it e-bt..o ftrnrO. of T'g

.com6 r quotaio. in dothet. Eliot ha3' in his $orks dncdl) ond indicctlt alludcd
ro rhh ndteDiece a nunberofrimes. Forcrdmplc lines 60_63 of The waste Led"
Unda thc boM fos oar *inb d.wn,
A .mwd l owcd ov.r Londo Bndg., e DeY
I hld not rhou3ht d..lh h.d undom $ met
Coii.spond b,r,teDo! following lines:
E io, ch. rk!.rdi, vidi u.t nssm
chs SiMdo @Gvc bro mll,
ch. d ogrle pos ni ped i tc9a;
. di.rF le venla sl lun8. Itatt!
digcne, ch i no! dvcricrcduto
che none bo n av.$e disfara. (u. 52-7)
which rEndare !o ndn, (s quoiql bt Amet whq I lmk d agtin, I ea a aag
running in circLs so apidly lhal il semed to som aU Daus ed and it dere m. o
long ! rnin ofp@plc, lhat t Nould ior halc believed dead h3d undonc $ ndv.
(D!ri., J?) Thc lin. by Eliot Er.rs to . singlc scslet by Dst . sd tne n@ing or ir
hs bcn rh. lopic olqnicism for hudr.ds of ,€s- Nol only h6 Elio( sivo the
E.rlcracl@i6ag.otp.opLhv.6ingrhidg.b h.alesivcsth.@or.rions
and !cri(icd hhlor' ol /r,&rro lo enrich uid enhmcefie imtge The peopleon lhc
bridse in 'The wssrc l,rnd now secm lik.sho s de$e.dins inlo hell. Eliot@.llxlo
th. .nlden €dq, lhc sN fim /,te, .lon3 qilh his o*n *ods b tdm a .cs
@mbinrrion. Tl| "UnG.l cila is now a icfi imasc fiUd wi|n u.de
n, not only wnh t"/.ft, bul with other elcEnces in lr" ,/6d l.d ro London
In li.r 427 of Thc was. lid" Lsdon A dse brings rh. Brh lull circl.:
Fhhins, with th. rid pl.ir b.hind mc
Shrll I d le6l ser dy leds in odet
London Bridge h $lling doM fallingdo*n lallinsdown
Thc rh.ndic rhtmcs of TlE Wasl t nd lls add nor only lo e imag. of Yate
id" or Vodicii c)rlcs, bur fiet add .8!in b rhe richnes of dE plff wnhoot
131