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Lw cr<strong>it</strong>ics, most <strong>of</strong> ft€ pco sms in confomny $irh Eliols conapr ol<br />
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4,3 lnp.Boral<strong>it</strong>y rd -Th. Ldc Song ol J Alfr.d Prufrc.l,'<br />
''The Love soi8 <strong>of</strong> J. AllEd Prui@k is one <strong>of</strong>rhe Sleing erdples <strong>of</strong>lhe<br />
e$rblishm.nr or inp.Eooaliry (Objedvi c<strong>of</strong>tlaiive) in Elioas pcrry The n.in<br />
chmcd <strong>of</strong>rhc po€n, i.e. Pruarel, h thc pru||gorist ot the dmaric lh.ne <strong>of</strong>de<br />
poem. lt js an exminrtion <strong>of</strong>the lonur.n psychc <strong>of</strong>$e prorory?ic.l modcm man..<br />
ov.Educatd, .loq@nl, neumtic, od edolionalty stilr.d'- isplrtror6 2005). A v.ry<br />
inrersting facr abour rhe origin olthe noe -Prufrock h$ b@. gilen br Srephctr<br />
Srepdehev. He says rhal lhis nmr 16 suggencd bya lunnureconpany i! Sr. Loua,<br />
flioas binhplace {.400). H. ers $d ollleei* rhe nflc is $ m rhrt rhc reteDhon.<br />
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come lo know fte absoc. <strong>of</strong>lhe p@fs peBonatir] in thc depiclion oirh. said<br />
ch@ctcr. Pdtdk has bc.n shosn in roht snrd{ snn rhe nmrnric r@d ot<br />
chaBclcr depiction vhcre lh. roeLs soutd Ndte ro a tarse exrcnr 6r rh.n orn rboughrs<br />
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thc nincic n entury. spe.Lng lbdr rhc p@lt.t b€N*n rh. fom ud @nb. <strong>of</strong> rh.<br />
poem, Dall6 (l9l) wr<strong>it</strong>es, For exahple, The Love son! orj. A|i€d Prufimk reflccls<br />
a clos. omladon bct*en th. nea fffi od lhe fnSmdtcd, *.ndsin8 fioq <strong>of</strong><br />
Pruftcl\ though6. palicuhl! inco.n.dion trirhrbc unequat number o ines in rlr<br />
dilld.nt stanas sd fie vfiiable sp€h !hns. - I his skjt] is, ot @ur*, one ol rhe<br />
6sntial EquiEmnrJ <strong>of</strong>pnisi.S lhe imD€eDal efid in ! pen. HlE lhc pd hs<br />
ried. in 6 ssl dsl, |o show his Eade6 *hat h going on in lh€ mind ot rhe mlin<br />
.haBdsrolrhc p<strong>of</strong>r, The po.t dcs rot dp6 rhe emorions direrty: he evo*es lh.b<br />
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