis thc p@t is suce$fullv devclopins hk thouehl i' iht p&m<br />
v.ry nuch in ecordo.e *nh his giv.n rh@Elical canons. M!'.in (2006). ih€ wnter <strong>of</strong><br />
lhe Spdk Noles. obses lhe shin <strong>of</strong> sryl. in lhi! lan sion <strong>of</strong>lhe p@m He adds ihar<br />
lomally and rhenalisll, rhe .ndins folloss a ptttcm <strong>of</strong> obsdsion dd rcsisnalio! '<br />
and thus, ils design shows $e spctkels .llcmPl al the conolusion lo fil vor' to<br />
E.ovale experien€ snd l*lings inro poetry (Manin 2006)<br />
h s*rio. lll t& ,,p s4uo,, th. th.mc hs bce. lbreSsuoded rift Lo'd Budhat<br />
adyie on seli-consol. A numbs <strong>of</strong> s.x orgi.s haYc b€en n@6d to show the<br />
oodempomry ld etiv<strong>it</strong>ies dd busircs vulsdietion He@ lgtin. th' poers feeli4s<br />
ehieve the erp.rience 5u8. Mccui* (2OOl) obscdB fi'ddic cum r*hnisl<br />
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